本文選題：采茶舞 + 茶鄉(xiāng)��； 參考：《福建茶葉》2017年04期

【摘要】：在多元文化迅猛發(fā)展的今天,我們想要實現(xiàn)自身真正發(fā)展,不僅需要有效繼承傳統(tǒng)文化內(nèi)容,同時也需要對其進行發(fā)展創(chuàng)新,進而實現(xiàn)真正意義上的傳承。而從目前文化傳播教學狀況看,更多學生和老師對傳統(tǒng)采茶舞缺乏實質(zhì)性了解,可以說茶葉產(chǎn)地其文化藝術(shù)缺乏實質(zhì)性指導(dǎo)思路。造成這一問題的原因是多元的,但是從實質(zhì)上看,這主要和茶文化缺乏合理的展現(xiàn)渠道及途徑有很大關(guān)系。本文擬從采茶舞的形成過程及內(nèi)容認知入手,結(jié)合當前采茶舞及茶鄉(xiāng)本土音樂傳播過程中所存在的問題和不足,進而探索采茶舞中茶鄉(xiāng)本土音樂的具體傳承和弘揚思路。
[Abstract]:With the rapid development of multiculturalism, if we want to realize our own real development, we not only need to inherit the traditional cultural content effectively, but also need to develop and innovate it, so as to realize the real inheritance. From the current teaching situation of cultural communication, more students and teachers lack substantive understanding of the traditional tea dance, it can be said that the tea production area its cultural and artistic lack of substantive guidance. The causes of this problem are diverse, but in essence, it is mainly related to the lack of reasonable channels and channels of tea culture. This paper begins with the forming process and content cognition of tea picking dance, and combines the problems and shortcomings in the process of tea picking dance and local music dissemination in tea hometown, and then probes into the specific inheritance and promotion thought of local music in tea picking dance.
【作者單位】： 新疆工程學院;
【分類號】：J722.2

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