本文選題：翼城渾身板 + 傳承　； 參考：《廣西師范大學(xué)》2017年碩士論文

【摘要】：翼城渾身板作為一種傳承悠久的民間舞蹈藝術(shù),集舞蹈、音樂(lè)、健身于一體,具有重要的研究?jī)r(jià)值。本文通過(guò)對(duì)翼城縣地方特色民間舞蹈“渾身板”的田野調(diào)查,掌握盡可能多的資料,并通過(guò)對(duì)當(dāng)?shù)卣�、學(xué)校、民間等不同方面對(duì)渾身板藝術(shù)的發(fā)展繼承之比較,以及對(duì)渾身板古今發(fā)展情況之比較,從民俗學(xué)、人類(lèi)學(xué)的角度出發(fā),幫助人們更好的認(rèn)識(shí)、了解渾身板這門(mén)獨(dú)具特色的地方藝術(shù),以期能更好地幫助渾身板適應(yīng)現(xiàn)在社會(huì)的發(fā)展。緒論主要講述筆者選擇渾身板藝術(shù)為研究對(duì)象的原因及所具有的意義,對(duì)渾身板目前的研究發(fā)展情況進(jìn)行描述,并標(biāo)明寫(xiě)作此文的資料來(lái)源——包括文本和各種錄音資料,使用文獻(xiàn)研究和田野調(diào)查相結(jié)合的研究方法對(duì)調(diào)查對(duì)象進(jìn)行研究分析。第二部分主要是對(duì)翼城渾身板的一個(gè)總體詳細(xì)的介紹,包括渾身板發(fā)源地翼城縣的地理和生態(tài)壞境都進(jìn)行了描寫(xiě),并且將翼城渾身板現(xiàn)在擁有的不同種類(lèi)、表演人員、鼓譜以及樂(lè)器等做了全面介紹。第三部分主要寫(xiě)翼城渾身板的傳承。渾身板的傳承方式主要概括有三種:家庭傳承、群體傳承、媒體傳承。此外詳細(xì)的介紹傳承人的情況,具體從傳承人的來(lái)源、傳承人學(xué)藝動(dòng)機(jī)還有傳承人的生存情況幾方面來(lái)描述。第四部分主要寫(xiě)翼城渾身板與當(dāng)?shù)氐拿袼谆顒?dòng)彼此的影響、互動(dòng)。早期渾身板多與地方廟會(huì)活動(dòng)有密切的聯(lián)系,雙方彼此共榮,當(dāng)?shù)氐膹R會(huì)活動(dòng)上必然出現(xiàn)渾身板的身影,渾身板也讓廟會(huì)活動(dòng)更精彩。但隨著廟會(huì)的消失,渾身板失去了一個(gè)重要的舞臺(tái),作者通過(guò)比較這兩個(gè)不同的時(shí)期來(lái)說(shuō)明渾身板和這些民俗活動(dòng)的關(guān)系。最后則主要從審美意義和社會(huì)功能的理論角度來(lái)綜合分析翼城渾身板。
[Abstract]:As a traditional folk dance art, Yicheng body board has important research value, which integrates dance, music and fitness. This article through the local characteristic folk dance of Yicheng County "the whole body board" field investigation, grasps as much as possible the data, and through to the local government, the school, the folk and so on different aspect to the whole body plate art development inheritance comparison, And the comparison of the development of the whole body, ancient and modern, from the perspective of folklore and anthropology, to help people better understand and understand this unique local art. In order to better help the whole body to adapt to the development of society. The introduction mainly narrates the reason why the author chooses the whole body board art as the object of study and its significance, describes the current research and development of the whole body board, and indicates the source of the material for writing this article, including the text and various kinds of recording materials. The methods of literature research and field investigation were used to study and analyze the subjects. The second part is a general and detailed introduction to the whole body board of Yicheng, including the description of the geographical and ecological environment of Yicheng County, where the body board originated, and the different kinds of performers that the Yicheng body board now has. Drum spectrum and musical instruments are introduced in a comprehensive way. The third part mainly writes about the inheritance of the airfoil. There are three main ways of inheritance: family inheritance, group inheritance and media inheritance. In addition, the detailed introduction of the status of inheritors, from the heritage of the source, heritage of learning motivation as well as the survival of inheritors to describe several aspects. The fourth part mainly writes about the influence and interaction between Yicheng's whole body and local folklore activities. In the early days, most of the local temple fairs were closely linked with local temple fair activities, and both sides shared each other's prosperity. Local temple fair activities were bound to appear all over the body, and the whole body board also made the temple fair activities more exciting. However, with the disappearance of the temple fair, the whole body lost an important stage. The author compares the two different periods to explain the relationship between the whole body and these folklore activities. Finally, from the aesthetic significance and social function of the theory of comprehensive analysis of the airfoil.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J722.21

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