本文選題：《美學(xué)》 + 《判斷力批判》　； 參考：《舞蹈》2014年07期

【摘要】：正無論是康德的《判斷力批判》,黑格爾的《美學(xué)》,還是克羅齊的《美學(xué)》,諸多鴻篇巨著,都傾向于把美學(xué)納入整個哲學(xué)體系的一部分。無論是康德的《判斷力批判》,黑格爾的《美學(xué)》,還是克羅齊的《美學(xué)》,諸多鴻篇巨著,都傾向于把美學(xué)納入整個哲學(xué)體系的一部分。黑格爾認(rèn)為,美是理念的感性顯現(xiàn),提出了引發(fā)后人無限紛爭的"藝術(shù)終結(jié)說",有人認(rèn)為以哲學(xué)的理性把握藝術(shù)從而推導(dǎo)出的感性,從某種意義上講是一種貶低。事實上是沒能充分理解字表以下的全部內(nèi)涵,
[Abstract]:Whether it is Kant's critique of judgment, Hegel's Aesthetics, or Croce's Aesthetics, many monumental works tend to incorporate aesthetics into the whole philosophical system. Whether it is Kant's critique of judgment, Hegel's Aesthetics, or Croce's Aesthetics, many monumental works tend to incorporate aesthetics into the whole philosophical system. Hegel holds that beauty is the perceptual manifestation of the idea, and puts forward the "end of art theory", which leads to infinite disputes between the posterity. Some people think that it is a kind of belittling to grasp the sensibility of art with the rational philosophy. In fact, it does not fully understand the full meaning of the word table below,
【分類號】：J722.2
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本文編號：1784243