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楚袖舞體態(tài)研究

發(fā)布時(shí)間:2018-04-20 19:33

  本文選題:楚袖舞 + 袖子類別; 參考:《武漢音樂(lè)學(xué)院》2017年碩士論文


【摘要】:從歷史的長(zhǎng)河中看,不同歷史時(shí)期下的文化,影響著舞蹈的表現(xiàn)形式,相同歷史時(shí)間,不同的地域也呈現(xiàn)出舞蹈表現(xiàn)形式的差異,春秋戰(zhàn)國(guó)時(shí)期,楚國(guó)從中原遷徙到南方,將中原文化的精髓與南方蠻夷文化融合,創(chuàng)造出一種獨(dú)具地方特色的舞蹈藝術(shù),楚舞中的楚袖舞就是最具有代表性的種類之一。文獻(xiàn)資料《九歌》、《左傳》中就有對(duì)楚舞的記載,從這些記載中也可以探尋出楚袖舞在豐富多彩的楚舞中脫穎而出!俄n非子·五蠹》中“長(zhǎng)袖善舞”一詞就是對(duì)袖舞的高度認(rèn)可和贊美,而“長(zhǎng)袖細(xì)腰”的舞蹈形態(tài)一直影響著后代舞蹈發(fā)展,也成為中國(guó)袖舞的基礎(chǔ)形態(tài),袖舞屬于道具舞,但與一般的道具不同,長(zhǎng)袖屬于道具,但又屬于舞者的衣服,是道具也是肢體的延伸,與身體不可分割,袖舞的展現(xiàn)體現(xiàn)出,身與袖的相互輝映,動(dòng)身與舞袖相得益彰。戰(zhàn)國(guó)時(shí)期的楚國(guó)從衰敗逐漸走向興盛,國(guó)力的興盛為舞蹈藝術(shù)發(fā)展,提供了營(yíng)養(yǎng)豐富的土壤,在這片文化大融合的土地上,楚袖舞的發(fā)展,呈現(xiàn)出“飄逸、輕巧、神秘、自由”的風(fēng)格特征。形式上的豐富使得楚袖舞在袖舞歷史的花園中成為第一波綻放的花朵。也成為楚舞中濃墨重彩的一章。
[Abstract]:From the long river of history, the culture under different historical periods affects the expression form of dance. At the same historical time, different regions also show the difference of dance expression form. During the Spring and Autumn and warring States period, the Chu State migrated from the Central Plains to the south. The essence of the Central Plains culture and the southern barbarian culture are combined to create a unique dance art with local characteristics. Chu sleeve dance in Chu dance is one of the most representative kinds. Literature, "Nine songs", "Zuo Zhuan" contains records of Chu dance. From these records, we can also find out that the Chu sleeve dance stands out among the colorful Chu dances. The word "long sleeve good dance" in "Han Fei Zi five Bees" is the high recognition and praise of the sleeve dance. The dance form of "long sleeve and thin waist" has always affected the development of future generations' dance, and it has become the basic form of Chinese sleeve dance. Sleeve dance belongs to prop dance, but unlike most props, long sleeves belong to props, but they also belong to dancers' clothes. Props are also an extension of the body, inseparable from the body, sleeve dance shows that the body and sleeve reflect each other, departure and dance sleeve complement each other. During the warring States period, Chu gradually moved from decline to prosperity, and the prosperity of national strength provided the soil of rich nutrition for the development of dance art. In this land of cultural integration, the development of Chu sleeve dance presented "elegant, light and mysterious," The stylistic features of freedom. The rich form of Chu sleeve dance in the history of sleeve dance in the garden as the first wave of blooming flowers. Also become a chapter in Chu dance.
【學(xué)位授予單位】:武漢音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J722.4

【相似文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 游笛;楚袖舞體態(tài)研究[D];武漢音樂(lè)學(xué)院;2017年

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