本文選題：二人轉(zhuǎn)舞蹈 + 道具��； 參考：《吉林藝術(shù)學(xué)院》2017年碩士論文

【摘要】：二人轉(zhuǎn)舞蹈以其獨(dú)有特色的道具舞讓人眼花繚亂,贊嘆不絕。二人轉(zhuǎn)道具舞蹈形式新穎,花樣繁多,通過(guò)繽紛異彩、技藝絕妙的演出景象打動(dòng)人心,給人留下深刻印象。舞蹈藝術(shù)和二人轉(zhuǎn)藝術(shù)在道具舞這里有著交叉和碰撞的共同體,本文以二人轉(zhuǎn)道具舞蹈為研究對(duì)象,從舞蹈的角度進(jìn)行研究,分析常見(jiàn)的二人轉(zhuǎn)道具舞蹈類型,比較其多種道具舞蹈的共性和個(gè)性,從中提取舞蹈的整體性藝術(shù)特征,從其現(xiàn)有藝術(shù)形態(tài)入手,返溯二人轉(zhuǎn)道具舞蹈的深遠(yuǎn)文化淵源。本研究對(duì)致力于弘揚(yáng)東北地區(qū)璀璨的民間舞蹈文化有著實(shí)踐的意義;對(duì)其母體東北大秧歌的道具舞蹈教材的豐富性和建設(shè)性有著可鑒的意義;對(duì)東北地區(qū)充溢地域文化色彩的民間舞的保護(hù)性地繼承和改良式地創(chuàng)新均有著積極的探索意義。
[Abstract]:Two people dance with its unique characteristics of props dance dazzling, praise.The dance form of the props is novel, variety, through the colorful, wonderful performance scene to impress people.There is a cross and collision community between the dance art and the two-person dance here. This paper takes the two-person rotation props dance as the research object, studies the dance from the angle of dance, and analyzes the common dance types of the two-person rotation props dance.By comparing the commonness and individuality of various props dance, this paper abstracts the whole artistic characteristics of dance, starts with its existing artistic form, and goes back to the profound cultural origin of Errenhuan props dance.This study has practical significance for carrying forward the resplendent folk dance culture in Northeast China, and has instructive significance for the richness and constructive nature of the props dance teaching materials of its mother Northeast Yangko.It has positive exploration significance to the protective inheritance and improved innovation of folk dance which is full of regional culture in Northeast China.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.21

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