本文選題：山東日照 + 水族舞　； 參考：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：水族舞是山東日照沿海地區(qū)漁民長(zhǎng)期生產(chǎn)勞作的積淀,以動(dòng)作、造型模仿水族生物形態(tài),糅合當(dāng)?shù)孛耖g歌謠為一體的具有娛神色彩的群體性民間祭祀歌舞活動(dòng),是山東日照地區(qū)海洋民俗文化典型的活態(tài)遺留物之一,具有濃郁的地域代表性;以往的水族舞研究過(guò)多專注于水族舞的民俗文化、歷史沿革和海洋信仰等方面的探討,對(duì)水族舞的文化屬性和社會(huì)功能缺乏本質(zhì)研究。本文以舞蹈人類學(xué)的田野調(diào)查方法和研究視角為切入點(diǎn),對(duì)山東日照“水族舞”進(jìn)行全面的觀察與剖析,側(cè)重關(guān)注了水族舞發(fā)展過(guò)程中人的行為演變,旨在通過(guò)研究群體的言行舉止以及生活行為,揭開(kāi)水族舞背后蘊(yùn)藏的社會(huì)功能與文化屬性,凸顯水族舞在日照漁民文化發(fā)展中的特殊地位和文化價(jià)值;以舞蹈人類學(xué)為理論基礎(chǔ),將水族舞視作個(gè)案研究,通過(guò)對(duì)水族舞進(jìn)行挖掘與整理,嘗試尋找民俗舞蹈發(fā)展的通似,旨在為舞蹈人類學(xué)的學(xué)科發(fā)展略盡綿薄之力。本文由緒論、三章正文和結(jié)論組成。第一章緒論部分通過(guò)對(duì)水族舞的概述,來(lái)闡述了水族舞的研究?jī)r(jià)值以及本論文的理論思考與研究方法的價(jià)值。第二章通過(guò)查閱資料,對(duì)日照沿海地區(qū)自然人文環(huán)境進(jìn)行歸納,概述了水族舞的兩種形態(tài)轉(zhuǎn)變。第三章以濤雒鎮(zhèn)王家村為主要田野考察點(diǎn),對(duì)王家村整體的社會(huì)結(jié)構(gòu)進(jìn)行了考察、分析,大量走訪與訪談民間藝人,來(lái)明證水族舞的源起、演變與傳承,由此強(qiáng)調(diào)了水族舞生存空間的重要性。第四章通過(guò)對(duì)王家村藝術(shù)團(tuán)復(fù)排后的現(xiàn)狀、及運(yùn)行狀態(tài)進(jìn)行深入的探討,從傳承人、演員、觀眾三位一體的角度,對(duì)復(fù)排后的水族舞進(jìn)行文化考略,并闡述其意義。通過(guò)上述論證,得出結(jié)論:水族舞在發(fā)展與傳承中,已經(jīng)發(fā)生了質(zhì)變。從水族舞復(fù)排的過(guò)程我們可以看到,人的行為無(wú)時(shí)無(wú)刻不在影響著文化的變更;政府扶持下的水族舞復(fù)排,在一定程度上屬于新的“發(fā)明”。無(wú)論水族舞怎樣編排,只有抓住文化功能這片活水的源頭,才能理清它由何而來(lái),往何處去。
[Abstract]:Aquarium dance is the accumulation of long-term production and labor of fishermen in the coastal areas of Rizhao, Shandong Province. It simulates the biological form of the aquarium and combines the local folk ballads as a whole, which is a mass folk sacrificial song and dance activity with the color of entertainment god.It is one of the typical living relics of marine folklore culture in Rizhao area of Shandong Province, and has strong regional representation. The past studies of aquarium dance have focused too much on the folk culture, historical evolution and marine belief of aquarium dance.Lack of essential research on the cultural attribute and social function of Shui nationality dance.Based on the field investigation method and research angle of dance anthropology, this paper makes a comprehensive observation and analysis on the "Shui nationality Dance" in Rizhao, Shandong Province, focusing on the evolution of the behavior of the people in the development process of the "Shui nationality Dance".The purpose of this paper is to reveal the social function and cultural attribute behind the aquatic dance by studying the behavior and behavior of the group, and to highlight the special position and cultural value of the aquarium dance in the cultural development of Rizhao fishermen.Based on the theory of dance anthropology, the author regards Shui nationality dance as a case study, and tries to find out the similarities of folk dance development through excavating and sorting out water nationality dance, in order to contribute a little bit to the subject development of dance anthropology.This paper is composed of introduction, three chapters and conclusions.The first chapter introduces the research value of Shui nationality dance and the value of the theoretical thinking and research method of this paper.The second chapter summarizes the natural and humanistic environment of Rizhao coastal area and summarizes the changes of two forms of Shui nationality dance.The third chapter, taking Wang Jia Village in Tao Luo Town as the main field investigation point, investigates the overall social structure of Wang Jia Village, analyzes, interviews and interviews with folk artists in large numbers to prove the origin, evolution and inheritance of the aquatic dance.Therefore, the importance of the living space of the aquatic dance is emphasized.The fourth chapter through the Wangjiacun Art Troupe after the status quo, and the operation of the in-depth discussion, from the heritage of the person, actors, audience in the perspective of trinity, after the re-arrangement of the Shuizu dance cultural examination, and elaborated its significance.Through the above argument, draw a conclusion: in the development and inheritance of water dance, has undergone qualitative change.We can see from the process of Shuizu dance rearrangement that people's behavior influences the change of culture all the time, and that the aquarium dance rearrangement supported by the government is, to some extent, a new "invention".No matter how the water dance is arranged, only by grasping the cultural function as the source of the living water can we understand where it comes from and where it goes.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.2

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