本文選題：滇東北 + 彝族　； 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：我國(guó)在舞蹈藝術(shù)道路上呈現(xiàn)出千姿百態(tài)的景象,重要原因之一是因?yàn)槲覈?guó)自古以來(lái)就是一個(gè)多民族的國(guó)家,各民族舞蹈文化的相互影響、相互交流與相互吸收,形成了如今舞蹈藝術(shù)百花齊放的場(chǎng)面。在我國(guó)眾多少數(shù)民族之中,彝族是最古老的民族之一,特別是在中國(guó)西南地區(qū),彝族占據(jù)人口較多,其中,主要分布在云南、四川和貴州三省,具有大雜居小聚居的特點(diǎn),但由于生活環(huán)境,社會(huì)形態(tài)的不同,對(duì)于基本的禮節(jié)風(fēng)俗習(xí)慣大體一致,而細(xì)節(jié)部分則也有不同之處,比如,服飾上有所不同,平原地區(qū)與壩區(qū)的彝族服飾顯得大氣隆重;而高山上的彝族,服飾就會(huì)相對(duì)簡(jiǎn)單,上衣和下裝都比較偏短,便于生產(chǎn)勞作等。包括彝族的語(yǔ)言發(fā)音,都會(huì)隨著地區(qū)的不同而有所區(qū)別,但大方向是不變的。在這些不同的彝族生活地區(qū)中,加之支系與支系之間歌舞的表現(xiàn)形式也有較大的不同,也就形成了彝族各地區(qū)的地域特色和豐富多彩的彝族歌舞歷史。云南滇東北地區(qū)彝族舞蹈五彩紛呈,內(nèi)容豐富,形式多樣,是該地區(qū)人民一份極為珍貴的文化遺產(chǎn)。而在當(dāng)今的舞蹈創(chuàng)作中,仍然存在一些只重視舞蹈表現(xiàn)形式,對(duì)于民族民間舞蹈特有的核心元素只浮于表面,更有大多編創(chuàng)者因創(chuàng)新丟失了民族民間舞蹈的風(fēng)格屬性,結(jié)果導(dǎo)致了民族民間舞蹈的風(fēng)格特征缺陷。本文主要以云南滇東北地區(qū)彝族舞蹈為研究對(duì)象,通過(guò)分析滇東北地區(qū)所包含的三個(gè)地區(qū):彝良地區(qū)、永善地區(qū)、鎮(zhèn)雄地區(qū)這三個(gè)地區(qū),將云南滇東北地區(qū)彝族舞蹈放置在歷史發(fā)展和傳統(tǒng)文化的縱向坐標(biāo)中,及該地區(qū)彝族舞蹈在社會(huì)生活中的作用和地位的橫向坐標(biāo)中,抓住以該地區(qū)彝族舞蹈獨(dú)有的風(fēng)格特點(diǎn)為脈絡(luò),挖掘整理其舞蹈的表現(xiàn)形式和動(dòng)作語(yǔ)匯,探究動(dòng)作形態(tài)成因,提出發(fā)展趨勢(shì)及保護(hù)的對(duì)策。整篇文章包括緒論、四個(gè)章節(jié)和結(jié)語(yǔ)六個(gè)部分。第一章,緒論主要介紹了研究背景與意義,研究現(xiàn)狀與文獻(xiàn)綜述,研究?jī)?nèi)容與研究目的,研究方法與途徑;第二章,概況自然地理及族源歷史文化;第三章,介紹滇東北地區(qū)彝族舞蹈的種類與風(fēng)格特征;第四章,立足田野調(diào)查,從喪葬、婚俗、祭祀、生產(chǎn)勞動(dòng)四大類來(lái)進(jìn)行滇東北地區(qū)彝族舞蹈動(dòng)作語(yǔ)匯的解析,論述彝族舞蹈的傳承現(xiàn)狀;第五章,結(jié)合挖掘滇東北地區(qū)彝族舞蹈對(duì)我們的啟迪,強(qiáng)調(diào)需要對(duì)云南彝族特色文化進(jìn)行保護(hù)發(fā)揚(yáng),及思考如何運(yùn)用到作品創(chuàng)作中、民族民間舞蹈教學(xué)中,從而體現(xiàn)出研究該地區(qū)彝族舞蹈的真正價(jià)值所在。本文所實(shí)證研究的滇東北地區(qū)彝族舞蹈,能夠幫助我們領(lǐng)會(huì)和了解該地區(qū)彝族文化及社會(huì)生活形態(tài),通過(guò)對(duì)音樂(lè)、服飾、道具、舞蹈動(dòng)作、隊(duì)形調(diào)度的分析與說(shuō)明,從中而挖掘出彝族舞蹈的表現(xiàn)形式及種類繁多的動(dòng)作語(yǔ)匯,為編創(chuàng)者提供更多的靈感與素材,以及能夠?yàn)楦咝Ｎ璧附虒W(xué)提供一些借鑒。
[Abstract]:One of the important reasons is that our country has been a multi-national country since ancient times, and the dance culture of all nationalities has influenced each other, exchanged and absorbed each other.Now the art of dance formed the scene of blooming.Among the many ethnic minorities in China, the Yi nationality is one of the oldest ethnic groups, especially in southwest China, where the Yi ethnic group occupies a large population, mainly in Yunnan, Sichuan and Guizhou provinces, with the characteristics of large mixed settlements and small settlements.However, due to the difference of living environment and social form, the basic customs and customs of etiquette are generally the same, and the details are different. For example, the dress of Yi nationality in plain area and dam area is grand.On the other hand, the Yi people in the high mountains will be relatively simple in clothing, short in coat and lower, and easy to produce and work.Including the Yi language pronunciation, will vary from region to region, but the general direction is unchanged.In these different living areas of Yi nationality, and the different forms of singing and dancing between branches and branches, the regional characteristics and rich history of Yi people's songs and dances are formed.The dance of Yi nationality in northeast Yunnan is a precious cultural heritage with rich contents and various forms.However, in today's dance creation, there are still some people who only attach importance to the form of dance expression, only floating on the surface of the core elements of folk dance, and most of the creators have lost the style attributes of folk dance because of innovation.The result is that the style of folk dance is defective.This paper mainly takes the dance of Yi nationality in Northeast Yunnan as the research object, through analyzing the three regions of Northeast Yunnan: Yiliang region, Yongshan area, Zhenxiong area.This paper puts the Yi dance in the vertical coordinate of the historical development and the traditional culture, and the horizontal coordinate of the function and position of the Yi nationality dance in the social life in this area.Taking the unique style characteristics of Yi nationality dance in this area as the context, this paper excavates and arranges the expression form and action vocabulary of the dance, probes into the causes of the movement form, and puts forward the development trend and protection countermeasures.The whole article includes six parts: introduction, four chapters and conclusion.The first chapter, introduction mainly introduces the research background and significance, the research present situation and the literature review, the research content and the research goal, the research method and the way; the second chapter, the overview natural geography and the clan origin history culture; the third chapter,This paper introduces the types and style characteristics of Yi dance in Northeast Yunnan. Chapter four, based on field investigation, analyzes the dance action vocabulary of Yi nationality in Northeast Yunnan from the following four categories: funeral, marriage custom, sacrifice, production and labor.The fifth chapter, combined with the enlightenment of Yi dance in northeast Yunnan, emphasizes the need to protect and carry forward the characteristic culture of Yi nationality in Yunnan, and how to apply it to the creation of works.In the teaching of folk dance, it reflects the real value of studying Yi nationality dance in this area.The dance of Yi nationality in northeast Yunnan can help us understand and understand the culture and social life of Yi nationality in this area, through the analysis and explanation of music, costumes, props, dance movements and formation scheduling.From it, the author excavates the expression forms and various action words of Yi nationality dance, provides more inspiration and material for the creators, and can provide some reference for the dance teaching in colleges and universities.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.2

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