本文選題：鄒城陰陽(yáng)板　切入點(diǎn)：形態(tài)分析　出處：《山東師范大學(xué)》2017年碩士論文

【摘要】：隨著現(xiàn)代社會(huì)的發(fā)展,人們?cè)趯?duì)物質(zhì)生活條件的滿足后,對(duì)精神需求的要求也發(fā)生了轉(zhuǎn)變,傳統(tǒng)藝術(shù)文化越來(lái)越受到人們的關(guān)注并在人們的生活中所占的比重日益上升。長(zhǎng)期以來(lái)隨著時(shí)代的變遷和城市化進(jìn)程,不少非物質(zhì)文化遺產(chǎn)正慢慢消失,這不得不激起人們對(duì)非物質(zhì)文化遺產(chǎn)予以保護(hù)和發(fā)展的意識(shí)。非物質(zhì)文化遺產(chǎn)的核心特征是以人為本,其價(jià)值內(nèi)涵就蘊(yùn)藏在技藝、經(jīng)驗(yàn)和文化精神都是以人為基本核心,其中活態(tài)演變是非遺最重要的本質(zhì)特征,最強(qiáng)調(diào)非物質(zhì)的屬性,同時(shí)也突出強(qiáng)調(diào)文化品質(zhì)的精神性。2007年陰陽(yáng)板入選山東省首批非物質(zhì)文化遺產(chǎn)名錄,與此同時(shí)對(duì)鄒城陰陽(yáng)板的傳承與保護(hù)也引起了相關(guān)人士的關(guān)注。陰陽(yáng)板屬祭祀求雨舞蹈中的一種。祈雨,又叫求雨,是圍繞著農(nóng)業(yè)生產(chǎn)、祈求豐收的巫術(shù)活動(dòng)。祭祀求雨是古代先民最為重要且十分隆重、范圍廣泛的民俗活動(dòng),在人們?nèi)粘Ｉ钪?影響一年豐收最重要的因素是降雨,求雨舉行的祭祀活動(dòng)多種多樣,流傳甚廣,是我國(guó)歷史乃至現(xiàn)在較為重要的舞蹈表現(xiàn)形式。祭祀祈雨是以犧牲、樂(lè)舞等來(lái)取悅神靈,求其降雨。在先人的眼中,神靈講究因果關(guān)系,他們?cè)诮邓鉀Q人們干旱問(wèn)題之前,神靈可以從人間獲得物質(zhì)和精神方面的享受。陰陽(yáng)板是祭祀求雨舞蹈,流傳在鄒城市東部山區(qū),其主要的特征是配合兩板敲擊成樂(lè)進(jìn)行舞蹈,故稱“打陰陽(yáng)”,在中國(guó)歷史上已存在400多年。筆者旨在以對(duì)鄒城陰陽(yáng)板的起源歷史、本體特征、文化本質(zhì)、繼承發(fā)展等四個(gè)方面進(jìn)行全方面的整理、分析。筆者在本文中運(yùn)用了田野考察法、觀察法、文獻(xiàn)法、訪談法等研究方法,針對(duì)田野考察中獲得的一手素材資料進(jìn)行科學(xué)、針對(duì)性的分析研究,探究陰陽(yáng)板的舞蹈動(dòng)作特點(diǎn)和藝術(shù)特色。在引言部分闡述了陰陽(yáng)板起源以及發(fā)展的意義,并對(duì)國(guó)內(nèi)外主要的研究成果和借鑒過(guò)來(lái)的研究方法進(jìn)行分析,并以鄒城市所處的地理位置、自然環(huán)境與社會(huì)歷史環(huán)境、文化傳承等資料為研究基礎(chǔ),探究鄒城陰陽(yáng)板的源起形成,對(duì)舞蹈本體進(jìn)行形態(tài)的分析。其中將重點(diǎn)分析陰陽(yáng)板的舞蹈動(dòng)作、表演形式和打擊樂(lè)伴奏等藝術(shù)形態(tài),對(duì)陰陽(yáng)板藝術(shù)的基本表演形態(tài)做出整理,便于對(duì)后續(xù)的研究工作做好鋪墊。另外本文將鄒城陰陽(yáng)板置于中國(guó)傳承悠久的傳統(tǒng)文化影響之下,對(duì)服飾設(shè)計(jì)、道具制作、場(chǎng)圖繪制中蘊(yùn)含的文化意義進(jìn)行深入分析,將“和諧意識(shí)”的儒家觀念和農(nóng)耕文化對(duì)鄒城陰陽(yáng)板的影響進(jìn)行一定的解讀。本文將從從文化、社會(huì)、藝術(shù)三個(gè)方面探討鄒城陰陽(yáng)板的價(jià)值,依據(jù)調(diào)查所獲取的資料,探究鄒城陰陽(yáng)板的傳承與發(fā)展。
[Abstract]:With the development of modern society, people's requirements for spiritual needs have also changed after the material living conditions have been satisfied. Traditional art culture has been paid more and more attention to and its proportion in people's life is increasing. For a long time, with the change of times and the process of urbanization, many intangible cultural heritages are gradually disappearing. This has to arouse people's awareness of the protection and development of intangible cultural heritage. The core feature of intangible cultural heritage is people-oriented. Among them, the evolution of the living state is the most important essential feature of the non-heritage, with the most emphasis on the immaterial attribute and the spiritual nature of the cultural quality. In 2007, the Yin and Yang plates were selected as the first batch of intangible cultural heritage lists in Shandong Province. At the same time, the inheritance and protection of the Yin and Yang plates in Zoucheng have also attracted the attention of relevant personages. Yin and Yang boards are a kind of dance of sacrificial worship for rain. It is also called "seeking rain", which revolves around agricultural production. Pray for a good harvest of witchcraft activities. Sacrifice to rain is the most important and grand ancient folk activities, a wide range of folk activities, in people's daily life, the most important factor affecting the harvest of a year is rainfall, There are many kinds of sacrificial activities held for rain, which are widely spread and are more important forms of dance in the history and present of our country. Sacrifice, music and dance are used to please the gods and beg for rain. In the eyes of the ancestors, Gods pay attention to causality, they can get material and spiritual enjoyment from human beings before precipitation can solve people's drought problem. Yin Yang Board is a dance of offering sacrifices to rain, which spreads in the eastern mountain area of Zoucheng City. Its main characteristic is to dance with two boards percussion into music, so it is called "beating yin and yang", which has existed in Chinese history for more than 400 years. The author aims to analyze the origin history, ontology and cultural essence of Zoucheng Yin and Yang Board. In this paper, the author uses the methods of field investigation, observation, literature, interview and so on to carry out scientific research on the materials obtained in the field investigation. In the foreword part, the origin and development significance of yin-yang plate are expounded, and the main research results and methods used for reference at home and abroad are analyzed. On the basis of the study of Zoucheng's geographical position, natural environment, social and historical environment and cultural heritage, this paper explores the origin of Zoucheng's Yin and Yang plates. Analysis of dance Noumenon. Among them will focus on the analysis of Yin and Yang dance movements, performance forms and percussion music accompaniment and other artistic forms, and make arrangements for the basic performance form of Yin and Yang Board art. In addition, this paper puts Zoucheng Yin and Yang Board under the influence of China's long tradition culture, and deeply analyzes the cultural significance of costume design, props making and field map drawing. This article will discuss the value of Zoucheng Yin-Yang Board from three aspects of culture, society and art, and according to the data obtained from the investigation, the author will interpret the influence of "harmonious consciousness" Confucianism and farming culture on Zoucheng's Yin and Yang plate. To explore the inheritance and development of Zoucheng Yin and Yang.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.29

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