本文選題：河北昌黎　切入點：秦皇島昌黎　出處：《舞蹈》2015年10期

【摘要】：正河北秦皇島昌黎地秧歌作為河北省極具代表性的民間藝術形式,在產(chǎn)生、傳承的過程中,受特定時間與空間的制約,表演呈現(xiàn)了不同程度上的本體形式和形態(tài)上的變化。作為當?shù)靥囟ㄉ鐣Y構中的文化表現(xiàn)形式,昌黎地秧歌展現(xiàn)的是當?shù)靥赜械牡赜蛭幕h(huán)境所折射的舞蹈藝術表象,在民間藝人長期的互動與共進中,河北昌黎地秧歌的舞蹈表演形態(tài)不斷地通過民間藝人的身體語言進行書寫和演化。近幾年,隨著非物質文化遺產(chǎn)對民間藝術保護的大力支持,昌黎地秧歌也越來越為城市中各階層群體所熟知和接
[Abstract]:As a representative folk art form in Hebei Province, Yangko in Changli County, Qinhuangdao, Hebei Province, is restricted by specific time and space in the process of producing and inheriting. As a form of cultural expression in the local specific social structure, the Yangko in Changli shows the artistic appearance of dance reflected by the unique local regional cultural environment. During the long-term interaction and development of folk artists, the dance performance form of Yangge in Changli County, Hebei Province, has been continuously written and evolved through the body language of folk artists. In recent years, with the strong support of intangible cultural heritage for the protection of folk art, Changli Yangko is becoming more and more familiar to all social strata in the city.
【分類號】：J722.211
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本文編號：1674361