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從重復技法的角度看《印象》

發(fā)布時間:2018-03-16 23:23

  本文選題:韋特海姆 切入點:諾亞 出處:《舞蹈》2014年12期  論文類型:期刊論文


【摘要】:正通過對現代舞作品《印象》中的重復性動作進行分析,找尋動作重復的理性方式,并分別在動作重復與疊加、動作重復與時空變化兩方面進行具有實際應用的價值性。動作"重復"恰恰也是《印象》這部作品的編導對于作品主題所要表達的內涵,因此,從重復編舞的技法對于《印象這部作品進行分析,既有技術性價值,又起到解讀作品的作用�!队∠蟆�(Reshimo)是由諾亞·韋特海姆(NoaWERTHEIM)創(chuàng)作,以色列維帝戈舞蹈團(Vertigo Dance Company)表演的現代舞作品。Reshimco一詞來源于希伯來文,編舞家諾亞深受猶太教卡巴拉(Kabbalistic)教派的影響,試圖通過作品引發(fā)"圣光消失后光影所帶給人們的啟示",展現了人與神、人與靈魂的對話與思考�,F代舞的欣賞是個
[Abstract]:Through the analysis of the repetitive movements in the modern dance works "impression", we are looking for the rational way to repeat the movements, and to repeat and superposition the movements respectively. Action repetition and space-time change have practical application value. Action "repetition" is exactly the connotation of "impression" for the theme of the work, therefore, In terms of the techniques of repetitive choreography, the analysis of impressions is of both technical value and interpretation. [impression] Reshimo was created by Noah Wertheim (Noa WERTHEIMM). The modern dance by Vertigo Dance Company, performed by the Israeli Vitigo Dance Company, comes from Hebrew, and the choreographer Noah is deeply influenced by the Jewish Kabbalistic sect. This paper attempts to create "the revelation of light and shadow after the disappearance of the holy light" through the work, which shows the dialogue and thinking between man and God, between man and soul. The appreciation of modern dance is a
【分類號】:J732.5
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本文編號:1622146

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