本文關(guān)鍵詞： 儺舞 椏溪跳五猖 象征符號 非物質(zhì)文化遺產(chǎn)保護　出處：《東南大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：儺舞,是一種以鬼神信仰為核心,通過面具等道具溝通人——神,并以祈福禳災(zāi)、請神逐鬼為目的的祭祀舞蹈。長期以來,學(xué)者對舞蹈的研究,只是單純的對純舞蹈本身的研究,比較關(guān)注舞蹈的精致、典雅、工整和純藝術(shù)的審美咀嚼,而往往忽略非藝術(shù)化的行為企求。因此,在我們解讀舞蹈背后的文化意義時,應(yīng)將其置于更為廣泛的社會民俗語境中去考察研究。南京高淳儺文化資源豐富,椏溪跳五猖作為儺文化的重要遺存,蘊藏著豐富的文化內(nèi)涵。1956年椏溪跳五猖參加了江蘇省舞蹈會演,得到專家的贊賞并獲獎。1985年,高淳縣椏溪跳五猖被選入《中國民間舞蹈集成》(江蘇卷)。2007年被列入南京市第一批非物質(zhì)文化遺產(chǎn)保護名錄目；2009年,又被列為江蘇省第二批非物質(zhì)文化遺產(chǎn)名錄項目。但是,對高淳地區(qū)儺舞的學(xué)術(shù)性研究仍存在較大缺口。本文選取椏溪鎮(zhèn)的儺舞跳五猖作為研究對象,通過通過文化人類學(xué)與藝術(shù)研究相結(jié)合的研究方法,更多的關(guān)注到舞蹈與其他文化事項的聯(lián)系。運用符號學(xué)、象征及隱喻學(xué)說,對椏溪跳五猖舞蹈中的道具及行為方式進行多角度的文化闡釋。第一章是對椏溪跳五猖生存環(huán)境的解析。筆者多次前往高淳椏溪鎮(zhèn),通過田野調(diào)查探究自然環(huán)境、人文環(huán)境以及當(dāng)?shù)厝嗣竦男叛鲇^對舞蹈的發(fā)生及變化產(chǎn)生的影響。第二章筆者通過當(dāng)?shù)乩先说拿枋鼋Y(jié)合歷史文獻記載,從人類學(xué)和社會學(xué)的角度揭示椏溪跳五猖文化功能的變遷,并具體地對當(dāng)代跳五猖的動作、陣型、道具及儀式進行分析。第三章運用符號學(xué)的理論方法,解讀椏溪跳五猖中的文化符號,剖析儺舞的文化功能,進一步理解當(dāng)代語境中椏溪儺舞的文化變遷。第四章將椏溪跳五猖與同樣祭祀祠山大帝的儺舞跳幡神以及江蘇省內(nèi)傳播范圍最廣的儺舞跳財神進行比較研究,探究椏溪跳五猖的文化特點。第五章,筆者對椏溪跳五猖的保護現(xiàn)狀進行研究,從非物質(zhì)文化遺產(chǎn)保護角度出發(fā),探討新的保護模式。
[Abstract]:Nuo dance is a kind of sacrificial dance which takes the belief of ghosts and gods as the core, communicates people and gods through masks and other props, and requests God to banish ghosts. For a long time, the study of dance by scholars has only been a simple study of pure dance itself. More attention is paid to the exquisite, elegant, neat and pure artistic aesthetic mastication of dance, while the non-artistic behavior is often neglected. Therefore, when we interpret the cultural meaning behind the dance, It should be studied in a wider context of social folklore. The Nuo culture of Gaochun in Nanjing is rich in resources, and Jiaxi Jaowu is an important relic of Nuo culture. In 1956, Jiaxi jumped five rages to participate in the Jiangsu dance show, received the appreciation of experts and won the award. In 1985, Gaochun County Jiaxi Jaowu was selected into the "Integration of Chinese Folk Dance." in 2007, it was listed as the first list of intangible cultural heritage in Nanjing, and in 2009, it was also listed as the second batch of intangible cultural heritage list items in Jiangsu Province. There is still a big gap in the academic research of Nuo dance in Gaochun area. More attention is paid to the relationship between dance and other cultural issues. The use of semiotics, symbolism, and metaphorical theory, The cultural interpretation of props and behavior patterns in the five- rampant dance of Yaxi is carried out from various angles. The first chapter is an analysis of the living environment of Jiaxi Jaowu. The author went to the town of Gaochun River for many times to explore the natural environment through field investigation. The impact of the humanistic environment and the belief of the local people on the occurrence and change of dance. Chapter two: the author combines the historical documents with the description of the local old people. From the angle of anthropology and sociology, this paper reveals the changes of the cultural function of Jaixi Jaiwu rampant, and analyzes the action, formation, props and rituals of the contemporary Jaiwu epidemic specifically. Chapter three uses the semiotics theory method. Unscrambling the cultural symbols in the five rages of Yaxi, and analyzing the cultural functions of Nuo dance, Further understanding of the cultural changes of Nuo dance in the contemporary context. Chapter 4th makes a comparative study of the five- rampant dance of Yaxi, the banners of the Nuo dance of the same sacrificial temple mountain the Great and the most widely spread Nuo dance of the province of Jiangsu Province, the God of Wealth. In Chapter 5th, the author studies the current situation of the protection of Jaixi Jaowu epidemic, and discusses the new protection mode from the perspective of the protection of intangible cultural heritage.
【學(xué)位授予單位】：東南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J722.29

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本文編號：1545683