本文關(guān)鍵詞： 漢畫 鼗鼓舞 形態(tài) 巫樂　出處：《北京舞蹈學(xué)院學(xué)報》2017年04期 　論文類型：期刊論文

【摘要】：漢畫中的鼗鼓舞表演形態(tài)多樣,本文以圖像結(jié)合文獻的考據(jù)方式探討、論述鼗鼓舞的形態(tài)演變,認為鼗鼓的導(dǎo)樂、節(jié)樂、終樂的功能,形成了以鼗鼓等節(jié)樂的表演形態(tài);漢畫鼗鼓舞中手戲雜技與舞蹈的融合,以樂器為道具的舞蹈形態(tài)及持鼗而舞的有聲形態(tài)等形成了漢代百戲的綜合表演形態(tài);漢畫鼗鼓舞的祈福、禳災(zāi)、辟邪、交通人神等功用,形成以鼗導(dǎo)樂的巫舞的演變形態(tài)。
[Abstract]:There are various forms of performance in Han Dynasty painting. This paper discusses the evolution of the form of Drum in combination with the textual research of the literature. The author thinks that the function of guiding music, festival music and final music of the drum has formed the performance form of the festival music such as the drum and so on. The combination of acrobatics and dance in Han paintings inspired the performances of 100 Han operas, such as musical instruments as props and musical instruments as props, as well as the sound forms of dancing. The functions of Han painting and encouragement included praying for blessings, abusing disasters, dispelling evil spirits, and communicating with people and gods, and so on. Form the evolving form of witchcraft dance with music.
【作者單位】： 南陽師范學(xué)院漢文化中心;
【基金】：教育部課題《漢代古琴的圖像學(xué)研究》(項目編號:13YJA760020) 河南省科技廳軟科學(xué)項目《中原漢代百戲(雜技)的研究與應(yīng)用》(項目編號:142400411202);河南省科技廳軟科學(xué)項目《南陽漢代畫像石與漢代樂舞表演體系構(gòu)建研究》(項目編號:162400410417)成果之一
【分類號】：J209.2;J722

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本文編號：1532044