本文關(guān)鍵詞： 巴馬瑤族 密洛陀 民間舞蹈 敘事話語(yǔ)　出處：《廣西師范大學(xué)》2016年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：本文選取了廣西河池巴馬瑤族自治縣東山鄉(xiāng)卡橋村巴根屯為田野考察點(diǎn),該縣的重大節(jié)日“祝著節(jié)”于2007年申獲廣西區(qū)非物質(zhì)文化遺產(chǎn)傳承基地,節(jié)日中的銅鼓舞和陀番舞,是巴馬東山鄉(xiāng)番瑤民間廣為流傳的舞蹈。每年農(nóng)歷五月二十九日是瑤年“祝著節(jié)”,為紀(jì)念番瑤創(chuàng)世始祖密洛陀的生日,番瑤族民會(huì)穿上節(jié)日盛裝跳《陀番舞》和《豐收銅鼓舞》。本文以廣西巴馬瑤族自治縣“祝著節(jié)”中的兩個(gè)傳統(tǒng)的代表性民間舞蹈為研究對(duì)象,結(jié)合田野考察,采用文獻(xiàn)法、調(diào)查法、訪談法、理論分析法等研究方法,運(yùn)用敘事學(xué)、符號(hào)學(xué)、美學(xué)等相關(guān)學(xué)科理論,從民族歷史和民族文化的背景下,使藝術(shù)學(xué)中舞蹈藝術(shù)與敘事學(xué)相結(jié)合,以敘事學(xué)的視角看待、分析、解讀民間舞蹈,把民間舞蹈看成一門(mén)民間的、無(wú)聲的“語(yǔ)言”來(lái)分析,即從民間舞蹈的形態(tài)、動(dòng)作、隊(duì)形等舞蹈敘事話語(yǔ)符號(hào)層,民間舞蹈的舞句、圖式、內(nèi)部結(jié)構(gòu)等舞蹈敘事話語(yǔ)的結(jié)構(gòu)層,以及主題思想、文化內(nèi)涵等舞蹈敘事話語(yǔ)功能層三個(gè)敘事層面由淺入深、由表及里、由外到內(nèi)的進(jìn)行辯證統(tǒng)一、相互作用、科學(xué)系統(tǒng)的分析,提出并詳細(xì)闡述了“何為敘事性民間舞蹈”、“民間舞蹈如何敘事”、“民間舞蹈為何敘事”等三個(gè)層面的問(wèn)題,使我們能夠從根源把握民間舞蹈話語(yǔ)動(dòng)作、話語(yǔ)結(jié)構(gòu)及其語(yǔ)言背后所表達(dá)和傳遞的深層主題和文化蘊(yùn)含,從而避免民間舞蹈的研究與民族文化“兩張皮”現(xiàn)象,進(jìn)而力求得出通過(guò)本文對(duì)民間舞蹈的敘事功能研究有助于更好地進(jìn)行民間舞蹈的理解、復(fù)原、保護(hù)和傳承的結(jié)論。本論文一共分五個(gè)部分。緒論,主要闡明本論題的選題緣由和意義、本論題的研究現(xiàn)狀、研究的內(nèi)容及方法；第一章,主要對(duì)本文所研究民間舞蹈所在的民間文化“整個(gè)系統(tǒng)”的范圍在定義、特征、種類(lèi)等進(jìn)行劃定,并進(jìn)一步對(duì)敘事的界定、敘事學(xué)相關(guān)理論在舞蹈中的運(yùn)用、民間舞蹈敘事性的界定等進(jìn)行了探討,并通過(guò)筆者在廣西巴馬實(shí)地采風(fēng)的民間舞蹈中例證了廣西巴馬瑤族存在敘事性民間舞蹈,從而回答了“何為敘事性民間舞蹈”的問(wèn)題,對(duì)本文之后研究民間舞蹈的敘事功能提供了明確的研究對(duì)象：第二章,首先對(duì)所研究民間舞蹈所在的“整個(gè)系統(tǒng)”從地域文化、布努瑤文化、節(jié)日文化、語(yǔ)言文化等進(jìn)行了相關(guān)的敘事文化背景介紹,之后運(yùn)用敘事學(xué)理論,對(duì)民間舞蹈中的祭祀儀式、形態(tài)符號(hào)等進(jìn)行其本體敘事話語(yǔ)分析,對(duì)民間舞蹈中的如陀番歌謠和銅鼓樂(lè)等舞蹈音樂(lè)、女子的哈西和銀項(xiàng)圈等舞蹈服飾、銅鼓和簸箕等舞蹈道具等進(jìn)行其輔助敘事話語(yǔ)分析。從中總結(jié)出了民間舞蹈的敘事動(dòng)作、敘事修辭等本體敘事話語(yǔ)特征,也就是舞蹈敘事話語(yǔ)的符號(hào)層和結(jié)構(gòu)層,從而回答“民間舞蹈如何敘事”的問(wèn)題；第三章,通過(guò)之前的論證總結(jié)出了巴馬瑤族民間舞蹈的五個(gè)敘事功能特征作為研究成果,即敘事性民間舞蹈在民間的族群神話中尋找敘事文本、在儀式的時(shí)空背景下?tīng)I(yíng)造敘事環(huán)境、在舞蹈的語(yǔ)言動(dòng)律中構(gòu)建文化符號(hào)、在圖式的程序套路中展開(kāi)敘述結(jié)構(gòu)、在獨(dú)特的服飾道具中彰顯內(nèi)心表達(dá)等五種敘事話語(yǔ)特征。論證了其在中國(guó)美學(xué)思想和中國(guó)優(yōu)秀傳統(tǒng)文化中所體現(xiàn)的文化蘊(yùn)含,從而闡述回答了“民間舞蹈為何敘事”的深層含義；最后結(jié)束語(yǔ)部分,通過(guò)運(yùn)用敘事學(xué)分析民間舞蹈,對(duì)民間舞蹈敘事功能進(jìn)行科學(xué)的、全面的挖掘、總結(jié)和提煉,從而得出有利于我們避免當(dāng)前民間舞蹈研究中存在的舞蹈動(dòng)作與舞蹈意義分離和舞蹈語(yǔ)言與民族文化分離的這一現(xiàn)象,有利于我們做好民間舞蹈的保護(hù)與傳承的這一觀點(diǎn)。對(duì)本文民間舞蹈的敘事功能進(jìn)行了全面的、科學(xué)的概括和總結(jié),表達(dá)了筆者對(duì)當(dāng)前民間舞蹈研究中存在舞蹈動(dòng)作與舞蹈意義分離和舞蹈語(yǔ)言與民族文化分離的現(xiàn)象,從而使得很多優(yōu)秀的敘事性民間舞蹈只能在文字中看到,而實(shí)際卻可能或已經(jīng)消失,從而得出通過(guò)運(yùn)用敘事學(xué)分析民間舞蹈,對(duì)民間舞蹈敘事功能的挖掘、總結(jié)和提煉,有利于我們“復(fù)原”、保護(hù)和傳承民間舞蹈,弘揚(yáng)民族文化和精神的這一觀點(diǎn)。民間舞蹈作為民族文化本身是具有敘事功能的,本文民間舞蹈的敘事功能研究,是將民間舞蹈當(dāng)作一門(mén)千年流傳下來(lái)的“語(yǔ)言”來(lái)研究的。換言之,就是研究分析民間舞蹈這門(mén)語(yǔ)言是如何運(yùn)用自己獨(dú)特的、極具魅力的、不可替代的言語(yǔ)方式敘述關(guān)于本民族的故事的。然而,由于我們很長(zhǎng)時(shí)期認(rèn)為“舞蹈善于抒情而拙于敘事”使得我們忽視了其敘事性。所以,對(duì)民間舞蹈的敘事功能研究確有其必要性和緊迫性。
[Abstract]:This paper selects the Guangxi Dongshan Hechi Bama Yao Autonomous County Township Village Tuen bagen card investigation, "the major festivals in the county Zhuzhu festival in 2007 Shen Guangxi District non heritage base of intangible cultural heritage, in the festival and some Tuo bronze drum dance, Pakistan is Ma Dong Shan Fan Yao folkloric dance every day is the 29th day of the fifth month of the Chinese lunar calendar. Yao" Zhuzhu day ", to commemorate the creation of fan Yao ancestor it's birthday, fan Yao people will wear festive costumes dance fan dance Pretoria < > and < >. This paper takes the Guangxi copper harvest encouraged Bama Yao Autonomous County" Zhuzhu day "in the two typical traditional folk dance as the research object, combined with field investigation, using literature method, survey method, interview method, theoretical analysis method, the use of narrative, semiotics, aesthetics and other related disciplines theory, from the national history and national culture under the background of the art In the dance art and narrative combined with narrative perspective, analysis, interpretation of folk dance, the folk dance as a folk, "silent language" to analyze, from the folk dance form, movement, formation dance Narrative symbol layer, folk dance dance, schema. The structure layer of internal structure of narrative discourse and dance, theme, cultural connotation of dance narrative discourse function layer three narrative levels from outside from the outside to the inside, from the shallower to the deeper, to the dialectical unity, interaction, analysis of scientific system, expounds what the Narrative Folk Dance "," folk how to dance "," three aspects of Narrative Folk Dance why narrative "and other issues, so that we can grasp the folk dance movement from the roots of discourse structure and discourse, behind the language expression and the deep theme and the transfer Behind it, so as to avoid the study of folk dance and cultural phenomenon of "two skins", then try to get through the narrative function of folk dance in this study contributes to a better understanding of folk dance, restoration, protection and inheritance. The conclusion of this paper is divided into five parts. The introduction mainly expounds the topic. The reason and significance of the topic, the current situation of the topic, research content and methods; the first chapter, the scope of folk culture "mainly studies the folk dance the whole system" in the definition, characteristics, types of regulation, and to further define the narrative, narrative theory in dance folk dance, narrative definition is discussed, and through the example of the field investigations in Guangxi Bama's folk dance Guangxi Bama Yao existence Narrative Folk Dance, and answered" What is the Narrative Folk Dance ", the study of folk dance of the narrative function provides a clear object of study: the second chapter, firstly, the study of folk dance in the" whole system "from the regional culture, Bunuyao culture, festival culture, language and culture are related to narrative cultural background, after by using the theory of narration, the ritual of folk dance in the form of symbols to analyze the ontology of folk dance in narrative discourse, such as some songs and drum music, dance music, and the woman Tallahassee Silver Ring dance costumes, bronze drum and dustpan and other dance props of the auxiliary narrative discourse. Summarizing the folk dance narrative action, narrative rhetoric body narrative discourse features, is the dance of narrative discourse symbols and structural layers, thus how to answer" folk dance Narrative "; the third chapter, through the previous argument summed up the five narrative features Bama Yao folk dance as the research results, namely the Narrative Folk Dance for narrative text in ethnic folk myths, create a narrative environment in the background of the ceremony, in the construction of cultural symbols in the dance language dynamic law in the narrative structure, schema program routines, highlighting the characteristics of five kinds of inner expression of narrative discourse in the unique props and costumes. Demonstrates the aesthetic ideas embodied in the China and Chinese excellent traditional culture in culture, so the answer to" why the deep meaning of the folk dance narrative "; the last part through the use of narrative analysis, folk dance, folk dance of scientific narrative function, comprehensive mining, summarized and refined, so that we can avoid the current There are folk dance of dance and dance and dance language meaning separation and cultural separation of this phenomenon, this view is conducive to the protection and inheritance of folk dance. We do a good job of this folk dance the narrative function of a comprehensive, scientific generalization and summarization, the author express the existence of dance the action and significance of separation and dance dance language and national culture of the folk dance separation phenomenon in current research, which makes many outstanding Narrative Folk dance can only see in the text, but in reality it may be or have disappeared, so that through the use of narrative analysis of folk dance, folk dance of mining narrative function, summarizing and refining that will help us to "recover", the protection and inheritance of folk dance, this view of carrying forward the national culture and spirit. As a national folk dance culture itself is The narrative function, this paper studies the narrative function of folk dance, is for the study of folk dance as a millennium handed down "language". In other words, is to study the analysis of folk dance of the language is how to use their own unique, attractive, irreplaceable verbal narrative about this nationality the story. However, because of our very long period of time that is good at dance and clumsy lyrical narrative "makes us ignore its narrative. Therefore, the narrative function of folk dance research has its necessity and urgency.

【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J722.21
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本文編號(hào)：1528575