本文關(guān)鍵詞： 生活形態(tài) 路易十三 修辭性 安代 周樸園 浮世繪 周萍 繁漪 現(xiàn)代舞劇 侍萍 　出處：《舞蹈》2013年09期 　論文類型：期刊論文

【摘要】：正無論生活形態(tài)還是作品形態(tài),傳統(tǒng)舞蹈主要駐足在功能性的表達(dá)和修辭性的表演之中。直到今天,那些傳統(tǒng)的生活形態(tài)的舞蹈也未稱其手舞足蹈為"藝術(shù)"——甚至"舞蹈",它們認(rèn)為那只是不同身份的人在做不同的事,說不同的話。像蒙古族的"安代",是巫醫(yī)的治療術(shù);馬里多貢族的"斯利戈",是頭人的祭祀術(shù);俄羅斯的"競(jìng)賽舞",是尋求伴侶的身體炫耀;還有"金錢拜物"教下日本藝伎出賣色相的《溪中之舞》等。作品形態(tài)的舞蹈世界也是不同的人在說不同的話:西方用"開繃直",東方用"圓擰曲"。像路易十三的"政治芭莆"富麗堂皇,印度神伎舞蹈發(fā)展出了婆羅
[Abstract]:It works regardless of the life form or form, traditional dance mainly stopped at the functional expression and rhetorical performance. Until today, the traditional life style of dance is not called the dance for "art" or even "dance", they think it is the identity of different people in different things, said different words. Like the Mongolian "Andai", is the medicine therapy; Maliduogong group of "Sligo", is the headman of the sacrificial operation; Russia's "race dance", is to seek a partner's body show; and "money fetishism" to teach Japanese Geisha betrayed hue in the stream < >. Other works. Morphology of the dance world is different in different said: "on the West straight", "Oriental twisted round". Like Louis thirteen "political Ba Pu" magnificent, India God developed the Kabuki dance

【分類號(hào)】：J703

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相關(guān)期刊論文 前1條

1 可可;;音樂營(yíng)銷新趨勢(shì)[J];科學(xué)大觀園;2010年10期

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