本文關(guān)鍵詞： 回族文化 回族舞蹈 審美因素　出處：《寧夏大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：對(duì)于民族舞蹈創(chuàng)作而言,若以舞臺(tái)上呈現(xiàn)的作品視為民族文化的中心點(diǎn),折射到舞臺(tái)之外更廣闊的空間,那么民族舞蹈的創(chuàng)作必定要肩負(fù)民族文化傳播之重任。在民族舞蹈創(chuàng)作中如何找準(zhǔn)民族心理、民族氣質(zhì)、民族性格是舞蹈編創(chuàng)者所要具備的審美功力。在回族舞蹈的創(chuàng)作中,準(zhǔn)確解讀回族文化是編導(dǎo)在其后編創(chuàng)工作中首要掌握的功力,在深入研究回族文化的大背景下,回族舞蹈創(chuàng)作者將面臨著如何提取創(chuàng)作素材、從哪些方面入手的問題。本文通過簡(jiǎn)述回族的歷史形成背景,從文化角度入手,對(duì)回族舞蹈創(chuàng)作環(huán)節(jié)中動(dòng)作的提煉、民族精神內(nèi)涵的表現(xiàn)以及編導(dǎo)自身的創(chuàng)作思維,對(duì)上述提出的問題進(jìn)行了深刻的剖析,認(rèn)識(shí)到隨著社會(huì)的發(fā)展,回族舞蹈的發(fā)展日益壯大,回族舞蹈的藝術(shù)體系逐漸成熟,回族舞蹈的編創(chuàng)應(yīng)該更具內(nèi)涵和新意,同時(shí)也呼吁在大融合的文化背景下,既保留民族傳統(tǒng)的精華,又能通過編導(dǎo)的個(gè)性化思維在舞蹈結(jié)構(gòu)和立意方面有深刻的思想表達(dá),對(duì)回族舞蹈的發(fā)展盡微薄之力。
[Abstract]:For the creation of national dance, if the work presented on the stage is regarded as the central point of national culture, it reflects the broader space outside the stage. So the creation of national dance must shoulder the responsibility of national cultural dissemination. In the creation of ethnic dance, how to find the national psychology, national temperament. The national character is the aesthetic ability that the choreographer should possess. In the creation of the Hui nationality dance, the correct interpretation of the Hui nationality culture is the chief skill of the editor and director in the later editing and creation work. Under the background of deeply studying the Hui nationality culture, the author of the Hui dance will be faced with the problem of how to extract the creative material and from what aspects. To the Hui nationality dance creation link in the movement extraction, the national spirit connotation performance as well as the choreographer own creation thought, has carried on the profound analysis to the above question, has realized along with the social development. The development of Hui dance is growing, the art system of Hui dance is gradually mature, the creation of Hui dance should have more connotation and new meaning, but also appeal to retain the essence of national tradition under the cultural background of great integration. Through the personalized thinking of the choreographer, there is profound thought expression in the dance structure and idea, which can contribute to the development of the Hui nationality dance.
【學(xué)位授予單位】：寧夏大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前8條

1 劉莊;;以情帶舞 從回族舞蹈創(chuàng)作的情感性談起[J];舞蹈;2016年11期

2 趙陽;;試析回族舞蹈的發(fā)展特點(diǎn)[J];民族藝林;2016年02期

3 張嘉婧;;寧夏回族舞蹈研究——回族文化對(duì)當(dāng)代寧夏回族舞蹈影響探析[J];舞蹈;2015年01期

4 王蓓蓓;石小鋒;;當(dāng)代回族舞蹈的形態(tài)特征和審美特質(zhì)[J];大舞臺(tái);2012年09期

5 袁媛;;回族舞蹈語言的傳承與創(chuàng)新[J];民族學(xué)刊;2012年03期

6 瑪依莎;;傳統(tǒng)宗教文化對(duì)回族舞蹈的影響[J];藝術(shù)研究;2012年01期

7 董波;;世界的才是民族的——回族形成的歷史啟示[J];理論導(dǎo)刊;2011年12期

8 金暉;;回族舞蹈創(chuàng)作中的文化個(gè)性與藝術(shù)品格[J];舞蹈;2010年11期

，

本文編號(hào)：1485087