發(fā)布時(shí)間：2018-02-01 08:38

  本文關(guān)鍵詞： 山東 秧歌 海陽秧歌 非物質(zhì)文化遺產(chǎn)　出處：《山西師范大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】：海陽秧歌,又稱海陽大秧歌,在當(dāng)?shù)匾卜Q“唱秧歌”、“跑秧歌”、“扭秧歌”、“逗秧歌”,流傳于膠東半島的海陽、乳山(今屬威海市)一帶,其中以海陽最為普遍,故稱海陽秧歌。它集歌舞戲于一體,是一種帶有簡單情節(jié)、唱舞小戲的廣場藝術(shù)形式。 海陽秧歌源于西周,創(chuàng)于明,興于清。自清興盛后又兼采眾長,逐步發(fā)展、日趨成熟,一直延續(xù)到當(dāng)前的繁盛。海陽秧歌是在自給自足的小農(nóng)經(jīng)濟(jì)基礎(chǔ)上產(chǎn)生并形成的,其形式中既有古風(fēng),又吸收了外省區(qū)的表演形式。歷史上清末的封建宗族觀念、民國的文明改革、抗日戰(zhàn)爭中的革命洗禮以及新中國成立后政治、經(jīng)濟(jì)、文化的影響等,都在海陽秧歌的表演形式中有所遺存。而現(xiàn)在,海陽秧歌正處于有待發(fā)掘、研究,有待升華的過渡階段。 海陽秧歌是包括道具舞蹈、扮演人物、民間小戲等表演形式在內(nèi)的綜合形式。表演內(nèi)容豐富,隊(duì)伍結(jié)構(gòu)嚴(yán)謹(jǐn)。秧歌劇本兼收古今,名目繁多,使不同觀眾都能盡興。 海陽秧歌與同屬膠東半島的膠州秧歌相比較,因地理位置的差異以及受當(dāng)?shù)厣虡I(yè)文化的影響,儀式性、娛樂性都有明顯的不同。 由于海陽市委市政府的高度重視,海陽大秧歌隊(duì)伍日益壯大,藝術(shù)表演水平顯著提高。2006年海陽秧歌被國務(wù)院公布為首批非物質(zhì)文化遺產(chǎn)。即便如此,現(xiàn)階段需要我們完成的工作還有很多。 筆者在前輩研究的基礎(chǔ)上,結(jié)合地方文獻(xiàn)和田野調(diào)查所獲得的口碑資料,對(duì)海陽秧歌的生存環(huán)境、形成發(fā)展、藝術(shù)特色、劇目劇本以及當(dāng)代生存狀況等方面做進(jìn)一步探討研究,從而總結(jié)出海陽秧歌的藝術(shù)價(jià)值與文化價(jià)值,提出可行性的保護(hù)措施,以期引起社會(huì)對(duì)海陽秧歌更廣泛的關(guān)注。
[Abstract]:Haiyang Yangko, also known as Haiyang Yangko, is also known locally as "singing Yangko", "running Yangko", "wriggling Yangko", "teasing Yangko", and spreading around Haiyang, Rushan (now belonging to Weihai City) in Jiaodong Peninsula. Among them, Haiyang is the most popular, so it is called Haiyang Yangge. It is a kind of square art form with simple plot, singing and dancing little drama. Haiyang Yangge originated from the Western Zhou Dynasty, created Yu Ming, and flourished in the Qing Dynasty. After the prosperity of the Qing Dynasty, the Yangko was gradually developed and gradually matured. Haiyang Yangge was born and formed on the basis of self-sufficient small-scale peasant economy, and its forms include the ancient style. It also absorbs the performance forms of foreign provinces and autonomous regions, the feudal clan concept in the late Qing Dynasty, the civilization reform of the Republic of China, the revolutionary baptism in the War of Resistance against Japan and the influence of politics, economy and culture after the founding of New China. All of them remain in the performance form of Haiyang Yangge. Now, Haiyang Yangge is in the transitional stage of unearthing, research and sublimation. Haiyang Yangko is a comprehensive form including props dance, playing characters, folk drama and other forms of performance. The performance content is rich, the team structure is rigorous. Yangko plays both ancient and modern, a variety of names. To make different audiences enjoy themselves. Comparing Haiyang Yangko with Jiaozhou Yangko which belongs to Jiaodong Peninsula, due to the difference of geographical location and the influence of local commercial culture, ritual and entertainment are obviously different. Due to the attention of Haiyang municipal government, Haiyang Yangko team is growing, and the level of art performance has improved significantly. In 2006, Haiyang Yangko was announced by the State Council as the first batch of intangible cultural heritage. Even so. There is still a lot of work to be done at this stage. On the basis of the previous research, combined with the local literature and field investigation of the word of mouth information, Haiyang Yangge survival environment, the formation of development, artistic characteristics. In order to sum up the artistic value and cultural value of Haiyang Yangge and put forward the feasible protection measures. In order to cause the society to Haiyang Yangge more extensive attention.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J722.2

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本文編號(hào)：1481434