本文關(guān)鍵詞： 簍子秧歌 儺舞 藝術(shù)形式 社會(huì)功能　出處：《河北大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：豐南簍子秧歌屬漢族民間舞蹈,展現(xiàn)了典型的區(qū)域文化,明確地體現(xiàn)了當(dāng)?shù)氐纳鐣?huì)現(xiàn)象和風(fēng)俗習(xí)慣。它在2005年被列為省級(jí)非物質(zhì)文化遺產(chǎn),并有望申請(qǐng)成為國家級(jí)非物質(zhì)文化遺產(chǎn)。在豐南簍子秧歌不斷的傳承與創(chuàng)作下,形成了兩種不同的舞蹈形態(tài):一種是豐南東田莊付莊子村(原傅家莊)一帶的傳統(tǒng)簍子燈,被稱為儺舞的活化石;另一種是豐南文化館的工作人員在傳統(tǒng)簍子燈的基礎(chǔ)之上改編形成的現(xiàn)代簍子秧歌,可謂現(xiàn)代版的舞劇。無論哪種形態(tài),都已形成獨(dú)有的藝術(shù)形式,并深受當(dāng)?shù)厝藗兊南矏�。本論文共分為引言、五個(gè)章節(jié)和結(jié)語幾個(gè)部分。引言中對(duì)整個(gè)河北地區(qū)民間舞的發(fā)展趨勢(shì)做了總結(jié),發(fā)現(xiàn)民間舞或是逐漸衰落,或是走向變革,并了解到目前豐南簍子秧歌正處于變革以后的時(shí)期。雖為變革后期,但是仍存在著一定的隱患,對(duì)此筆者闡述了本論文的研究目的與意義、研究方法等等。第一章描述了豐南地區(qū)為傳統(tǒng)簍子燈的產(chǎn)生提供的特殊環(huán)境,并且以時(shí)間為主線介紹了它的發(fā)展歷程,在這其中還派生出一些歷史傳說;第二章從簍子角色、服裝道具、基本舞姿、表演形式和伴奏音樂等五個(gè)方面描述了傳統(tǒng)簍子燈的藝術(shù)形式。第三章介紹了促成現(xiàn)代簍子秧歌產(chǎn)生的原因,及創(chuàng)作過程。第四章筆者以分析傳統(tǒng)簍子燈的五個(gè)方面描述了現(xiàn)代簍子秧歌的藝術(shù)形式。第五章筆者對(duì)兩種簍子秧歌進(jìn)行了對(duì)比分析,通過比較探索出“傳統(tǒng)”與“現(xiàn)代”需要雙向發(fā)展的必要性。結(jié)語部分為筆者對(duì)于本篇論文的一個(gè)總結(jié),寄托了筆者對(duì)民間舞發(fā)展的美好期盼,希望這兩種不同形態(tài)的簍子秧歌能夠在相互依存、相互影響下發(fā)展的更好。也希望通過這種研究方法和寫作方式為其他有待發(fā)展的民間舞作出些許貢獻(xiàn)。
[Abstract]:Fengnan basket Yangko is a folk dance of Han nationality which shows the typical regional culture and clearly reflects the local social phenomena and customs. It was listed as the provincial intangible cultural heritage in 2005. And is expected to apply to become a national intangible cultural heritage. In Fengnan basket Yangko continuous inheritance and creation. Formed two different dance forms: one is the Fengnan Dongtian Chuang Fu Chuangzi Village (the former Fujiazhuang) around the traditional basket of lanterns known as Nuo dance living fossils; The other is that the workers of the Fengnan Cultural Center, based on the traditional baskets and lanterns, have adapted modern baskets and Yangko, which can be described as a modern version of the dance drama. Whatever form it takes, it has already formed a unique art form. And deeply loved by the local people. This paper is divided into introduction, five chapters and the conclusion of several parts. The introduction summarizes the development trend of the whole Hebei region folk dance, found that folk dance or gradually decline. Or to change, and understand that Fengnan basket Yangko is in the period after the change. Although the late period of change, but there are still some hidden dangers, the author elaborated the purpose and significance of this paper. The first chapter describes the special environment for the production of traditional basket-lamp in Fengnan area, and introduces its development course with time as the main line, in which some historical legends are derived. The second chapter describes the artistic form of traditional basket-lamp from five aspects, such as the role of baskets, costume props, basic dance, performance form and accompaniment music. Chapter three introduces the reasons for the emergence of modern basket-Yangko. In chapter 4th, the author describes the art form of modern basket Yangko by analyzing the five aspects of traditional basket-lamp. Chapter 5th compares and analyzes the two kinds of basket-basket Yangko. Through the comparative exploration of "tradition" and "modern" needs two-way development of the necessity. The conclusion part for the author of this paper a summary, the author of the development of folk dance good expectations. It is hoped that these two different forms of "basket" Yangko can develop better under the mutual influence and interdependence, and also hope to make some contributions to the other folk dances which need to be developed through this research method and writing method.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.211

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本文編號(hào)：1466245