本文關(guān)鍵詞：古典芭蕾舞訓(xùn)練方法與民族舞蹈的技術(shù)能力培養(yǎng)方法研究，由筆耕文化傳播整理發(fā)布。

古典芭蕾舞訓(xùn)練方法與民族舞蹈的技術(shù)能力培養(yǎng)方法研究

時(shí)間:12-06-26

【摘要】 舞蹈種類的不同,形成了在舞蹈作品中對(duì)動(dòng)作語匯運(yùn)用上的區(qū)別,在培養(yǎng)舞蹈演員過程中應(yīng)該因材施教,根據(jù)其不同的表演方向選擇不同的訓(xùn)練方式對(duì)演員進(jìn)行培養(yǎng)。民族舞蹈作為一個(gè)獨(dú)立的舞種,需要培養(yǎng)專業(yè)的舞蹈演員。技術(shù)能力訓(xùn)練就是民族舞蹈演員培養(yǎng)過程中必不可少的一門課程。如何選擇適合民族舞蹈演員技術(shù)能力訓(xùn)練的教材和課程內(nèi)容對(duì)這個(gè)舞種的發(fā)展事關(guān)重要。本文選取了“古典芭蕾舞訓(xùn)練方法與民族舞蹈的技術(shù)能力培養(yǎng)方法”為研究的對(duì)象,通過查閱相關(guān)的研究成果、實(shí)地的抽樣調(diào)查、宏觀的分析與微觀的探討相結(jié)合,一方面,系統(tǒng)性的闡述古典芭蕾基訓(xùn)與民族舞蹈員訓(xùn)練的特點(diǎn),另一方面,對(duì)二者的相互關(guān)系進(jìn)行了深入、系統(tǒng)的剖析。以此個(gè)案的分析,來系統(tǒng)研究古典芭蕾訓(xùn)練方法與民族舞蹈訓(xùn)練的關(guān)系,提升對(duì)于民族舞蹈演員技術(shù)能力培養(yǎng)部分的研究與思考。并希望進(jìn)一步完善民族舞蹈演員技術(shù)能力培養(yǎng)部分的理論研究,使“民族舞蹈演員技術(shù)能力培養(yǎng)”更具有理論價(jià)值。本文分為緒論和三個(gè)章節(jié),緒論包括選題之緣由、目的及意義,相關(guān)研究成果及研究方法；第一章主要是民族舞蹈演員技術(shù)能力培養(yǎng)過程中引入古典芭蕾舞訓(xùn)練方法的現(xiàn)狀綜述,介紹了多個(gè)引入芭蕾訓(xùn)練體系教材舞蹈專業(yè)院校課程設(shè)置,并以中央民族大學(xué)舞蹈學(xué)院為例詳盡概括了芭蕾訓(xùn)練方法引入的應(yīng)用情況。第二章主要目的具體分析古典芭蕾訓(xùn)練方法與民族舞蹈演員技術(shù)能力訓(xùn)練的特點(diǎn),通過對(duì)二者之間相互關(guān)系的分析來探討芭蕾訓(xùn)練方法對(duì)于其所帶來的積極意義。文章的最后是從古典芭蕾基訓(xùn)對(duì)民族舞蹈演員技術(shù)能力有用性的角度來反思古典芭蕾基訓(xùn)中存在的問題,同時(shí)提出了筆者的解決方案。再次肯定古典芭蕾基訓(xùn)對(duì)于培養(yǎng)民族舞蹈演員技術(shù)能力的必要性。本文遵循著由淺入深的層次安排布局,第一章主要綜述引入古典芭蕾訓(xùn)練方法的現(xiàn)狀,第二章具體分析兩種訓(xùn)練的特點(diǎn)及關(guān)系,到第三章引申出筆者對(duì)于這一問題的思考�？傊�,筆者希冀能夠通過本篇論文的研究為民族舞蹈演員技術(shù)能力的培養(yǎng)更加完善做出一些微薄的努力。 

【Abstract】 Dance the dissimilarity of category, formed in the middle of dancing a work to make use of to the action glossary up of differentiation, at develop dance actor process in should teach according to his ability, according to it the different performance direction choose that the different training method carries on development to the actor.Race’s dancing is an independent dance to grow and need actor process professional training and development.The technique ability training is a course that the race dance the essential to have in the actor development’s process.How choose that the suitable race dance an actor technique ability training teaching material and course contents matter to importance to the development that this dance grows.This selected works took"the classic ballet trains system and race to dance the development relation of actor technique ability" as the object of research and passed to check a related research achievement, on-the-spot sampling, macro view of the study of analysis and tiny view combine together, on the other hand, systematic elaborated a classic ballet radicle Xun and race dance the characteristics of member training, on the other hand, to two of the correlation carried on thorough, the analysis of system.The research that this individual case is analytical and comes to system classic ballet trains system and race and dances a disciplinal relation and promotes and dances the research and thinking of the actor technique ability development parts to the race.Combining hopes that the further perfect race dance the theory research of actor technique ability development part, it make"race dance actor technique ability development" even have theory value.This text is divided into introduction and three chapters, the introduction includes the reason of choosing, purpose and meaning, related research achievement and research method;Chapter 1 are mainly the present condition overview that the race dance actor technique ability development to lead into classic ballet to train system in the process, introduced manies to lead into ballet training the system teaching material dance professional college course constitution, and with central race university dance college for the example in details generalized ballet training the system lead go into of applied circumstance.The chapter 2 main purpose concretely analyzes the classic ballet training system and race to dance an actor technique ability training of characteristics, pass inquire into ballet training to the analysis of the correlation of twos system for it bring of aggressive meaning.The end of article is from the classic ballet radicle the Xun danced the angle of actor technique ability useful to the race to introspect a classic ballet radicle the Xun the problem of existence, propose the solution of writer at the same time.Is again affirmative classic ballet radicle Xun for development the race dance the necessity of actor technique ability.This text follows from the layout gone into a deep layer arrangement by shallow, the chapter 1 main overview leads into classic ballet to train system of present condition, chapter 2 concretely analyzes the characteristics and relation of two kinds of trainings and arrives chapter 3 to lead to state a writer’s thinking toward this problem.In fine, the writer craves for the research that can pass this thesis to dance the development of actor technique ability for the race more perfect do a some meager effort. 

【關(guān)鍵詞】 古典芭蕾舞訓(xùn)練方法； 民族舞蹈演員； 技術(shù)能力； 培養(yǎng)；
【Key words】 The classic ballet trains system； race to dance actor； technique ability； develop；
 
摘要 2-4
ABSTRACT 4-6
緒論 9-13
    一.選題之緣由、目的及意義 9-11
    二.相關(guān)研究成果 11
    三.研究方法 11-13
第一章 民族舞技術(shù)能力培養(yǎng)在高等院校引入古典芭蕾舞課程現(xiàn)狀概述 13-24
    第一節(jié) 現(xiàn)狀綜述 13
    第二節(jié) 現(xiàn)狀調(diào)查 13-24
        一.課程設(shè)置比較 13-16
        二.課程設(shè)置范例—以中央民族大學(xué)舞蹈學(xué)院為例 16-19
        三.中央民族大學(xué)舞蹈學(xué)院"古典芭蕾單元課"的相關(guān)抽樣調(diào)查 19-24
第二章 古典芭蕾訓(xùn)練體系與民族舞蹈演員技術(shù)能力培養(yǎng)的關(guān)系 24-51
    第一節(jié) 古典芭蕾舞訓(xùn)練方法的特點(diǎn) 24-33
        一.規(guī)范性 25-28
        二.系統(tǒng)性 28-30
        三.科學(xué)性 30-33
    第二節(jié) 民族舞蹈演員技術(shù)能力訓(xùn)練特點(diǎn)與要求 33-43
        一.訓(xùn)練特點(diǎn) 33-37
        二.技術(shù)能力的要求 37-43
    第三節(jié) 芭蕾訓(xùn)練方法如何作用于民族舞蹈技術(shù)能力的培養(yǎng)關(guān)系 43-51
        一.理念借鑒 43
        二.肢體訓(xùn)練的綜合提高 43-46
        三.藝術(shù)表現(xiàn)力的全面提升 46-47
        四.綜合能力的提升 47-51
第三章 我的思考 51-56
    第一節(jié) 引入古典芭蕾訓(xùn)練體系所存在的問題 51-52
    第二節(jié) 如何解決存在的問題 52-56
        一.中國(guó)少數(shù)民族舞蹈與西方芭蕾舞的區(qū)別 52-53
        二.解決方案的多元化設(shè)想 53-56
結(jié)語 56-58
致謝 58-59
參考文獻(xiàn) 59-61

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  本文關(guān)鍵詞：古典芭蕾舞訓(xùn)練方法與民族舞蹈的技術(shù)能力培養(yǎng)方法研究，由筆耕文化傳播整理發(fā)布。