【摘要】：項穆書法“中和”美學(xué)思想以儒家中庸思想為哲學(xué)依據(jù)，延續(xù)了孫過庭等前代書法理論家的思想，從而形成了完整的書法哲學(xué)體系。中和思想作為歷代書學(xué)思想的主流，產(chǎn)生了重要的影響。 文章以文獻學(xué)研究的方法，，分析項穆“中和”思想的本質(zhì)，即正確處理書法中的各種矛盾，使書法達到方圓兼?zhèn)洹側(cè)嵯酀�、疏密相宜、和諧統(tǒng)一的狀態(tài)。第一部分論述了項穆的生平。第二部分以歷代書論為依據(jù)，從“中和”思想與“中和美”釋義、書統(tǒng)論與今古觀、書法藝術(shù)本體論、書法藝術(shù)創(chuàng)作主體論、書法藝術(shù)審美品格論批評五個部分整理、分析、歸納“中和”思想。第三部分從儒家中庸思想為項穆“中和”美學(xué)思想的基礎(chǔ)、對孫過庭《書譜》等前代書論思想的繼承、對王羲之書法藝術(shù)的深入實踐、其他影響因素四個方面分析項穆“中和”美學(xué)思想形成的原因。第四部分從正、負兩個方面客觀評價項穆“中和”美學(xué)思想的意義。 文章并不是簡單的講述項穆《書法雅言》的內(nèi)容，而是以歷代書論家的觀點為研究對象，結(jié)合項穆的書學(xué)背景及明代書法審美風(fēng)尚，比較分析其書學(xué)觀點的特殊價值，以便更好的理解“中和”思想的內(nèi)涵，完善書法美學(xué)的體系。
[Abstract]:The aesthetic thought of "neutralization" in Xiang Mu's calligraphy is based on the Confucian mean, which continues the thoughts of Sun Gaoting and other previous calligraphic theorists, thus forming a complete system of calligraphy philosophy. Neutralization thought, as the mainstream of calligraphic thought in previous dynasties, has had an important influence. This paper analyzes the essence of Xiang Mu's thought of "neutralization" by means of documentary research, that is to say, to deal with all kinds of contradictions in calligraphy correctly, so that calligraphy can reach a state of being both square and round, rigid and flexible, close and suitable, harmonious and unified. The first part discusses Xiang Mu's life. The second part is based on the book theory of the past dynasties, including five parts: the thought of "neutralization" and the interpretation of "moderate harmony beauty", the theory of the book system and the view of modern and ancient times, the ontology of calligraphy art, the subject theory of calligraphy art creation, the criticism of aesthetic character theory of calligraphy art, and the analysis and analysis of the five parts. To sum up the thought of "neutralization". The third part is the foundation of Xiang Mu's aesthetic thought of "neutralization" from the Confucian mean, the inheritance of Sun Guo-ting's book-theory thought and the in-depth practice of Wang Xizhi's calligraphy art, which is based on the Confucian Doctrine of the mean and the aesthetic thought of "neutralization" of Xiang Mu. Other influencing factors are four aspects to analyze the formation of Xiang Mu's aesthetic thought of "neutralization". The fourth part objectively evaluates the aesthetic significance of Xiang Mu's "neutralization" from positive and negative aspects. The article is not simply about the content of Xiang Mu's calligraphy Ya Yan, but taking the viewpoint of the calligraphers of the past dynasties as the research object, combining Xiang Mu's calligraphic background and the aesthetic style of calligraphy in the Ming Dynasty, and comparing and analyzing the special value of his calligraphic viewpoint. In order to better understand the concept of "neutralization", improve the system of calligraphy aesthetics.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J292.1

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