【摘要】：正自中國(guó)書(shū)協(xié)篆書(shū)專業(yè)委員會(huì)成立以來(lái),中國(guó)書(shū)協(xié)更加重視篆書(shū)創(chuàng)作的發(fā)展,積極致力于篆書(shū)藝術(shù)的傳承、創(chuàng)作、普及、提高,先后在深圳、安陽(yáng)、貴陽(yáng)、銅仁等地多次舉辦篆書(shū)邀請(qǐng)展及研討會(huì),取得了廣泛的社會(huì)影響力和較好的成果,對(duì)推動(dòng)篆書(shū)藝術(shù)的發(fā)展發(fā)揮了重要作用。但是,在當(dāng)代全國(guó)書(shū)法藝術(shù)大繁榮大發(fā)展的環(huán)境下,我們審視當(dāng)代篆書(shū)創(chuàng)作,仍然是各種書(shū)體中較為薄
[Abstract]:Since the establishment of the seal script professional committee of the Chinese Book Association, the Chinese Book Association has paid more attention to the development of seal script creation, and has been actively committed to the inheritance, creation, popularization and improvement of seal script art, successively in Shenzhen, Anyang, Guiyang, and so on. Tongren and other places have held many invitation exhibitions and seminars of seal characters, which have achieved a wide range of social influence and good results, and have played an important role in promoting the development of seal script art. However, under the environment of the great prosperity and development of the contemporary national calligraphy art, we still look at the contemporary seal script creation, which is still relatively thin among all kinds of calligraphy styles.
【作者單位】： 山東財(cái)經(jīng)大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J292.1
，

本文編號(hào)：2444698