葉恭綽書學(xué)研究
發(fā)布時(shí)間：2018-11-19 21:09
【摘要】：葉恭綽是中國(guó)近現(xiàn)代史上著名的社會(huì)活動(dòng)家。葉恭綽生于清朝末年,卒于新中國(guó)。除清代和新中國(guó)外,他還歷經(jīng)北洋政府和民國(guó)政府兩個(gè)歷史時(shí)期,一生共跨越了四個(gè)歷史時(shí)期。除了社會(huì)活動(dòng)家的身份外,他還是中國(guó)近現(xiàn)代史上著名的詞學(xué)家、教育家、收藏家、書畫家。葉恭綽在書法方面的成就是相當(dāng)高的,其書學(xué)思想于后世也較有影響,書法作品數(shù)量頗豐,并在書畫作品的收藏與鑒賞方面用功甚深。本文共用四章的篇幅對(duì)葉恭綽的書法展開研究。首先,第一章主要探討了葉恭綽的生平,主要是以他的家庭背景、游學(xué)經(jīng)歷及事業(yè)發(fā)展脈絡(luò)為線索,探究其在書法藝術(shù)上取得不俗成就的原因�？疾烊~恭綽一生的游學(xué)經(jīng)歷和工作經(jīng)歷,我們可以發(fā)現(xiàn),他的足跡遍布北京、天津、上海、廣州、香港等國(guó)內(nèi)眾多的重要政治文化中心,其交游也遍布全國(guó)各地,并覆蓋各個(gè)社會(huì)領(lǐng)域。在第二章中,筆者主要考察了葉恭綽廣泛的交游活動(dòng),包括他與詞人文廷式、收藏家吳湖帆、政治家毛澤東等諸多社會(huì)名流的交游。葉恭綽與這些友人之間的互動(dòng)交流,不僅拓寬了他的藝術(shù)視野,而且對(duì)其書學(xué)思想的形成奠定了堅(jiān)實(shí)的基礎(chǔ)。論文的第三章則力圖詳細(xì)論述葉恭綽的書學(xué)思想。本章共分為三節(jié),包括“葉恭綽的書法觀”、“葉恭綽的習(xí)書方法論”、“注重字外功夫,強(qiáng)調(diào)‘人書一體’”等三部分。葉恭綽書學(xué)觀點(diǎn)的形成離不開他對(duì)傳統(tǒng)的繼承,同時(shí),更重要的則是他的書學(xué)觀點(diǎn)融入了他本人的實(shí)踐經(jīng)驗(yàn),將其加以創(chuàng)新、生發(fā),最終形成了自己的明確的書法觀。本論文的最后一章,也就是第四章中,通過對(duì)葉恭綽書法作品的分析,梳理出了葉恭綽書法的兩大特點(diǎn),并對(duì)葉恭綽書法的歷史地位及影響進(jìn)行了簡(jiǎn)單闡述。作為一位非專業(yè)的書法家,葉恭綽卻取得了很高的書法藝術(shù)成就。筆者希望,本文對(duì)葉恭綽書學(xué)思想的探究和梳理,能夠?qū)θ藗兞私鈳X南書法、民國(guó)書法甚至中國(guó)近現(xiàn)代書法史有一些啟發(fā)和借鑒。
[Abstract]:Ye Gongchuo is a famous social activist in the modern history of China. Ye Gongchuo was born in the late Qing Dynasty and died in New China. In addition to the Qing Dynasty and New China, he also went through two historical periods: the Beiyang Government and the Republic of China government. In addition to being a social activist, he is a famous ci writer, educator, collector and painter in modern Chinese history. Ye Gongchuo's achievements in calligraphy are quite high, his thought of calligraphy is also more influential in later generations, the number of calligraphy works is very large, and he works very hard in the collection and appreciation of calligraphy and painting works. This paper devoted four chapters to the study of Ye Gongchuo's calligraphy. First of all, the first chapter mainly discusses Ye Gongchuo's life, mainly based on his family background, travel experience and career development thread, to explore the reasons for his outstanding achievements in calligraphy art. After examining Ye Gongchuo's study and work experience throughout his life, we can find that his footprints are all over Beijing, Tianjin, Shanghai, Guangzhou, Hong Kong and many other important political and cultural centers in China, and his friends are also spread throughout the country. And cover all areas of society. In the second chapter, the author mainly examines Ye Gongchuo's extensive friendship activities, including his friendship with the poet Wen Ting-style, the collector Wu Hufan, the statesman Mao Zedong and many other socialites. The interactive exchange between Ye Gongchuo and these friends not only broadens his artistic horizon, but also lays a solid foundation for the formation of his calligraphy thought. The third chapter tries to expound Ye Gongchuo's thought of calligraphy in detail. This chapter is divided into three sections, including Ye Gongchuo's view of calligraphy, Ye Gongchuo's methodology of studying books, paying attention to kung fu outside characters and emphasizing the integration of man and book. The formation of Ye Gongchuo's view of calligraphy is inseparable from his inheritance of tradition. At the same time, more importantly, his viewpoint of calligraphy is integrated into his own practical experience, and it is innovated, developed, and finally formed his own definite view of calligraphy. In the last chapter of this thesis, the fourth chapter, through the analysis of Ye Gongchuo's calligraphy works, I sort out the two characteristics of Ye Gongchuo calligraphy, and briefly explain the historical position and influence of Ye Gongchuo calligraphy. As a non-professional calligrapher, Ye Gongchuo has made great achievements in calligraphy. The author hopes that the exploration and combing of Ye Gongchuo's calligraphy thoughts in this paper can enlighten people to understand Lingnan calligraphy, Republic of China calligraphy and even modern Chinese calligraphic history.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J292.1
本文編號(hào)：2343428
[Abstract]:Ye Gongchuo is a famous social activist in the modern history of China. Ye Gongchuo was born in the late Qing Dynasty and died in New China. In addition to the Qing Dynasty and New China, he also went through two historical periods: the Beiyang Government and the Republic of China government. In addition to being a social activist, he is a famous ci writer, educator, collector and painter in modern Chinese history. Ye Gongchuo's achievements in calligraphy are quite high, his thought of calligraphy is also more influential in later generations, the number of calligraphy works is very large, and he works very hard in the collection and appreciation of calligraphy and painting works. This paper devoted four chapters to the study of Ye Gongchuo's calligraphy. First of all, the first chapter mainly discusses Ye Gongchuo's life, mainly based on his family background, travel experience and career development thread, to explore the reasons for his outstanding achievements in calligraphy art. After examining Ye Gongchuo's study and work experience throughout his life, we can find that his footprints are all over Beijing, Tianjin, Shanghai, Guangzhou, Hong Kong and many other important political and cultural centers in China, and his friends are also spread throughout the country. And cover all areas of society. In the second chapter, the author mainly examines Ye Gongchuo's extensive friendship activities, including his friendship with the poet Wen Ting-style, the collector Wu Hufan, the statesman Mao Zedong and many other socialites. The interactive exchange between Ye Gongchuo and these friends not only broadens his artistic horizon, but also lays a solid foundation for the formation of his calligraphy thought. The third chapter tries to expound Ye Gongchuo's thought of calligraphy in detail. This chapter is divided into three sections, including Ye Gongchuo's view of calligraphy, Ye Gongchuo's methodology of studying books, paying attention to kung fu outside characters and emphasizing the integration of man and book. The formation of Ye Gongchuo's view of calligraphy is inseparable from his inheritance of tradition. At the same time, more importantly, his viewpoint of calligraphy is integrated into his own practical experience, and it is innovated, developed, and finally formed his own definite view of calligraphy. In the last chapter of this thesis, the fourth chapter, through the analysis of Ye Gongchuo's calligraphy works, I sort out the two characteristics of Ye Gongchuo calligraphy, and briefly explain the historical position and influence of Ye Gongchuo calligraphy. As a non-professional calligrapher, Ye Gongchuo has made great achievements in calligraphy. The author hopes that the exploration and combing of Ye Gongchuo's calligraphy thoughts in this paper can enlighten people to understand Lingnan calligraphy, Republic of China calligraphy and even modern Chinese calligraphic history.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J292.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 王美怡;;葉恭綽[J];開放時(shí)代;2011年08期
2 周友田;文廷式書法初探[J];萍鄉(xiāng)高等�？茖W(xué)校學(xué)報(bào);2003年03期
，本文編號(hào)：2343428
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