【摘要】：《黃庭經(jīng)》是一篇在魏晉至唐宋期間廣泛傳播的道家經(jīng)典，也是在魏晉至唐宋之間書家傳移摹寫的法書經(jīng)典，也因李白的“山陰道士如相見，應寫黃庭換白鵝”、“掃素寫道經(jīng)，筆精妙入神”兩句詩讓“換鵝經(jīng)”更加具有傳奇色彩，，成為書法史上爭論不休的一段公案�！饵S庭經(jīng)》文本作為書法與道教的雙重性經(jīng)典，文人和道士在書寫傳誦《黃庭經(jīng)》時則表現(xiàn)出不同的接受心態(tài)，“楷法遒美”、“怡懌虛無”、“人仙中介”、“書需存思”、“當句有對”成為他們接受《黃庭經(jīng)》的各種因緣。文人的書寫和道士的傳誦也產(chǎn)生了互動性，一方面反映了書家在書寫《黃庭經(jīng)》時多受道教之影響，另一方面道教經(jīng)典《黃庭經(jīng)》的傳播也多倚書法為資用。
[Abstract]:Huang Tingjing is a Taoist classic widely spread between Wei and Jin and Tang and Song dynasties. It is also a French classic that was copied from the book family to the Tang and Song dynasties. Because of Li Bai's "Mountain Yin Taoists should write Huang Ting for White Goose if they meet each other." "so Su wrote the sutras, the pen was exquisite and absorbed the mind." the poem made "the Goose Sutra" more legendary and became a contentious public case in the history of calligraphy. The text of the "Huang Ting Jing" is regarded as a classic of the duality of calligraphy and Taoism. The literati and Taoists showed different attitudes of acceptance in their writing and reciting "Huang Ting-jing", such as "Kai Fa, Qiu Mei", "Yi Nothingness", "Immortals intermediary", "Books need to be thought of". When the sentence has the right to become their acceptance of the Huangting Sutra all kinds of reasons. The literati's writing and Taoist chanting also produced interactivity. On the one hand, it reflected that the calligraphers were influenced by Taoism in writing Huang Ting Jing, and on the other hand, the dissemination of Taoist classic Huang Ting Jing also relied on calligraphy as a resource.
【學位授予單位】：暨南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J292.1

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