【摘要】：正粗略地說,南宋的書法水平低于北宋,而其審美取向又時(shí)見北宋的影響,所以在談到宋代書法時(shí),人們常常主要著眼于北宋,似乎南宋是無關(guān)緊要的。然而,即便較北宋蕭條,南宋書法也是宋代書法乃至整個古代書法不可或缺的構(gòu)成部分,更是理解書法統(tǒng)緒的重要線索,其固有的藝術(shù)地位和研究價(jià)值皆無可替代。本文討論南宋書家吳說,討論的重點(diǎn)便是他在書法統(tǒng)緒上的位置以及獨(dú)具的審美價(jià)值。吳說(生卒年不詳),字傅朋,號練塘,是南
[Abstract]:Roughly speaking, the calligraphy level of the Southern Song Dynasty is lower than that of the Northern Song Dynasty, and its aesthetic orientation is influenced by the Northern Song Dynasty. Therefore, when talking about calligraphy in the Song Dynasty, people often focus on the Northern Song Dynasty, it seems that the Southern Song Dynasty is irrelevant. However, even compared with the Northern Song Dynasty, calligraphy in the Southern Song Dynasty is also an indispensable part of calligraphy in Song Dynasty and even the whole ancient calligraphy. It is also an important clue to understand the whole process of calligraphy, and its inherent artistic status and research value are irreplaceable. This article discusses the Southern Song Dynasty calligrapher Wu said, the focus of the discussion is his position in calligraphy and unique aesthetic value. Wu said (birth date unknown), the word Fu Peng, the number Liantang, is South
【作者單位】： 中國勞動關(guān)系學(xué)院文化傳播學(xué)院;
【分類號】：J292.1

【共引文獻(xiàn)】

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