【摘要】：目前各種版本的書法史對徐渭放在明代中期還是晚明持有不同的意見,本文就這一現(xiàn)象分別從物理時間和徐渭書風兩個方面進行分析,并得出結(jié)論,徐渭在明代書法史中應被定位在明代中期。 明代書法史借鑒明史分期理論,基本認同以1567年為分界點將明代書法史分為中期和晚期。徐渭生活的時間恰好跨越了兩個時段,但徐渭主要的交友活動和文學藝術(shù)創(chuàng)作都主要在1567年以前。 從藝術(shù)風格上來說,徐渭是“個性書風”的代表,但“個性書風”萌芽于明代初期,明代中期經(jīng)以祝允明為代表的書家有意識的探索,發(fā)展到徐渭基本確立了“個性書風”的發(fā)展方向。 因此得出結(jié)論無論從物理時間上來看還是從書風角度來說,徐渭都應該被劃分在明代中期無疑。
[Abstract]:At present, various versions of calligraphy history hold different opinions on whether Xu Wei is in the middle or late Ming Dynasty. This paper analyzes this phenomenon from two aspects of physical time and Xu Wei-shu style, and draws a conclusion. Xu Wei should be positioned in the middle of Ming Dynasty in the history of calligraphy. The calligraphy history of Ming Dynasty was divided into middle and late period by drawing lessons from the theory of stages of Ming history and taking 1567 as the dividing point. Xu Wei's life span two periods, but Xu Wei's main dating activities and literary and artistic creation were mainly before 1567. In terms of artistic style, Xu Wei is the representative of "individual style of calligraphy", but "personality style of calligraphy" sprouted in the early Ming Dynasty, and the calligraphers who were represented by Zhu Yunming in the middle of Ming Dynasty made a conscious exploration. The development of Xu Wei basically established the development direction of personality style. Therefore, it can be concluded that Xu Wei should be divided in the middle of Ming Dynasty in terms of both physical time and calligraphy style.
【學位授予單位】：首都師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J292.1

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