【摘要】：正江蘇鎮(zhèn)江市有一座著名的"書(shū)法之山"即屹立于大江中流的焦山。山上最負(fù)盛名者當(dāng)屬刻于西麓崖壁上的大字鼻祖《瘞鶴銘》了。歷代文人被其魅力所吸引來(lái)此,留下了數(shù)以百計(jì)的名人題刻、題記。這些訪銘題刻作品上自六朝下至清代,時(shí)間跨度達(dá)一千余年,字體涵蓋了篆隸楷行草,使得焦山宛然成了一座高雅的書(shū)法藝術(shù)殿堂,格外引人注目。南宋書(shū)家吳琚曾于淳熙十一年(二八四)題刻《春游焦山觀〈瘞鶴銘《詩(shī)》,紹熙二年(二九一)赴官襄陽(yáng)的途中,又書(shū)寫了《焦山題名》。這兩件作品一個(gè)為摩崖石刻,一個(gè)為紙本墨跡,均具有較高的書(shū)法價(jià)值和史料價(jià)值,本文以此為對(duì)象,將其作為吳琚代表書(shū)法作品進(jìn)行初步探討。
[Abstract]:Zhenjiang City, Jiangsu Province has a famous "calligraphy mountain" that stands in the middle of the river Jiaoshan. The most famous person on the mountain is the ancestor of the big character engraved on the cliff of the western foot. Scholars of all dynasties were attracted by their charm, leaving behind hundreds of celebrity inscriptions and inscriptions. These inscriptions from the six dynasties to the Qing Dynasty, the time span of more than 1,000 years, the typeface covers the seal script Li Kai grass, making Jiaoshan Wanran into an elegant hall of calligraphy art, particularly noticeable. Wu Kui, a calligrapher in the Southern Song Dynasty, wrote "Jiaoshan's title" in 11 years (284th) and Shaoxi's second year (291) on his way to official Xiangyang. These two works, one is a cliff stone carving, the other is a paper ink, both of them have high calligraphy value and historical material value, this article takes this as the object, and takes it as Wu Kui's representative calligraphy works to carry on the preliminary discussion.
【作者單位】： 曲阜師范大學(xué)杏壇學(xué)院;
【分類號(hào)】：J292.1

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