本文選題：東亞三國 + 書法　； 參考：《南京師范大學(xué)》2006年碩士論文

【摘要】：回顧和探究傳統(tǒng)文化對于三國關(guān)系產(chǎn)生的巨大而深遠(yuǎn)的影響，對于推進(jìn)當(dāng)今中日韓關(guān)系的發(fā)展具有不可忽視的意義。 在冷戰(zhàn)結(jié)束后，傳統(tǒng)文化成為結(jié)束中韓政治上歧視、軍事上對峙、經(jīng)濟(jì)隔絕時代的重要動力和文化背景。中韓兩國建交雖晚，但兩國關(guān)系的發(fā)展卻十分迅速，其速度之快、勢頭之猛，是任何其他國家所不能比擬的，其中傳統(tǒng)文化潛在作用是不可低估的。 漢字在中日中韓交流中占有著重要地位，而以漢字為載體的書法也在現(xiàn)當(dāng)代三國交流中扮演著重要角色。因此研究現(xiàn)當(dāng)代三國書法的發(fā)展有著重要意義。 如今雖然三國交流加強(qiáng)，但我們傳統(tǒng)對三國書法的認(rèn)識可能僅傾向于對日本書壇的了解，而對韓國書壇的認(rèn)識還僅限于對個別書家、個別現(xiàn)象的了解。在當(dāng)下“韓流”的影響下，社會和書壇也應(yīng)更加全面地了解韓國的書壇。論文擬從這方面著手，介紹、比較、研究三國書法，并以此探究我們書壇今后努力和發(fā)展方向。 本文從比較學(xué)、教育學(xué)的角度研究三國書法，以便全面的認(rèn)識三國書法發(fā)展的歷史、現(xiàn)狀、方向及趨勢。通過對東亞三國書法發(fā)展的背景、書法審美和創(chuàng)作、書法教育、書壇發(fā)展趨向的比較研究，，加強(qiáng)對三國文化藝術(shù)的深入了解，以便更好地認(rèn)識三國藝術(shù)的發(fā)展，給我國今后提倡“創(chuàng)造性、創(chuàng)新性”的書壇發(fā)展提供了思索的空間和平臺。
[Abstract]:Reviewing and exploring the great and far-reaching influence of traditional culture on the relations between the three countries is of great significance to the development of the relations between China, Japan and South Korea. After the Cold War, traditional culture became an important motive force and cultural background to end the times of political discrimination, military confrontation and economic isolation between China and South Korea. Although the establishment of diplomatic relations between China and South Korea is late, the relations between the two countries are developing very rapidly. The speed and momentum of the relations are unparalleled by any other country, and the potential role of traditional culture cannot be underestimated. Chinese characters play an important role in the exchanges between China, Japan and South Korea, and calligraphy with Chinese characters as the carrier also plays an important role in the communication among the three countries. Therefore, it is of great significance to study the development of modern and contemporary calligraphy in the three Kingdoms. Although the exchange among the three countries has been strengthened, our traditional understanding of the calligraphy of the three countries may only tend to the understanding of the Japanese calligraphy world, while the understanding of the Korean calligraphy world is limited to the understanding of individual calligraphers and individual phenomena. Under the influence of the current Korean Stream, the society and the book world should also have a more comprehensive understanding of the Korean book world. This paper intends to introduce, compare and study the calligraphy of the three Kingdoms from this aspect, and to explore the future efforts and development direction of our calligraphy world. This paper studies the calligraphy of the three Kingdoms from the angle of comparison and pedagogy, in order to understand the history, present situation, direction and trend of the calligraphy development of the three countries in an all-round way. Through the comparative study of the background of the development of calligraphy in the three countries of East Asia, calligraphy aesthetics and creation, calligraphy education, and the development trend of the calligraphy world, we should strengthen the in-depth understanding of the culture and art of the three Kingdoms in order to better understand the development of the three countries' arts. It provides the space and platform for our country to promote the development of "creativity and innovation" in the future.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J293

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 井米蘭;韓國三國末期至高麗初期石刻詞匯研究[D];華東師范大學(xué);2012年

相關(guān)碩士學(xué)位論文 前1條

1 隋月;小學(xué)生書法課程資源現(xiàn)狀調(diào)查[D];沈陽師范大學(xué);2012年

本文編號：1827962