本文選題：丁敬 + 篆刻藝術(shù)　； 參考：《南京藝術(shù)學院》2003年博士論文

【摘要】： 本文在清代中葉史學、文學、學術(shù)研究和篆刻流派的背景下，主要以文獻考辨結(jié)合圖版實證的研究方法，通過詩文、印譜、印章邊款所提供的大量文獻資料和鮮為人注目的實物圖版，從“浙派”的宗師——丁敬的卒年、字號以及丁敬與同時代詩壇、畫壇、學術(shù)研究圈重要人物的交游考證開始，探討了丁敬學術(shù)思想的根源。在此基礎上，又通過對丁敬篆刻藝術(shù)創(chuàng)作各階段的劃分，結(jié)合歷代印風的嬗變和承傳，對丁敬的篆刻作品進行解讀。進而分析了丁敬的印章審美觀和篆刻藝術(shù)創(chuàng)作的審美取向，，厘清了丁敬篆刻藝術(shù)創(chuàng)作的源頭(即“浙派”篆刻藝術(shù)的源頭)，同時客觀地評價了丁敬的篆刻藝術(shù)成就。從而解決了長期以來困擾人們的“浙派”源頭問題，并駁斥了“四風派開啟浙派”的錯誤觀點。
[Abstract]:Under the background of historiography, literature, academic research and seal cutting school in the middle of Qing Dynasty, this paper mainly uses the method of literature research combined with the empirical study of map plate, through poetry, printing, The large amount of documents and plates provided by the seal side paragraph began with the year of the death of Ding Jing, the master of the "Zhejiang School", and the travel and textual research of Ding Jing and the important figures of the contemporary poetry, painting world, and academic research circles. The origin of Ding Jing's academic thought is discussed. On this basis, through the division of each stage of Ding Jing seal cutting art creation, combined with the evolution and inheritance of the past printing style, Ding Jing's seal cutting works are interpreted. Then it analyzes Ding Jing's seal aesthetics and aesthetic orientation of seal cutting art creation, clarifies the source of Ding Jing's seal cutting art creation (that is, the source of "Zhejiang School" seal cutting art, and objectively evaluates Ding Jing's artistic achievements in seal cutting. It solves the problem of the origin of "Zhejiang school", and refutes the wrong view that "the four winds school opens Zhejiang school".
【學位授予單位】：南京藝術(shù)學院
【學位級別】：博士
【學位授予年份】：2003
【分類號】：J292.4

【引證文獻】

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