本文選題：尺牘　切入點：尺牘書跡　出處：《首都師范大學(xué)》2006年碩士論文

【摘要】：本文以歷代尺牘書跡作為研究對象，結(jié)合不同歷史時期的社會背景及書法發(fā)展?fàn)顩r，參照相關(guān)文獻(xiàn)材料，試圖對尺牘這類書跡的產(chǎn)生、功能、發(fā)展?fàn)顩r等作—盡可能全面的考察，并剖析其內(nèi)在動因，探討其歷史地位，闡釋其價值。為了邏輯的需要和表述的方便，本文分為緒論、上篇、下篇三個部分。緒論部分概述了尺牘書跡研究的緣起、現(xiàn)狀、意義和研究方法，，并對尺牘的概念、起源及分類進(jìn)行論述：本文上篇對整個尺牘書跡發(fā)展過程進(jìn)行一番巡覽：以朝代為線索，分為先秦秦漢時期、魏晉南北朝時期、隋唐時期、宋元時期、明清時期等五個階段，結(jié)合當(dāng)時的歷史文獻(xiàn)資料和所傳書跡，對尺牘書跡的流傳情況、書體特點及相關(guān)背景等問題進(jìn)行了較全面的梳理，以期了解其基本的脈絡(luò)和輪廓，并通過這種方式對古代尺牘書跡流行及存世狀況等有一個宏觀的綜合的認(rèn)識和把握；下篇分為“特征論”、“風(fēng)格論”、“書體論”、“價值論”等四個方面，把尺牘書跡納入書法和文獻(xiàn)視野中展開論述，對尺牘書法的相關(guān)問題進(jìn)行了初步的探討。 本文的研究對象不是針對某一特定時代的尺牘書跡、某個尺牘作者群體和個體、某一類尺牘書跡，而是統(tǒng)觀整個中國古代各類書跡中的尺牘這一大“類”書跡，因而是一種宏觀與微觀相結(jié)合的研究；中國古代尺牘書跡包括從先秦到清末各個歷史時期的內(nèi)容，時間跨度有兩干多年，因受筆者學(xué)力及論文容量所限，故只能對所涉及的問題進(jìn)行一般性的描述與分析，借此拋磚引玉，以引起更多研究者的關(guān)注。
[Abstract]:In this paper, the author takes the calligraphy records of the past dynasties as the research object, combines the social background of different historical periods and the development situation of calligraphy, referring to the relevant literature materials, attempts to produce and function this kind of handwriting of the bamboo slips. In order to make the need of logic and the convenience of expression, this paper is divided into the introduction, the first part, The following three parts. The introduction summarizes the origin, current situation, significance and research methods of the study on the handwriting of the written slips, as well as the concept of the written slips. The origin and classification are discussed: the first part of this paper makes a survey of the whole development process of the official slips: the period of pre-Qin, Qin and Han dynasties, Wei, Jin and Northern dynasties, Sui and Tang dynasties, Song and Yuan dynasties, Ming and Qing dynasties, and so on. Based on the historical literature and the books handed down at that time, this paper makes a comprehensive analysis of the circulation, the characteristics of the calligraphy style and the relevant background, in order to understand its basic context and outline. And through this way, there is a macroscopic comprehensive understanding and grasp of the popularity of ancient calligraphy records and the status of the world. The next part is divided into four aspects: "characteristic theory", "style theory", "calligraphy theory", "value theory", etc. This paper discusses the related problems of the calligraphy of the slips and calligraphy in the field of view of calligraphy and literature. The research object of this paper is not for a certain period of time, for a certain group of authors and individuals, for a certain type of slips, but for the whole of ancient China. Therefore, it is a combination of macro and micro research. Ancient Chinese slips include the contents of each historical period from pre-Qin to the end of Qing Dynasty. The time span has been two years, due to the limitation of the author's academic ability and the capacity of the thesis. Therefore, the problems involved can only be described and analyzed in a general way so as to attract more researchers' attention.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J292.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 楊興美;李之儀尺牘研究[D];暨南大學(xué);2008年

2 鄒蓓蓓;《宋人佚簡》若干書簡的整理與研究[D];河北師范大學(xué);2010年

本文編號：1677492