本文關(guān)鍵詞： 趙冷月 書法 創(chuàng)作 評價(jià)　出處：《中國書法》2017年02期 　論文類型：期刊論文

【摘要】：二十世紀(jì)的海派書壇名流輩出,風(fēng)云際會(huì),海派后期的趙冷月又可謂虬枝獨(dú)擎,風(fēng)標(biāo)自具。然而貶之者亦眾,或謂之倉促變法、有違大統(tǒng),或謂之師心自用、信筆為體。而今,先生已過百年,其"衰年變法"之成敗功過似乎也到了蓋棺定論之時(shí)。本文試以多元化視角對趙冷月書法再認(rèn)識(shí),重新審視其書法成就及其影響,以期得出相對客觀的結(jié)論,或?yàn)樾聲r(shí)期的書法創(chuàng)作提供一些參考與借鑒。
[Abstract]:In 20th century, a great number of famous scholars appeared in the literature circles of the Shanghai School, and Zhao Lengyue in the late period of the Shanghai School could be said to be alone with the branches of the Shanghai School. However, the derogators are also numerous, or they call it a hasty reform, which is contrary to the great unification, or that the teachers use themselves for their own use, and that the letter and pen are the body. Now, After a hundred years, it seems that the success or failure of his "bad year reform" has also reached the final conclusion. This paper tries to re-understand Zhao Lengyue's calligraphy from a diversified perspective, and re-examine his calligraphy achievements and its influence in order to draw a relatively objective conclusion. Or for the new period of calligraphy creation to provide some reference and reference.
【作者單位】： 上海市明德山房書畫藝術(shù)工作室;
【分類號(hào)】：J292.1

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本文編號(hào)：1529428