徽州民間牌坊裝飾藝術(shù)研究
發(fā)布時(shí)間：2018-09-14 12:58
【摘要】：在遼闊的中華大地上,在程朱闕里、禮儀之鄉(xiāng)的古徽州,那矗立著的一座座古老牌坊的身影無處不在,駐足凝望間,在它們的背影中,看到的是一幕幕、一幅幅的兒女情懷和游子的思鄉(xiāng)之情。走入古老的徽州,無論是村口還是街衢,無論是田野間還是古道旁,無論是華麗顯赫的石牌坊,或者是獨(dú)自風(fēng)韻的木牌坊,亦或是樸素簡潔的磚牌坊,遠(yuǎn)遠(yuǎn)地靜默著,似是一直在向世人訴說著古老的徽州歷史。那身影背后演繹的一幕幕悲歡離合、喜怒哀樂的故事,為徽州、也為全人類的文化傳承描繪出一幅壯麗的歷史長卷。作為一種獨(dú)具特色的建筑形式和重要組成部分,徽州牌坊與徽州的古民居、古祠堂并譽(yù)為“徽州三絕”。同時(shí),牌坊建筑作為徽州文化的一個(gè)組成部分,承載著徽州區(qū)域文化的審美特征,在一定程度上,向人們反應(yīng)了徽州人的生活方式,呈現(xiàn)了不同的生活態(tài)度及其徽州人獨(dú)特的藝術(shù)審美方式,反映了不同社會(huì)時(shí)期特定的歷史形態(tài)和藝術(shù)表現(xiàn)形式。另外,目前對(duì)傳統(tǒng)遺產(chǎn)的保護(hù)越來越受到關(guān)注,也為徽州民間牌坊裝飾藝術(shù)的研究提供了良好的環(huán)境。藉對(duì)徽州黃山一帶進(jìn)行專業(yè)考察、調(diào)研的機(jī)會(huì),深入了解了徽州地區(qū)的牌坊建筑,見識(shí)了它所蘊(yùn)含的深刻文化內(nèi)涵以及獨(dú)特的藝術(shù)魅力。在聆聽歷經(jīng)百年歷史依舊能夠蕩人心腑的悲歡聚散的人間故事之后,我們不得不為這在幾個(gè)世紀(jì)以前就已經(jīng)璀璨絢麗的建筑藝術(shù)成就而感到驚嘆和贊賞!作為中國古典建筑的代表,除卻本身的社會(huì)歷史文化價(jià)值以外,它還體現(xiàn)了建筑藝術(shù)方面的杰出成就和藝術(shù)價(jià)值。 論文主要以徽州民間牌坊裝飾藝術(shù)為研究對(duì)象,首先,從牌坊的歷史發(fā)展歷程出發(fā),對(duì)徽州地區(qū)牌坊興盛的根源分別從地理和歷史環(huán)境、文化、經(jīng)濟(jì)、思想根源上進(jìn)行理順和解讀；其次,對(duì)徽州民間牌坊的主要類型以忠孝節(jié)義的角度進(jìn)行了概括和認(rèn)識(shí)。接下來主要結(jié)合相關(guān)具有代表性的牌坊從裝飾藝術(shù)的角度重點(diǎn)分析和研究牌坊建筑石雕藝術(shù)、裝飾藝術(shù)表現(xiàn)形式、表現(xiàn)內(nèi)容及其美學(xué)因素,對(duì)牌坊裝飾藝術(shù)進(jìn)行詳盡的研究。最后通過對(duì)現(xiàn)代藝術(shù)設(shè)計(jì)的現(xiàn)狀分析,說明徽州民間牌坊裝飾藝術(shù)的重要性,通過對(duì)其與現(xiàn)代藝術(shù)設(shè)計(jì)的創(chuàng)新范例研究,進(jìn)而延伸對(duì)徽州牌坊裝飾藝術(shù)的傳承和保護(hù),以此綜合闡述了徽州民間牌坊裝飾藝術(shù)與現(xiàn)代藝術(shù)設(shè)計(jì)的新發(fā)展。 論文的重點(diǎn)在于,針對(duì)徽州民間牌坊的歷史文化價(jià)值,結(jié)合牌坊本身獨(dú)有的建筑藝術(shù)形式、地域文化等因素,進(jìn)行其裝飾藝術(shù)的深入研究和探索,并結(jié)合現(xiàn)代藝術(shù)設(shè)計(jì)創(chuàng)新研究,對(duì)徽州民間牌坊裝飾藝術(shù)進(jìn)行保護(hù)傳承和發(fā)展。
[Abstract]:On the vast land of China, in Cheng Zhuque, in ancient Huizhou, the hometown of etiquette, the figure of the ancient archway stands everywhere, standing in the gazing room, and in their shadow, what they see is a series of scenes. One by one, the feelings of children and traveling homesickness. Walking into the ancient city of Huizhou, whether at the entrance of the village or on the thoroughfare, in the fields or by the ancient road, in the magnificent stone archway, or in the solitary wood archway, or in the simple and concise brick archway, is silent from afar. Seems to have been telling the world about the ancient history of Huizhou. The story of joy and sorrow behind the figure depicts a magnificent historical scroll for Huizhou as well as for the cultural heritage of all mankind. As a unique architectural form and an important part, Huizhou archway and the ancient residence of Huizhou, ancient ancestral hall and known as "Huizhou three absolute." At the same time, as an integral part of Huizhou culture, the arch building bears the aesthetic characteristics of Huizhou regional culture. To a certain extent, it reflects the way of life of Huizhou people. It presents different attitudes to life and the unique artistic aesthetic style of Huizhou people, reflecting the specific historical forms and artistic expressions of different social periods. In addition, more and more attention has been paid to the protection of traditional heritage, which provides a good environment for the research of Huizhou folk art. Through the professional investigation and investigation of Huizhou Huangshan area, the author deeply understood the arch building in Huizhou area, and saw its profound cultural connotation and unique artistic charm. After listening to the sad and happy stories of the world, which can still be heard through a hundred years of history, we have to marvel at and appreciate the brilliant architectural achievements that have been brilliant centuries ago! As the representative of Chinese classical architecture, in addition to its own social historical and cultural value, it also embodies the outstanding achievements and artistic value of architectural art. The thesis mainly takes the decoration art of Huizhou folk archway as the research object. First of all, from the historical development course of the archway, the origin of the prosperity of Huizhou archway is from geography and historical environment, culture, economy, respectively. Secondly, the main types of Huizhou folk archway are summarized and understood from the angle of loyalty and filial piety. Then it mainly analyzes and studies the art of stone carving, the form of expression, the content and aesthetic factors of decorative art from the angle of decorative art, and carries on the detailed research on the decorative art of archway by combining the related representative archways from the point of view of decorative art. Finally, through the analysis of the present situation of modern art design, it explains the importance of the decoration art of Huizhou folk archway, and through the research of its innovative example with the modern art design, it extends the inheritance and protection of the decoration art of Huizhou archway. This paper expounds the new development of decoration art and modern art design of Huizhou folk archway. The key point of the thesis is that, in view of the historical and cultural value of Huizhou folk archway, combining with the unique architectural art form, regional culture and other factors of the archway itself, the paper carries on the in-depth research and exploration of its decorative art. Combined with the innovative research of modern art design, the protection, inheritance and development of Huizhou folk archway decoration art are carried out.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU238;J505
本文編號(hào)：2242778
[Abstract]:On the vast land of China, in Cheng Zhuque, in ancient Huizhou, the hometown of etiquette, the figure of the ancient archway stands everywhere, standing in the gazing room, and in their shadow, what they see is a series of scenes. One by one, the feelings of children and traveling homesickness. Walking into the ancient city of Huizhou, whether at the entrance of the village or on the thoroughfare, in the fields or by the ancient road, in the magnificent stone archway, or in the solitary wood archway, or in the simple and concise brick archway, is silent from afar. Seems to have been telling the world about the ancient history of Huizhou. The story of joy and sorrow behind the figure depicts a magnificent historical scroll for Huizhou as well as for the cultural heritage of all mankind. As a unique architectural form and an important part, Huizhou archway and the ancient residence of Huizhou, ancient ancestral hall and known as "Huizhou three absolute." At the same time, as an integral part of Huizhou culture, the arch building bears the aesthetic characteristics of Huizhou regional culture. To a certain extent, it reflects the way of life of Huizhou people. It presents different attitudes to life and the unique artistic aesthetic style of Huizhou people, reflecting the specific historical forms and artistic expressions of different social periods. In addition, more and more attention has been paid to the protection of traditional heritage, which provides a good environment for the research of Huizhou folk art. Through the professional investigation and investigation of Huizhou Huangshan area, the author deeply understood the arch building in Huizhou area, and saw its profound cultural connotation and unique artistic charm. After listening to the sad and happy stories of the world, which can still be heard through a hundred years of history, we have to marvel at and appreciate the brilliant architectural achievements that have been brilliant centuries ago! As the representative of Chinese classical architecture, in addition to its own social historical and cultural value, it also embodies the outstanding achievements and artistic value of architectural art. The thesis mainly takes the decoration art of Huizhou folk archway as the research object. First of all, from the historical development course of the archway, the origin of the prosperity of Huizhou archway is from geography and historical environment, culture, economy, respectively. Secondly, the main types of Huizhou folk archway are summarized and understood from the angle of loyalty and filial piety. Then it mainly analyzes and studies the art of stone carving, the form of expression, the content and aesthetic factors of decorative art from the angle of decorative art, and carries on the detailed research on the decorative art of archway by combining the related representative archways from the point of view of decorative art. Finally, through the analysis of the present situation of modern art design, it explains the importance of the decoration art of Huizhou folk archway, and through the research of its innovative example with the modern art design, it extends the inheritance and protection of the decoration art of Huizhou archway. This paper expounds the new development of decoration art and modern art design of Huizhou folk archway. The key point of the thesis is that, in view of the historical and cultural value of Huizhou folk archway, combining with the unique architectural art form, regional culture and other factors of the archway itself, the paper carries on the in-depth research and exploration of its decorative art. Combined with the innovative research of modern art design, the protection, inheritance and development of Huizhou folk archway decoration art are carried out.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU238;J505
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 竇薛霖;;論當(dāng)代中國裝飾藝術(shù)的發(fā)展趨勢[J];鞍山師范學(xué)院學(xué)報(bào);2008年06期
2 尋勝蘭;淺論中國象征符號(hào)與傳統(tǒng)造型[J];裝飾;2000年01期
，本文編號(hào)：2242778
本文鏈接：http://sikaile.net/wenyilunwen/shinazhuanghuangshejilunwen/2242778.html
最近更新
教材專著
