【摘要】： 該文以泉州傳統(tǒng)建筑裝飾藝術(shù)為主要研究對象，從泉州自然環(huán)境和社會歷史為出發(fā)點，立足于泉州傳統(tǒng)建筑的石雕、木雕、磚雕、泥塑、貼瓷花、彩繪、剪粘等裝飾工藝，較為全面地分析泉州傳統(tǒng)建筑裝飾多元化特征所形成的原因并解析其地域特色。全文共分為三個部分，第一部分為緒論，簡要地敘述泉州的自然環(huán)境和社會歷史、泉州的傳統(tǒng)建筑類型和其裝飾工藝種類以及課題的研究現(xiàn)狀、目的、方法和創(chuàng)新點。第三部分則為全文的結(jié)論。第二部分為正文，是重點，分四章進(jìn)行論述。第一章論述中原文化與泉州傳統(tǒng)建筑裝飾的血緣關(guān)系，分別從社會基礎(chǔ)、經(jīng)濟(jì)基礎(chǔ)和思想基礎(chǔ)三個方面來說明泉州傳統(tǒng)民居的基本形制來自于中原的合院形式、建筑裝飾題材也受到其影響。第二章以詳細(xì)的例子，結(jié)合歷史上影響泉州的各大宗教的傳入時間、背景與程度說明泉州宗教建筑藝術(shù)的包容性。第三章以民居的外墻用材和裝飾說明泉州傳統(tǒng)建筑裝飾藝術(shù)深受海洋文化的影響，，形成了自己的地方特色。第四章截取體現(xiàn)地域特色的建筑裝飾部位和彩畫、泥塑、剪粘等手法，具體加以敘述，展示泉州傳統(tǒng)建筑裝飾的獨特性格。
[Abstract]:This article takes Quanzhou traditional architecture decoration art as the main research object, from the Quanzhou natural environment and the social history as the starting point, based on the Quanzhou traditional architecture stone carving, the wood carving, the brick carving, the clay sculpture, the paste porcelain flower, the color painting, the shear stick and so on decoration craft, This paper comprehensively analyzes the reasons for the diversification of traditional architectural decoration in Quanzhou and analyzes its regional characteristics. The paper is divided into three parts. The first part is the introduction, which briefly describes the natural environment and social history of Quanzhou, the traditional architectural types and decorative craft types of Quanzhou as well as the research status, purpose, method and innovation of the subject. The third part is the conclusion of the full text. The second part is the main body, which is divided into four chapters. The first chapter discusses the blood relationship between the Central Plains Culture and the traditional architectural decoration of Quanzhou, respectively, from the social basis, the economic basis and the ideological basis to explain the basic form of Quanzhou traditional residence from the form of the Central Plains. The theme of architectural decoration is also affected by it. The second chapter gives a detailed example to illustrate the inclusiveness of the religious architecture art in Quanzhou by combining the introduction time, background and degree of the major religions in the history of Quanzhou. The third chapter explains Quanzhou traditional architectural decoration art deeply influenced by ocean culture, forming its own local characteristics. The fourth chapter intercepts the architectural decoration parts and color paintings, clay sculptures, shear stickies and so on, which embodies the regional characteristics, and shows the unique character of Quanzhou traditional architectural decoration.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：TU238;TU-86

【共引文獻(xiàn)】

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