本文選題：明清 + 陶瓷��； 參考：《鄭州大學(xué)》2013年碩士論文

【摘要】：陶瓷上的文字裝飾自古以來就客觀存在,它的發(fā)展歷程是極為緩慢的。然而,明清時(shí)期文字與陶瓷達(dá)到了一個(gè)完美的結(jié)合,而且在實(shí)踐上已臻完備,但理論上的研究尚未引起重視。目前關(guān)于明清陶瓷書跡方面的理論研究并沒有系統(tǒng)完整的資料,本人試圖在相對分散的文字資料和圖片資料中找到相關(guān)論據(jù),從全局上對明清陶瓷書跡進(jìn)行系統(tǒng)的歸納整理。 本文首先對古代陶瓷書跡的發(fā)生、發(fā)展作歷史呈現(xiàn),分析明清時(shí)期陶瓷書跡繁榮的原因。陶瓷書跡作為一種陶瓷裝飾形態(tài)在明清時(shí)期高度發(fā)展,歸根到底是陶瓷工藝的全面提升和商品經(jīng)濟(jì)的繁榮。在這種社會(huì)政治經(jīng)濟(jì)文化大背景下,陶瓷工藝的全面發(fā)展也直接關(guān)系著陶瓷書跡的繁榮；其次,傳統(tǒng)文人書畫直接影響著陶瓷裝飾,以及帝王、文人直接參與陶瓷制作提高了陶瓷書跡裝飾的藝術(shù)性,綜合明清時(shí)期陶瓷書跡繁榮的各方面因素,聯(lián)系陶瓷工藝發(fā)展的傳承,論述明清陶瓷書跡繁榮的原因。 文章根據(jù)明清兩代陶瓷上的款識(shí)銘文的介紹與評述,著重論述明清時(shí)期陶瓷書跡的裝飾形態(tài)和內(nèi)容特征。主要對明清時(shí)期陶瓷的銘文作純銘文裝飾、銘文與紋飾相結(jié)合的書跡裝飾、題畫的書跡裝飾三種分類。綜合文獻(xiàn)記載,進(jìn)而對明清陶瓷書跡的實(shí)用性、審美性、文化性、世俗性、地域性五個(gè)重要特征做一個(gè)比較系統(tǒng)的歸納整理,總結(jié)明清陶瓷書跡的發(fā)展對后世所產(chǎn)生的影響。通過這些研究,希望使明清時(shí)期陶瓷書跡的發(fā)展有了一個(gè)完整清晰的展現(xiàn)。
[Abstract]:The writing decoration on the ceramic has existed objectively since ancient times, its development process is extremely slow. However, in the Ming and Qing dynasties, the combination of writing and ceramics has reached a perfect, and has been completed in practice, but the theoretical research has not been paid attention to. At present, there is no systematic and complete information on the theoretical study of the ceramic books in Ming and Qing dynasties. I try to find the relevant arguments in the relatively scattered text and picture materials, and systematically summarize and sort out the ceramic books in the Ming and Qing dynasties from the overall situation. In this paper, the occurrence and development of ancient ceramic books are presented, and the reasons for the prosperity of ceramic books in Ming and Qing dynasties are analyzed. As a ceramic decoration form, ceramic handwriting developed highly during the Ming and Qing dynasties. In the final analysis, it was the promotion of ceramic technology and the prosperity of commodity economy. In this social, political, economic and cultural background, the overall development of ceramic technology is also directly related to the prosperity of ceramic books. Secondly, traditional literati calligraphy and painting have a direct impact on ceramic decoration, as well as the emperor, The direct participation of literati in ceramic making improves the artistry of ceramic handwriting decoration, synthesizes all aspects of the prosperity of ceramic handwriting during the Ming and Qing dynasties, and discusses the reasons for the prosperity of ceramic handwriting in Ming and Qing dynasties, in connection with the inheritance of ceramic technology development. Based on the introduction and comment of the inscriptions on the ceramics of the Ming and Qing dynasties, this paper mainly discusses the decorative form and content characteristics of the ceramic books in the Ming and Qing dynasties. It mainly decorates ceramic inscriptions in Ming and Qing dynasties, combines inscriptions with ornaments, and books with paintings. Comprehensive literature records, and then to the practical, aesthetic, cultural, secular and regional characteristics of the five important characteristics of a relatively systematic summary, summed up the Ming and Qing dynasties ceramic books on the development of the impact on later generations. Through these studies, it is hoped that the development of ceramic books in Ming and Qing dynasties will have a complete and clear display.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J527

【參考文獻(xiàn)】

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本文編號：2060225