本文選題：人文 + 空間裝飾設計��； 參考：《天津美術學院》2017年碩士論文

【摘要】：當代的室內(nèi)裝飾特點呈現(xiàn)出以傳統(tǒng)文化、古典文化為主脈絡,結合多民族、多國家文化協(xié)同發(fā)展的局面。以當代“新裝飾主義”風格為特征的室內(nèi)風格正悄然進行著。人們在享受物質文明的同時也得到了文化精神的慰藉。當代文化傾向于以傳統(tǒng)文化為主導,文化全球化融合的“整合文化”特點,表現(xiàn)出文化多元化、文化商業(yè)化等特征。當代的“新裝飾主義”綜合了東西方文化豐富的藝術內(nèi)涵,開放創(chuàng)新的設計思想,既將傳統(tǒng)古典文化的精髓留存并延續(xù)下來,又摒棄掉了裝飾中復雜的肌理效果,將用于裝飾的線條簡化。當下的經(jīng)濟形勢結合當代設計價值觀念,運用現(xiàn)代材質及工藝來重塑傳統(tǒng)文化中的經(jīng)典,本文分析裝飾風格內(nèi)涵與人文關系并預測未來的人文發(fā)展方向。
[Abstract]:The contemporary interior decoration features a situation in which traditional culture, classical culture as the main thread and multi-national culture are combined. The interior style, characterized by contemporary "neo-decorationism", is quietly going on. People enjoy material civilization but also get the comfort of the cultural spirit. Contemporary culture tends to be dominated by traditional culture and the integration of cultural globalization shows the characteristics of cultural pluralism and commercialization of culture. The contemporary "neo-decorationism" integrates the rich artistic connotation of the eastern and western cultures and the open and innovative design ideas. It not only preserves and continues the essence of the traditional classical culture, but also abandons the complex texture effect in the decoration. Simplify the lines used for decoration. The present economic situation combines the contemporary design value concept, uses the modern material and the craft to reshape the classic in the traditional culture, this article analyzes the decoration style connotation and the humanities relations and predicts the future humanities development direction.
【學位授予單位】：天津美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TU238.2

【參考文獻】

相關期刊論文 前4條

1 小時;;“擁有兩個世界的精華” 貝聿銘[J];科學家;2014年11期

2 謝高地;;生態(tài)文明與中國生態(tài)文明建設[J];新視野;2013年05期

3 高元龍;;弘揚中華文化 塑造民族形象[J];學園(教育科研);2012年03期

4 魯洋;;文化全球化與傳統(tǒng)文化的發(fā)展[J];渭南師范學院學報;2008年04期

，

本文編號：1977347