本文選題：八寶紋樣　切入點(diǎn)：陶瓷裝飾　出處：《景德鎮(zhèn)陶瓷學(xué)院》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在任何一件陶瓷作品中，傳統(tǒng)紋樣的裝飾是陶瓷藝術(shù)中最重要的組成部分。如果說(shuō)造型構(gòu)成了陶瓷的基本形態(tài)，那么紋樣裝飾則構(gòu)成了陶瓷的絢爛多彩的世界。同樣，陶瓷裝飾紋樣的發(fā)展也是經(jīng)歷了一個(gè)由簡(jiǎn)單到復(fù)雜的過(guò)程。隨著人類文明和社會(huì)進(jìn)步的發(fā)展，我國(guó)現(xiàn)當(dāng)代陶瓷中的紋樣裝飾藝術(shù)越來(lái)越意識(shí)到，紋樣裝飾內(nèi)容與之相對(duì)應(yīng)的意境和內(nèi)涵是創(chuàng)作陶瓷作品的靈魂。其中傳統(tǒng)陶瓷八寶紋樣是一種以物寄情的象征性裝飾紋樣，人們把它作為一種特定地吉祥觀念的符號(hào)，將自己的情感寓以其中。因此，在本論文研究過(guò)程中，本文從理論及現(xiàn)實(shí)兩個(gè)方面，采取通過(guò)實(shí)踐、查閱資料、深入分析、對(duì)比等方法進(jìn)行研究。對(duì)有關(guān)傳統(tǒng)八寶紋樣的理論研究進(jìn)行由表及里的深入探討，結(jié)合大量文獻(xiàn)、陶瓷藝術(shù)作品等大量的文字和圖片資料，找出傳統(tǒng)陶瓷八寶紋樣介入現(xiàn)代陶瓷創(chuàng)作的切入點(diǎn)來(lái)完成本課題的研究。 首先，本文通過(guò)以陶瓷裝飾紋樣之一的傳統(tǒng)陶瓷八寶紋樣為出發(fā)點(diǎn)，通過(guò)查閱各種歷史文獻(xiàn)、圖片和文字為基礎(chǔ)，，對(duì)陶瓷八寶紋樣做出了相關(guān)的概念界定，通過(guò)分析其符號(hào)性和特征及其影響及其發(fā)展的因素做了較全面的比較和梳理。其次，本文通過(guò)以陶瓷裝飾紋樣之一的傳統(tǒng)陶瓷八寶紋樣為出發(fā)點(diǎn)，對(duì)陶瓷八寶紋樣做出了相關(guān)的概念界定，通過(guò)分析其符號(hào)性和特征。又通過(guò)介紹陶瓷八寶紋樣在陶瓷裝飾中的運(yùn)用，并通過(guò)視覺(jué)表現(xiàn)形式，闡述了傳統(tǒng)陶瓷紋樣對(duì)于我國(guó)現(xiàn)代陶瓷裝飾應(yīng)用的傳承與創(chuàng)新的必要性。最后，通過(guò)陶瓷八寶紋樣對(duì)現(xiàn)代陶瓷藝術(shù)的啟發(fā)同現(xiàn)代平面設(shè)計(jì)與新材料的運(yùn)用相結(jié)合，運(yùn)用理性思維和文化特點(diǎn)，設(shè)計(jì)出具有新的審美風(fēng)尚的“藝術(shù)品”。與此同時(shí)，彰顯出了陶瓷八寶紋樣的永恒的藝術(shù)魅力。
[Abstract]:In any ceramic work, the decoration of traditional patterns is the most important part of ceramic art. The development of ceramic decorative patterns has also experienced a process from simple to complex. With the development of human civilization and social progress, the decorative art of decorative patterns in modern and contemporary ceramics in China is becoming more and more aware. The corresponding artistic conception and connotation of pattern decoration content is the soul of creating ceramic works. Among them, the traditional ceramic eight treasure pattern is a symbolic decorative pattern, which is regarded by people as a symbol of a particular auspicious idea. Therefore, in the research process of this paper, this paper from the theoretical and practical aspects, take through practice, consult data, in-depth analysis, Research by contrast and other methods. The theoretical research on the traditional eight treasure patterns is deeply discussed from the outside to the inside, combining with a large number of literature, ceramic works of art, and a large amount of text and picture materials, Find out the traditional ceramic eight-treasure patterns involved in modern ceramic creation entry point to complete the study of this subject. First of all, based on the traditional ceramic eight treasure pattern, which is one of the ceramic decorative patterns, this paper defines the concept of the ceramic eight treasure pattern by consulting various historical documents, pictures and words. By analyzing its symbolism and characteristic, its influence and its development factors, this paper makes a comprehensive comparison and combing. Secondly, this paper takes the traditional ceramic eight treasure pattern, one of the ceramic decorative patterns, as the starting point. This paper defines the concept of ceramic eight treasure pattern, analyzes its symbolism and characteristics, and introduces the application of ceramic eight treasure pattern in ceramic decoration, as well as the form of visual expression. This paper expounds the necessity of the inheritance and innovation of the traditional ceramic pattern for the application of modern ceramic decoration in China. Finally, through the inspiration of the ceramic eight treasure pattern to the modern ceramic art, it combines the modern graphic design with the application of the new material. By means of rational thinking and cultural characteristics, a new aesthetic style of "art" is designed. At the same time, it shows the eternal artistic charm of the pattern of eight treasures of ceramics.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J522

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