本文選題：砂壺　切入點(diǎn)：佳茗　出處：《江蘇陶瓷》2014年04期 　論文類型：期刊論文

【摘要】：正宜興紫砂是我國(guó)優(yōu)秀的工藝美術(shù)陶瓷,有著悠久的歷史和很高的藝術(shù)成就。古人云:"工欲善其事,必先利其器",而宜興紫砂壺便是舉世公認(rèn)的最佳茗飲器具。同時(shí),紫砂壺集實(shí)用、藝術(shù)和人文于一體,又在長(zhǎng)期的發(fā)展變化中,逐漸融入書畫、雕刻、金石等相關(guān)裝飾藝術(shù)元素,可謂內(nèi)蘊(yùn)豐富,令人鐘愛(ài)有加。紫砂壺的美感源于多個(gè)層面,從最基礎(chǔ)的視覺(jué)美感到深層的內(nèi)在共鳴,其往往綜合了造型、裝飾等可觀、可見(jiàn)的外在形象和可知、可感的思想內(nèi)涵。外形和內(nèi)涵構(gòu)成了一把壺完整
[Abstract]:Zheng Yixing Zisha is a fine arts and crafts ceramics of our country, has a long history and very high artistic achievement. The ancients said: "if you want to do well in your work, you must first benefit your wares", and Yixing purple sand pot is recognized as the best tea drinking utensils in the world. At the same time, Purple sand pot is a collection of practical, art and humanities in one, but also in the long-term development and change, gradually into calligraphy, painting, sculpture, gold stone and other related decorative art elements, it can be described as rich in content, love and adoration. From the most basic visual aesthetic to the deep internal resonance, it is often a combination of modeling, decoration and other considerable, visible external image and knowable, sense of the ideological connotation. Shape and connotation constitute a pot of integrity
【分類號(hào)】：J527

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