剝?nèi)ナ罪椀耐庖?/H1>
發(fā)布時(shí)間：2018-03-03 18:50
本文選題：剝?nèi)?/strong> 切入點(diǎn)：當(dāng)代 出處：《中國(guó)地質(zhì)大學(xué)(北京)》2015年碩士論文 論文類型：學(xué)位論文
【摘要】：隨著經(jīng)濟(jì)的發(fā)展和物質(zhì)生活的提高,人們開(kāi)始講究精致的生活品質(zhì)以及情感消費(fèi)體驗(yàn),這些變化使得人們對(duì)珠寶首飾的消費(fèi)表現(xiàn)出極高的興趣。然而當(dāng)今首飾設(shè)計(jì)和創(chuàng)作的現(xiàn)狀正面臨著兩種情況。一方面,以材料價(jià)值為導(dǎo)向的傳統(tǒng)商業(yè)首飾,材料單一、風(fēng)格相似,呈現(xiàn)出千篇一律的設(shè)計(jì)現(xiàn)狀,不能滿足人們?nèi)找嫣岣叩膬?nèi)在消費(fèi)需求;另一方面,受后現(xiàn)代主義影響,藝術(shù)家試圖用觀念創(chuàng)作首飾,大膽運(yùn)用非傳統(tǒng)首飾材料,弱化傳統(tǒng)金屬工藝的概念,然而這些廉價(jià)材料的運(yùn)用也受到了消費(fèi)者的質(zhì)疑。未來(lái)的首飾創(chuàng)作應(yīng)延續(xù)傳統(tǒng),還是將觀念顛覆重組,面對(duì)首飾行業(yè)的現(xiàn)狀及存在的問(wèn)題,本論文對(duì)此做出以下探討。首飾文化的演變是伴隨人類文明發(fā)展的,二者是無(wú)法分離的。隨著人類文明的發(fā)展,首飾扮演的角色和功能也跟著不斷地改變。例如,史前文明時(shí)期,首飾是古人類對(duì)意識(shí)懵懂的表達(dá);古文明時(shí)期,首飾是宇宙神力和君權(quán)德威的象征;封建社會(huì)時(shí)期,首飾為統(tǒng)治者服務(wù),體現(xiàn)皇權(quán)和宗教的意志;資本主義擴(kuò)張期,首飾成為裝飾物,為上層階級(jí)服務(wù),同時(shí)又象征了財(cái)富和地位...然而,在社會(huì)環(huán)境和人們的思想日益開(kāi)化的今天,首飾為了更好的服務(wù)當(dāng)今的社會(huì)和大眾,其舊有的功能和屬性需要革新,打破原有的關(guān)系,建立新的首飾文化體系。本文通過(guò)對(duì)歷史中首飾功能演變的整理和分析,尋找首飾生長(zhǎng)的源頭,了解首飾的發(fā)展歷史,結(jié)合人類社會(huì)的文化背景以及藝術(shù)運(yùn)動(dòng)為首飾帶來(lái)的影響,充分理解首飾的演變過(guò)程以及首飾發(fā)展現(xiàn)狀的必然性。同時(shí),對(duì)當(dāng)代首飾藝術(shù)家的創(chuàng)作觀念及作品意義做出分析和整理。探討觀念在首飾創(chuàng)作中的重要性和必要性,分析觀念的變革為首飾材料的革新、工藝、造型和佩戴方式帶來(lái)的影響。通過(guò)對(duì)當(dāng)代首飾的分析和總結(jié),剝?nèi)鹘y(tǒng)材料和傳統(tǒng)工藝為首飾創(chuàng)作帶來(lái)的束縛,對(duì)當(dāng)代首飾新的功能屬性做出探索,使首飾在泥濘中生出更美的花。
[Abstract]:With the development of economy and the improvement of material life, people begin to pay attention to the exquisite quality of life and emotional consumption experience. These changes have led to a high level of interest in the consumption of jewelry. However, the present situation of jewelry design and creation is facing two situations. On the one hand, traditional commercial jewelry, which is oriented by material value, has a single material. The style is similar, showing the same design status quo, unable to meet the increasing internal consumer demand of people. On the other hand, influenced by postmodernism, artists try to create jewelry with ideas and use non-traditional jewelry materials boldly. Weakening the concept of traditional metal craft, however, the use of these cheap materials has also been questioned by consumers. Should future jewelry creation continue the tradition, or will the concept be subverted and reorganized, facing the present situation and existing problems in the jewelry industry? The evolution of jewelry culture is accompanied by the development of human civilization, the two can not be separated. With the development of human civilization, the role and function of jewelry are constantly changing. For example, In the period of prehistoric civilization, jewelry was the expression of consciousness of ancient people; in ancient civilization, jewelry was the symbol of cosmic power and monarchy; in feudal society, jewelry served the rulers and embodied the will of the emperor and religion. During the expansion of capitalism, jewelry became an ornament that served the upper class, and at the same time symbolized wealth and status. However, in today's increasingly civilized social environment and people's minds, jewelry serves today's society and the masses better. Its old functions and attributes need to be innovated, the original relationship is broken, and a new jewelry culture system is established. Through the arrangement and analysis of the evolution of jewelry function in history, the author finds out the source of jewelry growth and understands the development history of jewelry. Combined with the cultural background of human society and the influence of art movement on jewelry, we can fully understand the evolution of jewelry and the inevitability of jewelry development. This paper analyzes and arranges the creative ideas and the significance of the works of contemporary jewelry artists, probes into the importance and necessity of ideas in jewelry creation, and analyses that the transformation of ideas is the innovation and process of jewelry materials. Through the analysis and summary of the contemporary jewelry, the traditional materials and the traditional craft to the jewelry creation brings the bondage, makes the exploration to the contemporary jewelry new function attribute, Make the jewelry grow more beautiful flowers in the mud.
【學(xué)位授予單位】：中國(guó)地質(zhì)大學(xué)(北京)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TS934.3
【引證文獻(xiàn)】
相關(guān)會(huì)議論文 前1條
1 姜彬;;英國(guó)維多利亞時(shí)期的首飾藝術(shù)風(fēng)格[A];2013中國(guó)珠寶首飾學(xué)術(shù)交流會(huì)論文集[C];2013年
，
本文編號(hào)：1562258
本文鏈接：http://sikaile.net/wenyilunwen/shinazhuanghuangshejilunwen/1562258.html
本文選題：剝?nèi)?/strong> 切入點(diǎn)：當(dāng)代 出處：《中國(guó)地質(zhì)大學(xué)(北京)》2015年碩士論文 論文類型：學(xué)位論文
【摘要】：隨著經(jīng)濟(jì)的發(fā)展和物質(zhì)生活的提高,人們開(kāi)始講究精致的生活品質(zhì)以及情感消費(fèi)體驗(yàn),這些變化使得人們對(duì)珠寶首飾的消費(fèi)表現(xiàn)出極高的興趣。然而當(dāng)今首飾設(shè)計(jì)和創(chuàng)作的現(xiàn)狀正面臨著兩種情況。一方面,以材料價(jià)值為導(dǎo)向的傳統(tǒng)商業(yè)首飾,材料單一、風(fēng)格相似,呈現(xiàn)出千篇一律的設(shè)計(jì)現(xiàn)狀,不能滿足人們?nèi)找嫣岣叩膬?nèi)在消費(fèi)需求;另一方面,受后現(xiàn)代主義影響,藝術(shù)家試圖用觀念創(chuàng)作首飾,大膽運(yùn)用非傳統(tǒng)首飾材料,弱化傳統(tǒng)金屬工藝的概念,然而這些廉價(jià)材料的運(yùn)用也受到了消費(fèi)者的質(zhì)疑。未來(lái)的首飾創(chuàng)作應(yīng)延續(xù)傳統(tǒng),還是將觀念顛覆重組,面對(duì)首飾行業(yè)的現(xiàn)狀及存在的問(wèn)題,本論文對(duì)此做出以下探討。首飾文化的演變是伴隨人類文明發(fā)展的,二者是無(wú)法分離的。隨著人類文明的發(fā)展,首飾扮演的角色和功能也跟著不斷地改變。例如,史前文明時(shí)期,首飾是古人類對(duì)意識(shí)懵懂的表達(dá);古文明時(shí)期,首飾是宇宙神力和君權(quán)德威的象征;封建社會(huì)時(shí)期,首飾為統(tǒng)治者服務(wù),體現(xiàn)皇權(quán)和宗教的意志;資本主義擴(kuò)張期,首飾成為裝飾物,為上層階級(jí)服務(wù),同時(shí)又象征了財(cái)富和地位...然而,在社會(huì)環(huán)境和人們的思想日益開(kāi)化的今天,首飾為了更好的服務(wù)當(dāng)今的社會(huì)和大眾,其舊有的功能和屬性需要革新,打破原有的關(guān)系,建立新的首飾文化體系。本文通過(guò)對(duì)歷史中首飾功能演變的整理和分析,尋找首飾生長(zhǎng)的源頭,了解首飾的發(fā)展歷史,結(jié)合人類社會(huì)的文化背景以及藝術(shù)運(yùn)動(dòng)為首飾帶來(lái)的影響,充分理解首飾的演變過(guò)程以及首飾發(fā)展現(xiàn)狀的必然性。同時(shí),對(duì)當(dāng)代首飾藝術(shù)家的創(chuàng)作觀念及作品意義做出分析和整理。探討觀念在首飾創(chuàng)作中的重要性和必要性,分析觀念的變革為首飾材料的革新、工藝、造型和佩戴方式帶來(lái)的影響。通過(guò)對(duì)當(dāng)代首飾的分析和總結(jié),剝?nèi)鹘y(tǒng)材料和傳統(tǒng)工藝為首飾創(chuàng)作帶來(lái)的束縛,對(duì)當(dāng)代首飾新的功能屬性做出探索,使首飾在泥濘中生出更美的花。
[Abstract]:With the development of economy and the improvement of material life, people begin to pay attention to the exquisite quality of life and emotional consumption experience. These changes have led to a high level of interest in the consumption of jewelry. However, the present situation of jewelry design and creation is facing two situations. On the one hand, traditional commercial jewelry, which is oriented by material value, has a single material. The style is similar, showing the same design status quo, unable to meet the increasing internal consumer demand of people. On the other hand, influenced by postmodernism, artists try to create jewelry with ideas and use non-traditional jewelry materials boldly. Weakening the concept of traditional metal craft, however, the use of these cheap materials has also been questioned by consumers. Should future jewelry creation continue the tradition, or will the concept be subverted and reorganized, facing the present situation and existing problems in the jewelry industry? The evolution of jewelry culture is accompanied by the development of human civilization, the two can not be separated. With the development of human civilization, the role and function of jewelry are constantly changing. For example, In the period of prehistoric civilization, jewelry was the expression of consciousness of ancient people; in ancient civilization, jewelry was the symbol of cosmic power and monarchy; in feudal society, jewelry served the rulers and embodied the will of the emperor and religion. During the expansion of capitalism, jewelry became an ornament that served the upper class, and at the same time symbolized wealth and status. However, in today's increasingly civilized social environment and people's minds, jewelry serves today's society and the masses better. Its old functions and attributes need to be innovated, the original relationship is broken, and a new jewelry culture system is established. Through the arrangement and analysis of the evolution of jewelry function in history, the author finds out the source of jewelry growth and understands the development history of jewelry. Combined with the cultural background of human society and the influence of art movement on jewelry, we can fully understand the evolution of jewelry and the inevitability of jewelry development. This paper analyzes and arranges the creative ideas and the significance of the works of contemporary jewelry artists, probes into the importance and necessity of ideas in jewelry creation, and analyses that the transformation of ideas is the innovation and process of jewelry materials. Through the analysis and summary of the contemporary jewelry, the traditional materials and the traditional craft to the jewelry creation brings the bondage, makes the exploration to the contemporary jewelry new function attribute, Make the jewelry grow more beautiful flowers in the mud.
【學(xué)位授予單位】：中國(guó)地質(zhì)大學(xué)(北京)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TS934.3
【引證文獻(xiàn)】
相關(guān)會(huì)議論文 前1條
1 姜彬;;英國(guó)維多利亞時(shí)期的首飾藝術(shù)風(fēng)格[A];2013中國(guó)珠寶首飾學(xué)術(shù)交流會(huì)論文集[C];2013年
，本文編號(hào)：1562258
本文鏈接：http://sikaile.net/wenyilunwen/shinazhuanghuangshejilunwen/1562258.html
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