本文選題：傳統(tǒng)吉祥圖案　切入點(diǎn)：裝飾藝術(shù)　出處：《景德鎮(zhèn)陶瓷學(xué)院》2007年碩士論文　論文類型：學(xué)位論文

【摘要】： 輝煌燦爛的陶瓷藝術(shù)，是人類文明史上一顆璀璨的明珠。中國作為文明古國，陶瓷文化源遠(yuǎn)流長。中國陶瓷藝術(shù)之所以能在世界陶瓷藝術(shù)發(fā)展史上獲得贊譽(yù)和高度的評價(jià)，是由于其鮮明的藝術(shù)特點(diǎn)和民族特色而著稱于世的。而中國傳統(tǒng)吉祥圖案正是以它特有的裝飾風(fēng)格和民族語言，幾千年來在陶瓷裝飾中廣泛應(yīng)用，是中華民族文化的寶貴財(cái)富。它雖歷經(jīng)千年的發(fā)展衍變，但并未在變遷中黯然失色，反而愈加有東方民族的特色，，因?yàn)橹袊鴤鹘y(tǒng)吉祥圖案凝聚了中華民族審美的心理歷程，它體現(xiàn)著中華民族素質(zhì)、文化蘊(yùn)涵與歷史面貌。 研究中國傳統(tǒng)吉祥圖案在陶瓷裝飾中的應(yīng)用是為了提供一條讓我國陶瓷創(chuàng)作在藝術(shù)上保持特色，立足于民族風(fēng)格的良好途徑。本文將從歷代中國傳統(tǒng)吉祥圖案在陶瓷裝飾中的發(fā)展變化入手，試圖在大的文化視野中，對中國傳統(tǒng)吉祥圖案進(jìn)行由表及里的深入探討，通過對歷代世俗文化和審美愿望對中國傳統(tǒng)吉祥紋樣的影響，來弄清中國傳統(tǒng)吉祥紋樣產(chǎn)生、發(fā)展的歷史淵源以及發(fā)展具有民族風(fēng)格的我國陶瓷藝術(shù)的關(guān)鍵；并結(jié)合文獻(xiàn)典籍、文學(xué)、陶瓷作品等大量的文字、圖片資料，舉例引證，歸納演繹，從而揭示出中國傳統(tǒng)吉祥圖案的本質(zhì)以及傳統(tǒng)設(shè)計(jì)語言對于陶瓷裝飾藝術(shù)的意義，使我們能從一個(gè)獨(dú)特的視角來認(rèn)識本應(yīng)該具有民族風(fēng)格的中國陶瓷藝術(shù)，從而創(chuàng)造出具有民族理性思維和文化性格的陶瓷作品。
[Abstract]:The splendid ceramic art is a bright pearl in the history of human civilization. China, as an ancient civilization, has a long history of ceramic culture. The reason why Chinese ceramic art can be praised and highly appraised in the history of the development of ceramic art in the world. It is famous for its distinctive artistic and national characteristics. Chinese traditional auspicious patterns are widely used in ceramic decoration for thousands of years because of their unique decorative style and national language. It is a precious treasure of the Chinese nation's culture. Although it has undergone a thousand years of development and evolution, it has not been eclipsed by the changes. On the contrary, it has become even more characteristic of the oriental nation, because the Chinese traditional auspicious patterns have condensed the psychological course of the Chinese nation's aesthetic appreciation. It embodies the quality of the Chinese nation, cultural implication and historical outlook. The purpose of studying the application of Chinese traditional auspicious patterns in ceramic decoration is to provide an artistic feature for Chinese ceramic creation. This article will start with the development and change of the Chinese traditional auspicious patterns in the ceramic decoration in the past dynasties, and try to make an in-depth study of the traditional auspicious patterns of China from the outside to the inside in the big cultural vision. Through the influence of secular culture and aesthetic desire on Chinese traditional auspicious patterns, this paper makes clear the historical origin of Chinese traditional auspicious patterns, the historical origin of development and the key to the development of Chinese ceramic art with national style. Literature, ceramic works, and so on a large number of words, pictures, examples cited, inductive deduction, thus revealing the essence of Chinese traditional auspicious patterns and the traditional design language for ceramic decorative art significance, So that we can understand the Chinese ceramic art which should have the national style from a unique angle of view, thus creating ceramic works with national rational thinking and cultural character.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J527

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 劉甜甜;傳統(tǒng)吉祥圖案在現(xiàn)代陶藝裝飾中的應(yīng)用研究[D];山東理工大學(xué);2013年

2 李丹;陶藝石榴紋研究[D];景德鎮(zhèn)陶瓷學(xué)院;2013年

本文編號：1562261