本文關(guān)鍵詞： 貴州苗族蠟染 造型特征 色彩特征 文化內(nèi)涵 裝飾織物　出處：《西南交通大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】：在現(xiàn)代裝飾織物設(shè)計(jì)領(lǐng)域中對(duì)東方傳統(tǒng)與西方時(shí)尚相融合的探討始終在不停地進(jìn)行著,呈現(xiàn)一種“東風(fēng)西漸”的態(tài)勢(shì),向世界傳遞著東方的魅力,并擁有巨大的市場(chǎng)潛力。 貴州苗族蠟染作為中國(guó)西南少數(shù)民族獨(dú)具特色的傳統(tǒng)手工印染工藝,它代表的是千百年來(lái)苗族人的情感和價(jià)值觀念。本文結(jié)合對(duì)貴州苗族蠟染產(chǎn)生的文化背景、歷史形態(tài)、風(fēng)格類型、制作工藝和發(fā)展現(xiàn)狀等進(jìn)行分析、歸納和總結(jié)。立足于苗族女性特有的思維方式下形成的審美趣味,更多關(guān)注苗族蠟染背后的情感需要、審美特色和文化內(nèi)涵。通過(guò)對(duì)大量文獻(xiàn)的分析和田野考察的基礎(chǔ)上,深刻挖掘和理性分析這些設(shè)計(jì)元素,嘗試以苗族蠟染在裝飾織物的設(shè)計(jì)應(yīng)用為載體作為研究的基礎(chǔ),將貴州苗族蠟染具有豐富情感性的造型、自然的色調(diào)、生態(tài)的材質(zhì)和多種的工藝等等作為現(xiàn)代裝飾織物設(shè)計(jì)元素被應(yīng)用。使其設(shè)計(jì)既符合東方的審美情趣又緊隨潮流趨勢(shì),創(chuàng)作出更加多樣化、配套化的裝飾織物產(chǎn)品,滿足各消費(fèi)階層多種的審美及實(shí)用需求。 從某種程度上來(lái)說(shuō),苗族蠟染在現(xiàn)代裝飾織物設(shè)計(jì)中的運(yùn)用不僅可以使這一古老的民族傳統(tǒng)工藝得到傳承和發(fā)揚(yáng),也將給現(xiàn)代裝飾織物產(chǎn)品設(shè)計(jì)注入新的活力。將傳統(tǒng)民族民間藝術(shù)時(shí)尚化的同時(shí),賦予具有貴州苗族蠟染特色的裝飾織物設(shè)計(jì)新的文化內(nèi)涵和增加它的品牌附加值,設(shè)計(jì)出符合現(xiàn)代人審美情趣的裝飾織物。
[Abstract]:In the field of modern decorative fabric design, the discussion of the integration of oriental tradition and western fashion is always going on, showing a trend of "easterly wind spreading westward", which conveys the charm of the east to the world and has great market potential. Miao batik printing in Guizhou, as the traditional handicraft of southwest Chinese minority, represents the emotion and value of Miao people for thousands of years. This paper combines the cultural background and historical form of the batik printing of Miao nationality in Guizhou. Based on the aesthetic taste formed under the unique thinking mode of the Miao women, more attention is paid to the emotional needs behind the batik printing of the Miao nationality. Aesthetic characteristics and cultural connotations. Based on the analysis of a large number of literature and field investigation, this paper deeply excavates and rationally analyzes these design elements, and attempts to take the design application of the Miao batik in decorative fabrics as the basis of the research. The Miao batiks in Guizhou are used as modern decorative fabric design elements with rich affective modeling, natural colors, ecological materials and various techniques, so that the design conforms to the oriental aesthetic taste and follows the trend of trends. Create a more diversified, matching decorative fabric products to meet the various consumer levels of aesthetic and practical needs. To a certain extent, the application of Miao batik in the design of modern decorative fabrics can not only make this ancient traditional national craft pass on and carry forward. It will also inject new vitality into the design of modern decorative fabric products. At the same time, it will give the decorative fabric with the characteristics of Guizhou Miao batik a new cultural connotation and increase its brand added value while the traditional folk art is fashionable. Designs the decorative fabric which accords with the modern esthetic interest.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J523

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本文編號(hào)：1539174