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  本文關鍵詞： 瓷器 分期 時代特點 歷史原因　出處：《山東大學》2010年碩士論文　論文類型：學位論文

【摘要】： 中華文明的悠悠歷程中,陶瓷造型與裝飾的演變脈絡分明,可謂我們民族文化的具體體現(xiàn),而由陶到瓷更是制作工藝的偉大變革,隨著歷史的演進其記錄了祖先們的思維進步,滲透著歷代的審美追求,承載著厚重深遠的精神內(nèi)涵。作為功能性與審美性完美統(tǒng)一的器物,它受到人們的喜愛并得到前人的廣泛研究,在眾多的研究中對瓷器裝飾的探討可以說是別具一格的角度。 魏晉南北朝時期也被稱為“漢唐之間”,是瓷器真正成熟的時期,在瓷器史中起到了承上肩下的作用,對這一時期的瓷器裝飾研究不僅能夠揭開該時代瓷器裝飾的面容,而且對我們把握魏晉時期的裝飾理念、審美追求、時代風尚有重要的意義。對裝飾演變的分析可以為我們理解特定時期的社會環(huán)境歷史背景提供-窺之管。 本文主要分為以下幾個部分： 第一章導言部分對瓷器裝飾研究的相關概念以及當前的相關研究做一詳細的闡述,提出當前瓷器裝飾研究的相關成果進而歸納出以往研究的缺陷與不足,并在此基礎上提出自己的研究方法。 第二章對這一時期瓷器裝飾的技術與題材做了詳盡的歸納與分析,首先將瓷器裝飾技術分為平面裝飾與立體裝飾,借鑒已發(fā)掘?qū)嵨飳ζ溥M行了科學合理的整理總結。其次以器物的裝飾內(nèi)容為依據(jù)將此時的裝飾題材分為幾伺類裝飾題材、植物類裝飾題材、動物類裝飾題材、人物及生活場景類裝飾題材四大類,并對相關裝飾內(nèi)容進行淺層的闡釋與總結。 第三章對魏晉南北朝時期瓷器裝飾進行分期研究,本章在類型學分析的基礎上按照瓷器裝飾題材與技術的相似性,將這一時期的瓷器裝飾分為四期：東漢至三國孫吳時期、西晉時期、東晉時期、南北朝時期。分析每個時期裝飾題材與裝飾風格的變化,總結歸納了每一時期的裝飾特點,并對形成時代裝飾風格的社會背景與歷史原因進行了初步探討。 第四章從整體上對這一時期的瓷器裝飾時代特征進行了清晰明確的歸納總結,并對形成因素進行了宏觀的把握,從裝飾整體性、固定范式、變形創(chuàng)作三個方面對瓷器裝飾的審美特征進行了合理的闡述。 第五章為結語部分。首先概括了本文寫作的意義與所得；接著對文章在研究內(nèi)容與方法以及文章結構方面的缺陷與不足進行了總結,指出尚未解決的問題；最后表明了后續(xù)研究的方向。 本論文以美術考古學中的歷史研究法與藝術研究法作為方法論,對魏晉時期的瓷器進行全面的整理,在此基礎上對瓷器裝飾進行類型學分析進而做出合理的分期,得出裝飾演變的清晰脈絡,并對這一時期的瓷器裝飾特征有一個宏觀的把握,對這一時期審美風尚的嬗變軌跡以及形成因素進行合理的闡述。
[Abstract]:In the long course of Chinese civilization, the evolution of ceramic modeling and decoration is a clear reflection of our national culture, and from pottery to porcelain is a great change in the production process. With the evolution of history, it records the thought progress of our ancestors. Permeating the past dynasties aesthetic pursuit, carrying a heavy and far-reaching spiritual connotations. As a perfect unity of functionality and aesthetics, it has been loved by people and has been widely studied by the predecessors. In many studies, the study of porcelain decoration can be said to be a unique angle. The period of Wei, Jin, Southern and Northern dynasties, also known as "between Han and Tang dynasties", is the real mature period of porcelain, which plays an important role in the history of porcelain. The study of porcelain decoration in this period can not only uncover the face of porcelain decoration in this era. The analysis of the evolution of decoration can provide us with a peek at the historical background of social environment in a specific period. This paper is divided into the following parts:. The first chapter is the introduction of the concept of porcelain decoration research and the current related research to do a detailed elaboration, put forward the current porcelain decoration research related results, and then summed up the defects and shortcomings of previous studies, And on this basis put forward their own research methods. The second chapter summarizes and analyzes the technology and theme of porcelain decoration in this period. Firstly, the technology of porcelain decoration is divided into plane decoration and stereoscopic decoration. Secondly, based on the decoration content of objects, the decorative themes are divided into several categories of decorative themes, such as plants, animals, animals, etc. There are four categories of decorative themes, such as characters and life scenes, and the related decorative contents are explained and summarized in a shallow way. The third chapter studies the porcelain decoration in Wei, Jin, Southern and Northern dynasties by stages. On the basis of typology analysis, this chapter divides the porcelain decoration of this period into four periods according to the similarity of the themes and techniques of the porcelain decoration: from the Eastern Han Dynasty to the Soon-Wu period of the three Kingdoms. In the Western Jin Dynasty, the Eastern Jin Dynasty, the Southern and Northern dynasties, the decorative theme and style of each period were analyzed, and the decorative characteristics of each period were summarized. At the same time, the social background and historical reasons for the formation of decorative style of the times are preliminarily discussed. Chapter 4th summarizes clearly and clearly the characteristics of the porcelain decoration era in this period, and makes a macroscopic grasp of the forming factors, from the decoration integrity, fixed paradigm, The aesthetic characteristics of porcelain decoration are expounded in three aspects of metamorphosis. Chapter 5th is the conclusion part. Firstly, it summarizes the significance and achievement of this paper, then summarizes the research contents and methods and the defects and shortcomings of the article structure, and points out the unsolved problems. Finally, the direction of follow-up research is indicated. This thesis takes the historical and artistic research methods in the art archaeology as the methodology, carries on the comprehensive arrangement to the porcelain in the Wei and Jin dynasties, on this basis carries on the typology analysis to the porcelain decoration, and then makes the reasonable stage. Draw a clear vein of the evolution of decoration, and this period of porcelain decoration characteristics have a macro grasp, the evolution of this period of aesthetic fashion and the formation of the trace of a reasonable explanation.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K876.3

【引證文獻】

相關碩士學位論文 前1條

1 陳凱;場景下的圖像[D];景德鎮(zhèn)陶瓷學院;2011年

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本文編號：1539085