本文選題：攝影 + 材料��； 參考：《魯迅美術(shù)學(xué)院》2017年碩士論文

【摘要】：藝術(shù)走向衰亡的論調(diào)一直在被部分藝術(shù)領(lǐng)域人群用于批判藝術(shù)發(fā)展的情境,這些人竭力的吶喊著沒落的聲音正是由于機(jī)械復(fù)制時代的到來與飛速的發(fā)展,使得藝術(shù)作品失去了“靈光”。如今的影像作品的確依舊有保守的鉆研在傳統(tǒng)領(lǐng)域中,但是并不意味著攝影發(fā)展處于停至其某種媒介屬性之中,更大可不必的為此感到嘆息,相反它正在逐步的走向媒介的融合,觀念的藝術(shù)表達(dá)。現(xiàn)代藝術(shù),尤其是一些行為藝術(shù)、裝置藝術(shù)、新媒體藝術(shù),正是由于它能與觀眾形成互動,從而使觀眾能夠做到五感聯(lián)動,引發(fā)出眾多與以往審美經(jīng)驗所不同的感受,攝影作為本身自帶多種媒介屬性的藝術(shù)手段,在材料當(dāng)?shù)?觀念至上的如今,更是令藝術(shù)創(chuàng)作者深刻體會其中的奧妙,激發(fā)藝術(shù)創(chuàng)作者在創(chuàng)作中的“靈光涌現(xiàn)”,也為藝術(shù)接受者衍生出一種別樣感受,大大增加其審美體驗。本文大致分為三個部分,第一:提出攝影作為媒介的多種可能性,對不同的媒介屬性進(jìn)行簡要的梳理與總結(jié):通過多位藝術(shù)創(chuàng)作者的作品表現(xiàn)展現(xiàn)攝影作為媒介語言在藝術(shù)作品中的表現(xiàn)力,進(jìn)而提出藝術(shù)創(chuàng)作者在藝術(shù)創(chuàng)作時,觀念表達(dá)的重要性。第二:藝術(shù)作品創(chuàng)造時,領(lǐng)會材料從載體走向自我的表現(xiàn),以及理解藝術(shù)是人的生命情感的象征。第三:對影像觀念的表達(dá)進(jìn)行簡單的總結(jié)。總之,本文以“觀念”作為出發(fā)點,是對以往作品作一次回顧。在對“觀念”的梳理的過程中,提高自己對影像作品的品鑒欣賞能力,進(jìn)而提高自己的創(chuàng)作能力以及觀念表達(dá)能力。
[Abstract]:The theory of the decline of art has been used by some people in the field of art to criticize the situation of art development. These people are trying their best to shout the voice of decline precisely because of the arrival and rapid development of the era of mechanical reproduction. So that the works of art lost the "light". It is true that today's video works are still studied conservatively in the traditional field, but it does not mean that photography is in a certain medium property, much less to sigh about it. On the contrary, it is gradually moving towards the integration of the media, the artistic expression of ideas. Modern art, especially some act art, installation art, and new media art, is precisely because it can interact with the audience, thus enabling the audience to achieve the linkage of the five senses, which causes many different feelings from the previous aesthetic experience. Photography, as an art means with its own medium attributes, in the material world, the idea is supreme, now, it makes the artistic creators deeply understand the mystery of it, and inspires the artistic creators to "emerge with a bright light" in their creations. Also for the art recipient derived a different feeling, greatly increase its aesthetic experience. This paper is divided into three parts. The first is to put forward the possibility of photography as a medium. This paper briefly combs and summarizes the different media attributes: through the works of many artistic creators, it shows the expressive power of photography as the medium language in the works of art, and then puts forward that the artistic creators in the artistic creation, The importance of conceptual expression. Second, when artistic works are created, they understand the expression of material from carrier to self, and understand that art is the symbol of human life emotion. Third: a simple summary of the expression of image concept. In a word, this article regards concept as the starting point and reviews the past works. In the process of combing the concept, we can improve our ability to appreciate the image works, and then improve our creative ability and the ability to express our ideas.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J404

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 童小暢;;當(dāng)代藝術(shù):死亡、終結(jié)或消失?——鮑德里亞藝術(shù)批評研究[J];文藝研究;2009年09期

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本文編號：2038927