發(fā)布時間：2018-04-14 09:00

  本文選題：歷史記憶 + 云南影像　； 參考：《云南師范大學(xué)》2015年碩士論文

【摘要】：影像建構(gòu)著人們的記憶,為當(dāng)代人提供著歷史的此在。在現(xiàn)代性浪潮無可逃避的時代,積極的影像建構(gòu)關(guān)乎主體性的形成與人們的自我認知。從1899年法國殖民者方舒雅拍攝的云南影像到今天由不同建構(gòu)主體、各種不同維度的紀實性影像充斥著我們的生活,作為邊疆的云南在這100年中的歷史記憶被影像深刻的改變。本文將探討從100年前殖民者以主體身份進行的影像建構(gòu)到90年代末主體身份回歸進行的影像建構(gòu),再到近年來以影像進行的歷史重構(gòu)。試圖找到自近代以來不同歷史時期所生產(chǎn)的紀實性影像中建構(gòu)或重構(gòu)了何種云南形象和歷史記憶。以及什么樣的因素或力量在支配著這種歷史記憶的建構(gòu)。本文的研究思路在縱向上按照影像發(fā)生的時間順序?qū)τ捌M行文本分析,從而在橫向上結(jié)合不同時期的社會歷史背景討論建構(gòu)主體是誰、建構(gòu)了什么樣的歷史記憶。論文的第一章將從他者的視角展開討論,通過影像展現(xiàn)一個云南人主體身份回歸的過程。論文的第二章將從主體身份回歸進行的多樣化的影像建構(gòu)討論由不同主體建構(gòu)的云南影像所呈現(xiàn)出來的不同歷史記憶。第三章則是利用文化創(chuàng)傷理論去探討創(chuàng)傷記憶的影像建構(gòu)如何產(chǎn)生當(dāng)代意義。第四章把重點放失語歷史影像重構(gòu),討論如何影像通過何種方式重構(gòu)歷史記憶,重構(gòu)的策略又是什么。論文的第五章將從現(xiàn)代性追索、文化身份與文化資源、媒介傳播、支配力量、文化安全6個角度對全文進行總結(jié),探討國家意識形態(tài)轉(zhuǎn)變與地方意識覺醒為影像建構(gòu)帶來的影響,展現(xiàn)近代以來云南歷史記憶的變遷。
[Abstract]:The image constructs people's memory and provides the historical existence for contemporary people.In the times when the tide of modernity is inevitable, the positive image construction is related to the formation of subjectivity and people's self-cognition.From the image taken by French colonist Fang Shuya in 1899 to today by different construction subjects, various dimensions of documentary images filled with our lives, as a frontier in the past 100 years Yunnan's historical memory has been profoundly changed by the image.This paper will discuss the image construction from the colonists' subjective identity 100 years ago to the subjective identity regression in the late 1990s, and then to the historical reconstruction of the image in recent years.This paper tries to find out what kind of Yunnan image and historical memory have been constructed or reconstructed in the documentary images produced in different historical periods since modern times.And what factors or forces govern the construction of this historical memory.The research idea of this paper is to analyze the text of the film vertically according to the chronological sequence of the image, so as to discuss horizontally who the subject is and what kind of historical memory has been constructed in combination with the social and historical background of different periods.In the first chapter, we discuss the process of the return of Yunnan people's identity from the perspective of others.The second chapter discusses the different historical memory of Yunnan images constructed by different subjects.The third chapter explores how the image construction of traumatic memory produces contemporary significance by using the theory of cultural trauma.The fourth chapter focuses on the reconstruction of historical images of aphasia and discusses how to reconstruct historical memory and what the strategy of reconstruction is.The fifth chapter will summarize the thesis from six angles of modernity, cultural identity and cultural resources, media communication, dominant power and cultural security.This paper probes into the influence of the transformation of national ideology and the awakening of local consciousness on the image construction and reveals the changes of Yunnan's historical memory since modern times.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：K29;J405

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本文編號：1748583