本文關(guān)鍵詞：中國當(dāng)代紀(jì)實攝影語言多元化特征與表現(xiàn)，由筆耕文化傳播整理發(fā)布。

網(wǎng)友zhangkuan14312近日為您收集整理了關(guān)于中國當(dāng)代紀(jì)實攝影語言多元化特征與表現(xiàn)（藝術(shù)）的文檔，希望對您的工作和學(xué)習(xí)有所幫助。以下是文檔介紹：1單位代碼 10475學(xué)號 104753100843分類號 J40碩士學(xué)位論文中國當(dāng)代紀(jì)實攝影語言多元化特征與表現(xiàn)學(xué)科、專業(yè): 美術(shù)學(xué)研究方向: 影像藝術(shù)研究申請學(xué)位類別: 藝術(shù)學(xué)碩士申請人: 李佳指導(dǎo)教師: 薛興廣副教授二〇一三年四月1The Performance and Characteristics of ChineseContemporary Documentary PhotographyLanguage DiversityA Dissertation Submitted tothe Graduate School of Henan Universityin Partial Fulfillment of the Requirementsfor the Degree ofMaster of ArtsByLi JiaSupervisor: Prof.Xue XingguangMay, 2013關(guān)于學(xué)位論文獨創(chuàng)聲明和學(xué)術(shù)誠信承諾本人向河南大學(xué)提出碩士學(xué)位申請。本人鄭重聲明:所呈交的學(xué)位論文是本人在導(dǎo)師的指導(dǎo)下獨立完成的,對所研究的課題有新的見解。據(jù)我所知,除文中特別加以說明、標(biāo)注和致謝的地方外,論文中不包括其他人已經(jīng)發(fā)表或撰寫過的研究成果,也不包括其他人為獲得任何教育、科研機(jī)構(gòu)的學(xué)位或證書而使用過的材料。與我一同工作的同事對本研究所做的任何貢獻(xiàn)均已在論文中作了明確的說明并表示了謝意。在此本人鄭重承諾:所呈交的學(xué)位論文不存在舞弊作偽行為,文責(zé)自負(fù)。學(xué)位申請人(學(xué)位論文作者)簽名:201 年月日關(guān)于學(xué)位論文著作權(quán)使用授權(quán)書本人經(jīng)河南大學(xué)審核批準(zhǔn)授予碩士學(xué)位。作為學(xué)位論文的作者,本人完全了解并同意河南大學(xué)有關(guān)保留、使用學(xué)位論文的要求,即河南大學(xué)有權(quán)向國家圖書館、科研信息機(jī)構(gòu)、數(shù)據(jù)收集機(jī)構(gòu)和本校圖書館等提供學(xué)位論文(紙質(zhì)文本和電子文本)以供公眾檢索、查閱。本人授權(quán)河南大學(xué)出于宣揚、展覽學(xué)校學(xué)術(shù)發(fā)展和進(jìn)行學(xué)術(shù)交流等目的,可以采取影印、縮印、掃描和拷貝等復(fù)制手段保存、匯編學(xué)位論文(紙質(zhì)文本和電子文本)。(涉及保密內(nèi)容的學(xué)位論文在解密后適用本授權(quán)書)學(xué)位獲得者(學(xué)位論文作者)簽名:201 年月日學(xué)位論文指導(dǎo)教師簽名:201 年月日I摘要隨著社會的發(fā)展和世界文化的交流與互動,人們的視野以及對新生事物的探尋和思考得到了不斷地拓展,紀(jì)實攝影也開始向著帶有觀念的紀(jì)實攝影多元風(fēng)格方向轉(zhuǎn)變,這是社會進(jìn)步和文化藝術(shù)不斷發(fā)展的必然結(jié)果。但是,多元化的紀(jì)實攝影并沒有偏離紀(jì)實攝影的本質(zhì)特征,仍然依附于紀(jì)實攝影的主流文化之中,并在相互融合與互動中不斷的發(fā)展,紀(jì)實攝影作為攝影文化的一個分支發(fā)展前景依然無比寬廣。本文將從紀(jì)實攝影發(fā)展的軌跡入手,分析當(dāng)代紀(jì)實攝影的時代特征,對當(dāng)代紀(jì)實攝影語言的“動態(tài)”表現(xiàn)進(jìn)行梳理。認(rèn)為中國當(dāng)代紀(jì)實攝影多元風(fēng)格的出現(xiàn)是社會發(fā)展的必然結(jié)果,是傳統(tǒng)紀(jì)實與當(dāng)代紀(jì)實互動的產(chǎn)物,觀念化的紀(jì)實攝影應(yīng)以不脫離攝影本質(zhì)特征為原則,傳統(tǒng)紀(jì)實攝影應(yīng)不斷完善自己才能與時代和諧發(fā)展。關(guān)鍵詞:當(dāng)代紀(jì)實,攝影語言,時代特征,視覺表現(xiàn)IIIABSTRACTWith the development of the society and world munication and interaction, people'shorizons, and the exploring and thinking of new things has been constantly expanding, documentaryphotography is starting to change style of documentary photography pluralistic direction toward a concept,it is the inevitable result of social progress and cultural and art development.But,diversificationofdocumentary photography has not deviated from the essence of documentary photography, it is stillattached to the mainstream culture documentary photography, and constantly in the mutual fusion andinteractive development, the development of documentary photography has a very broad prospects as abranch of photographic culture.This paper will start with the development of documentary photography trajectory,analysis the agecharacteristics of the contemporary documentary photography, b the "dynamic" performance of thecontemporary documentary photography language.The author believes that the emergence of the Chinesecontemporary documentary photography style diversity is the inevitable result of social development, is theproduct of traditional documentary and contemporary documentary interaction, conceptualization ofdocumentary photography should not divorced from nature as the principle of photography, traditionaldocumentary photography should constantly improve themselves to catch up with the harmoniousdevelopment of era.KEY WORDS:Contemporary documentary,Language of photography,Age characteristics,Visualrepresentation

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  本文關(guān)鍵詞：中國當(dāng)代紀(jì)實攝影語言多元化特征與表現(xiàn)，，由筆耕文化傳播整理發(fā)布。