【摘要】：舒伯特是浪漫主義樂(lè)派的創(chuàng)始人之一,一生共創(chuàng)作了600余首藝術(shù)歌曲,被稱為近代藝術(shù)歌曲的創(chuàng)始人。本文從美學(xué)的角度,對(duì)舒伯特藝術(shù)歌曲的代表作《水上吟》從詩(shī)歌的語(yǔ)言美、韻律美、意境美以及歌曲的旋律美、器樂(lè)美等幾個(gè)方面進(jìn)行了深入的分析和研究,歸納了藝術(shù)歌曲《水上吟》所體現(xiàn)出的舒伯特藝術(shù)歌曲的創(chuàng)作特點(diǎn),即分節(jié)歌的曲式結(jié)構(gòu)、富有描繪性的鋼琴伴奏、自然小調(diào)與和聲小調(diào)及同主音大小調(diào)的交替、全曲不停重復(fù)的同一伴奏音型,并通過(guò)對(duì)匈牙利鋼琴演奏家、作曲家、改編家李斯特改編的鋼琴曲《水上吟——船歌》的分析,闡釋了藝術(shù)歌曲《水上吟》的藝術(shù)價(jià)值和藝術(shù)地位。
[Abstract]:Schubert is one of the founders of romantic music school. He has created more than 600 art songs in his life, which is called the founder of modern art songs. From the aesthetic point of view, this paper makes an in-depth analysis and research on the representative work of Schubert's art songs, "Water singing", from the aspects of the language beauty, rhythm beauty, artistic conception beauty, melodic beauty and instrumental music beauty of the songs, and sums up the creative characteristics of Schubert's art songs embodied in the artistic song "Water singing", that is, the musical structure of the festival songs and the descriptive piano accompaniment. The alternation of natural minor, harmony minor and homonym major and minor, the same accompaniment type that the whole song repeats constantly, and through the analysis of the piano song "Water singing-ship Song" adapted by Hungarian pianist, composer and editor Liszt, this paper explains the artistic value and artistic status of the art song "Water singing".
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J614;J624.1

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本文編號(hào)：2504336