中國當代頌歌的文化形態(tài)（1949-1979）
發(fā)布時間：2019-06-08 13:38
【摘要】：音樂領域的“頌歌”指的是歌頌功德、贊揚偉業(yè)的樂曲�！绊灐痹缭谥袊墓糯鐣鸵呀泜涫苤匾�,它包含了一種不可褻瀆、讓人肅然起敬的心理暗示。在當代中國的30年里,大量的歌曲歌頌了上至領袖、下至百姓,大至方針政策、小至日常生活的各種事物。從意識形態(tài)的角度來說,當代頌歌兼具了“神性”和“人性”的內涵;從音樂發(fā)展的角度來看,它打破了正樂與民歌的界限,“經典”在全國范圍內迅速“流行”起來;從文化發(fā)展的角度來說,數量如此龐大的頌歌,其“頌”的意義卻驚人地相似和單一,這種現象蘊涵著豐富的時代文化內涵,也有著不可忽視的影響。本文將以1949年至1979年在中國出現、傳唱的頌歌作為研究對象,立足于文化與藝術的雙重基點,借助歷史學、符號學、藝術理論、傳播學、心理學等等理論,通過對當代頌歌的歷史、精神、藝術、傳播等四種形態(tài)的分析和研究,試圖挖掘出頌歌所包含的精神要義,既而透視在特定歷史語境下社會的文化內涵、價值觀念等的形成過程。
[Abstract]:The eulogy in the field of music refers to the music that eulogizes meritocracy and praises great deeds. Eulogy has been valued as early as ancient Chinese society, which contains a kind of unblasphemous and respectable psychological hint. In the 30 years of contemporary China, a large number of songs eulogize all kinds of things from leaders to people, to principles and policies, to daily life. From the ideological point of view, contemporary carols have the connotation of both "divinity" and "human nature", from the point of view of music development, it breaks the boundary between positive music and folk songs, and "classics" are rapidly "popular" in the whole country. From the point of view of cultural development, the significance of "eulogy" of such a large number of carols is surprisingly similar and single, which contains rich cultural connotation of the times and can not be ignored. This paper will take the carols that appeared in China from 1949 to 1979 as the research object, based on the double basic points of culture and art, with the help of history, semiotics, art theory, communication, psychology and so on. Through the analysis and research of the history, spirit, art and communication of contemporary carols, this paper tries to excavate the spiritual essentials contained in carols, and not only perspective the cultural connotation of society in a specific historical context. The formation process of values, etc.
【學位授予單位】：暨南大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J609.2
本文編號：2495322
[Abstract]:The eulogy in the field of music refers to the music that eulogizes meritocracy and praises great deeds. Eulogy has been valued as early as ancient Chinese society, which contains a kind of unblasphemous and respectable psychological hint. In the 30 years of contemporary China, a large number of songs eulogize all kinds of things from leaders to people, to principles and policies, to daily life. From the ideological point of view, contemporary carols have the connotation of both "divinity" and "human nature", from the point of view of music development, it breaks the boundary between positive music and folk songs, and "classics" are rapidly "popular" in the whole country. From the point of view of cultural development, the significance of "eulogy" of such a large number of carols is surprisingly similar and single, which contains rich cultural connotation of the times and can not be ignored. This paper will take the carols that appeared in China from 1949 to 1979 as the research object, based on the double basic points of culture and art, with the help of history, semiotics, art theory, communication, psychology and so on. Through the analysis and research of the history, spirit, art and communication of contemporary carols, this paper tries to excavate the spiritual essentials contained in carols, and not only perspective the cultural connotation of society in a specific historical context. The formation process of values, etc.
【學位授予單位】：暨南大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J609.2
【引證文獻】
相關博士學位論文 前1條
1 胡吉星;作為文體的頌贊與中國美頌傳統(tǒng)的形成[D];暨南大學;2009年
相關碩士學位論文 前2條
1 潘立敏;中國現代“頌”詩形態(tài)考察[D];廣西師范大學;2011年
2 金磊鑫;蒙古族風格歌曲的創(chuàng)作與演唱[D];南京藝術學院;2010年
，本文編號：2495322
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