中國(guó)當(dāng)代頌歌的文化形態(tài)(1949-1979)
發(fā)布時(shí)間:2019-06-08 13:38
【摘要】:音樂領(lǐng)域的“頌歌”指的是歌頌功德、贊揚(yáng)偉業(yè)的樂曲!绊灐痹缭谥袊(guó)的古代社會(huì)就已經(jīng)備受重視,它包含了一種不可褻瀆、讓人肅然起敬的心理暗示。在當(dāng)代中國(guó)的30年里,大量的歌曲歌頌了上至領(lǐng)袖、下至百姓,大至方針政策、小至日常生活的各種事物。從意識(shí)形態(tài)的角度來說,當(dāng)代頌歌兼具了“神性”和“人性”的內(nèi)涵;從音樂發(fā)展的角度來看,它打破了正樂與民歌的界限,“經(jīng)典”在全國(guó)范圍內(nèi)迅速“流行”起來;從文化發(fā)展的角度來說,數(shù)量如此龐大的頌歌,其“頌”的意義卻驚人地相似和單一,這種現(xiàn)象蘊(yùn)涵著豐富的時(shí)代文化內(nèi)涵,也有著不可忽視的影響。本文將以1949年至1979年在中國(guó)出現(xiàn)、傳唱的頌歌作為研究對(duì)象,立足于文化與藝術(shù)的雙重基點(diǎn),借助歷史學(xué)、符號(hào)學(xué)、藝術(shù)理論、傳播學(xué)、心理學(xué)等等理論,通過對(duì)當(dāng)代頌歌的歷史、精神、藝術(shù)、傳播等四種形態(tài)的分析和研究,試圖挖掘出頌歌所包含的精神要義,既而透視在特定歷史語(yǔ)境下社會(huì)的文化內(nèi)涵、價(jià)值觀念等的形成過程。
[Abstract]:The eulogy in the field of music refers to the music that eulogizes meritocracy and praises great deeds. Eulogy has been valued as early as ancient Chinese society, which contains a kind of unblasphemous and respectable psychological hint. In the 30 years of contemporary China, a large number of songs eulogize all kinds of things from leaders to people, to principles and policies, to daily life. From the ideological point of view, contemporary carols have the connotation of both "divinity" and "human nature", from the point of view of music development, it breaks the boundary between positive music and folk songs, and "classics" are rapidly "popular" in the whole country. From the point of view of cultural development, the significance of "eulogy" of such a large number of carols is surprisingly similar and single, which contains rich cultural connotation of the times and can not be ignored. This paper will take the carols that appeared in China from 1949 to 1979 as the research object, based on the double basic points of culture and art, with the help of history, semiotics, art theory, communication, psychology and so on. Through the analysis and research of the history, spirit, art and communication of contemporary carols, this paper tries to excavate the spiritual essentials contained in carols, and not only perspective the cultural connotation of society in a specific historical context. The formation process of values, etc.
【學(xué)位授予單位】:暨南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2005
【分類號(hào)】:J609.2
本文編號(hào):2495322
[Abstract]:The eulogy in the field of music refers to the music that eulogizes meritocracy and praises great deeds. Eulogy has been valued as early as ancient Chinese society, which contains a kind of unblasphemous and respectable psychological hint. In the 30 years of contemporary China, a large number of songs eulogize all kinds of things from leaders to people, to principles and policies, to daily life. From the ideological point of view, contemporary carols have the connotation of both "divinity" and "human nature", from the point of view of music development, it breaks the boundary between positive music and folk songs, and "classics" are rapidly "popular" in the whole country. From the point of view of cultural development, the significance of "eulogy" of such a large number of carols is surprisingly similar and single, which contains rich cultural connotation of the times and can not be ignored. This paper will take the carols that appeared in China from 1949 to 1979 as the research object, based on the double basic points of culture and art, with the help of history, semiotics, art theory, communication, psychology and so on. Through the analysis and research of the history, spirit, art and communication of contemporary carols, this paper tries to excavate the spiritual essentials contained in carols, and not only perspective the cultural connotation of society in a specific historical context. The formation process of values, etc.
【學(xué)位授予單位】:暨南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2005
【分類號(hào)】:J609.2
【引證文獻(xiàn)】
相關(guān)博士學(xué)位論文 前1條
1 胡吉星;作為文體的頌贊與中國(guó)美頌傳統(tǒng)的形成[D];暨南大學(xué);2009年
相關(guān)碩士學(xué)位論文 前2條
1 潘立敏;中國(guó)現(xiàn)代“頌”詩(shī)形態(tài)考察[D];廣西師范大學(xué);2011年
2 金磊鑫;蒙古族風(fēng)格歌曲的創(chuàng)作與演唱[D];南京藝術(shù)學(xué)院;2010年
,本文編號(hào):2495322
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