【摘要】：柏遼茲是法國(guó)浪漫主義作曲家的先鋒,他的作品在當(dāng)時(shí)的法國(guó)并不被理解,但經(jīng)過時(shí)間的考驗(yàn),其藝術(shù)價(jià)值逐漸顯現(xiàn)并被認(rèn)可。柏遼茲聲樂作品中聲樂套曲《夏夜》最具影響力,但國(guó)內(nèi)、外對(duì)其研究較少。這部作品同樣體現(xiàn)了其交響樂作品中的特質(zhì),以文學(xué)為創(chuàng)作依據(jù)、抒情的旋律、豐富的樂隊(duì)語言、交響化的思維方式、不同的和聲色彩,柏遼茲通過大型體裁宣泄情感的同時(shí),并沒有忽略小型體裁的創(chuàng)作,藝術(shù)歌曲展現(xiàn)了他創(chuàng)作的另一面。 本文以聲樂套曲《夏夜》為研究對(duì)象,通過了解創(chuàng)作背景、深入分析六首歌曲的文本及鋼琴聲部材料和演奏,為鋼琴演奏者提供理論和實(shí)踐的引導(dǎo)。論文由緒論、正文和結(jié)語三個(gè)部分構(gòu)成。緒論以選題意義、研究現(xiàn)狀、研究方法和重點(diǎn)進(jìn)行論述。正文劃分為三章,第一章對(duì)聲樂套曲《夏夜》相關(guān)背景的進(jìn)行闡述,包括柏遼茲生平、愛情、法國(guó)藝術(shù)歌曲的起源及柏遼茲的藝術(shù)歌曲創(chuàng)作。第二章對(duì)文本進(jìn)行細(xì)致、深入的分析,筆者認(rèn)為聲樂作品的文本包括歌詞與伴奏兩個(gè)部分,第一節(jié)對(duì)六首詩歌的詞義進(jìn)行了字對(duì)字的分析和翻譯,修辭手法、思想內(nèi)涵進(jìn)行了闡述。第二節(jié)對(duì)音樂文本的意境、旋律、曲式、和聲、律動(dòng)五個(gè)方面進(jìn)行分析并總結(jié)。第三章對(duì)鋼琴聲部進(jìn)行分析,是本文的主體。第一節(jié)第一部分主要論述鋼琴聲部材料在每首作品整體運(yùn)用的情況,使讀者和演奏、演唱者對(duì)鋼琴聲部形成宏觀的認(rèn)識(shí)。第二部分筆者對(duì)常用織體進(jìn)行概括并闡述演奏的體驗(yàn)。第二節(jié)對(duì)每首作品與演唱者配合的細(xì)節(jié)進(jìn)行論述。
[Abstract]:Berlioz was a pioneer of French romantic composers. His works were not understood in France at that time, but after the test of time, its artistic value gradually appeared and was recognized. In Berlioz's vocal music works, the vocal music suite is the most influential, but there is little research on it at home and abroad. The work also embodies the characteristics of his symphony works, based on literature, lyrical melodies, rich orchestra language, symphonic ways of thinking, different harmony colors, and Berlioz's emotional catharsis through large genres. He did not ignore the creation of small genres, art songs show the other side of his creation. In this paper, the vocal music suite Summer Night is taken as the research object, and the text of six songs and the materials and performances of piano sound are deeply analyzed by understanding the creative background, so as to provide theoretical and practical guidance for pianists. The thesis consists of three parts: introduction, text and conclusion. The introduction discusses the significance of the topic, the status quo of the research, the research methods and the key points. The main body is divided into three chapters. The first chapter expounds the related background of vocal music suite Summer Night, including Berlioz's life, love, the origin of French art songs and Berlioz's artistic song creation. The second chapter makes a detailed and in-depth analysis of the text, the author believes that the text of vocal music works includes lyrics and accompaniment two parts, the first section of the six poetry word-to-word analysis and translation, rhetorical devices, The connotation of thought is expounded. The second section analyzes and summarizes the artistic conception, melody, harmony and rhythm of music text. The third chapter carries on the analysis to the piano sound part, is the main body of this article. The first part of the first section mainly discusses the overall application of piano sound materials in each work, so that readers and performers form a macro understanding of the piano sound. In the second part, the author generalizes the commonly used fabric and expounds the experience of playing. The second section discusses the details of the cooperation between each work and the singer.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J624.1

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