西方音樂的遺傳基因——論巴赫動機的多風格應用
發(fā)布時間：2019-04-27 02:07
【摘要】："巴赫動機"——B-A-C-H,最初出現(xiàn)在巴赫未完成的《賦格的藝術(shù)》中的四重賦格中。此后,"巴赫動機"這一西方音樂的遺傳基因在貝多芬、李斯特、威伯恩、阿爾沃.派爾特、施尼特凱等作曲家的創(chuàng)作中得以傳承,并不斷獲得具有活力的變化,展現(xiàn)出音樂審美觀和清晰的音樂風格發(fā)展的脈絡(luò)。然而,無論風格如何變化,這些作曲家們都竭盡全力地將"巴赫動機"作為全曲的核心結(jié)構(gòu)力來統(tǒng)一全曲,從而表達了對巴赫的崇高敬意。
[Abstract]:Bach motivations, Bach, first appeared in the quad fugue in Bach's unfinished Art of fugue. Since then, "Bach motivation", a genetic gene for Western music, is in Beethoven, Liszt, Wieberne, and Arvo. Pert, Schnitke and other composers were inherited in their works, and constantly obtained dynamic changes, showing the development of musical aesthetics and clear musical style. However, no matter how the style changes, these composers try their best to unify the whole song by using Bach motivation as the core structure of the whole song, thus expressing their high respect for Bach.
【作者單位】： 湖南師范大學音樂學院;
【分類號】：J614
本文編號：2466597
[Abstract]:Bach motivations, Bach, first appeared in the quad fugue in Bach's unfinished Art of fugue. Since then, "Bach motivation", a genetic gene for Western music, is in Beethoven, Liszt, Wieberne, and Arvo. Pert, Schnitke and other composers were inherited in their works, and constantly obtained dynamic changes, showing the development of musical aesthetics and clear musical style. However, no matter how the style changes, these composers try their best to unify the whole song by using Bach motivation as the core structure of the whole song, thus expressing their high respect for Bach.
【作者單位】： 湖南師范大學音樂學院;
【分類號】：J614
【相似文獻】
相關(guān)期刊論文 前4條
1 劉偉;;艾夫斯《三頁奏鳴曲》中的“巴赫動機”[J];齊魯藝苑;2009年01期
2 王素美;論楊維楨的詩[J];河北大學成人教育學院學報;2004年01期
3 王球;;論施尼特凱多風格復調(diào)思維[J];黃鐘(中國.武漢音樂學院學報);2008年02期
4 王穎;;民族音樂素材的“多風格”運用——從陳怡《胡琴組曲》看中國音樂民族特性的體現(xiàn)[J];樂府新聲(沈陽音樂學院學報);2010年03期
相關(guān)碩士學位論文 前1條
1 王球;施尼特凱大協(xié)奏曲中多風格及其復調(diào)技法研究[D];武漢音樂學院;2007年
，本文編號：2466597
本文鏈接：http://sikaile.net/wenyilunwen/qiyueyz/2466597.html
