發(fā)布時(shí)間：2019-04-15 12:08

【摘要】：目前,我國的鋼琴藝術(shù)事業(yè)正處在蓬勃發(fā)展的階段,為了將鋼琴藝術(shù)的演奏理論引向新的理論高度,我們必須從較高層次來探究如何建立鋼琴演奏正確的聲音觀念及處理演奏本身諸多問題的科學(xué)依據(jù)和科學(xué)方法。鋼琴演奏不單是手指的技巧,更重要的是一種很強(qiáng)的藝術(shù)思維活動(dòng)和心理動(dòng)勢。如果演奏者的藝術(shù)思維越高,就越能準(zhǔn)確理解作品、傳達(dá)作品。 靈感在鋼琴演奏中具有重要的作用。目前,靈感在鋼琴藝術(shù)領(lǐng)域中的研究寥寥無幾,作者希望能通過本文對靈感在鋼琴藝術(shù)領(lǐng)域的研究做出有意義的嘗試;希望有助于靈感這一理論體系的建構(gòu)和完善,澄清一些關(guān)于在靈感理論認(rèn)識(shí)上的誤區(qū);希望有助于為靈感在鋼琴演奏中的相關(guān)研究提供一個(gè)新的平臺(tái)。并籍這篇文章“拋磚引玉”,引起鋼琴學(xué)術(shù)界乃至藝術(shù)界之士對這一具有很強(qiáng)理論價(jià)值和實(shí)踐意義的課題的廣泛關(guān)注和研究。 本文在結(jié)合音樂心理學(xué)、音樂美學(xué)、音樂表演學(xué)等學(xué)科的基礎(chǔ)上,借鑒和吸納前人的研究成果進(jìn)行綜合思考研究,主要運(yùn)用邏輯思辯,實(shí)例論證的方法來撰寫這篇論文。文章闡述了靈感的定義、特征、類型、產(chǎn)生的條件和機(jī)制,從三個(gè)方面挖掘了靈感在鋼琴演奏中的作用,重墨歸納了靈感在鋼琴演奏中的四個(gè)激發(fā)途徑。作者認(rèn)為,靈感在鋼琴演奏中有著相當(dāng)重要的作用和科學(xué)的激發(fā)途徑,并期待能夠?yàn)殪`感在鋼琴演奏中的出現(xiàn)創(chuàng)造更多的可能性和有利條件。
[Abstract]:At present, the career of piano art in our country is in the stage of vigorous development, in order to lead the performance theory of piano art to a new theoretical level, We must probe into how to establish the correct sound concept of piano playing and the scientific basis and methods to deal with many problems in piano playing from a higher level. Piano playing is not only a finger skill, but also a strong artistic thinking activity and psychological movement. If the performer's artistic thinking is higher, the more accurate he can understand the work and convey the work. Inspiration plays an important role in piano performance. At present, there are few researches on inspiration in the field of piano art, and the author hopes to make a meaningful attempt at the research of inspiration in the field of piano art through this article. The hope is helpful to the construction and perfection of the theoretical system of inspiration, to clarify some misunderstandings about the theory of inspiration, and to provide a new platform for the study of inspiration in piano performance. This article, "throwing bricks and leading to jade", has aroused the extensive attention and research of piano academics and even art scholars on this subject, which is of great theoretical value and practical significance. On the basis of combining the subjects of music psychology, music aesthetics, music performance and so on, this paper uses the methods of logical thinking and case study to write this paper, drawing on and absorbing the previous research results. This paper expounds the definition, characteristics, types, conditions and mechanisms of inspiration, excavates the role of inspiration in piano performance from three aspects, and sums up four ways of inspiration in piano performance. The author believes that inspiration plays an important role in piano performance and has a scientific way to stimulate it, and hopes to create more possibilities and favorable conditions for the emergence of inspiration in piano performance.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J624.1

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 劉嘉;;關(guān)于鋼琴演奏中音階彈奏技巧的討論[J];才智;2011年10期

2 馬惠敏;;鋼琴演奏藝術(shù)初探[J];大舞臺(tái);2013年06期

3 童師柳;;論學(xué)習(xí)遷移理論對音樂技能訓(xùn)練的價(jià)值[J];人民音樂;2008年10期

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本文編號(hào)：2458137