從琵琶曲《虛籟》看劉天華先生的“虛靜”哲學(xué)思想
發(fā)布時(shí)間:2019-04-13 20:02
【摘要】:劉天華先生琵琶曲《虛籟》,又名《今夕》《長夜吟》,劉先生并未留有音響資料,也沒有任何關(guān)于樂曲的描述,歷年來,許多專家及演奏者對(duì)此曲曲名的涵義進(jìn)行了論證,各存異同。本文從反證法入手,論述了《虛籟》意指“無聲”或“空虛的聲音”論點(diǎn)的不合理性,并從樂曲的創(chuàng)作手法和劉天華先生的美學(xué)觀等角度論述了“《(虛籟》的涵義應(yīng)從哲學(xué)范疇來理解”的觀點(diǎn)。
[Abstract]:Mr. Liu Tianhua's Biwako song, also known as "long Night recital," does not contain sound data or any description of the music. Over the years, many experts and performers have demonstrated the meaning of this song's name. Differences exist. In this paper, the author discusses the irrationality of the argument of "silent" or "empty voice", which means "silent" or "empty sound". From the point of view of music creation technique and Liu Tianhua's aesthetic view, this paper discusses the viewpoint that "the meaning of" (false sound) should be understood from the philosophical category ".
【學(xué)位授予單位】:福建師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J632.33
[Abstract]:Mr. Liu Tianhua's Biwako song, also known as "long Night recital," does not contain sound data or any description of the music. Over the years, many experts and performers have demonstrated the meaning of this song's name. Differences exist. In this paper, the author discusses the irrationality of the argument of "silent" or "empty voice", which means "silent" or "empty sound". From the point of view of music creation technique and Liu Tianhua's aesthetic view, this paper discusses the viewpoint that "the meaning of" (false sound) should be understood from the philosophical category ".
【學(xué)位授予單位】:福建師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J632.33
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