發(fā)布時間：2019-04-04 11:50

【摘要】：本文主要介紹了《神話中國》的合唱的表現(xiàn)特點。全文分為五個部分。 第一章為緒論,一共分為三節(jié)內(nèi)容。第一節(jié)是研究緣起。這一節(jié)里面主要是介紹了《神話中國》的誕生以及為何要寫關于《神話中國》的合唱表現(xiàn)的動機�！渡裨捴袊肥�2012年我國誕生的一部大型的交響合唱,從文化的高度、民族的特色以及極大的規(guī)模以及影響力來說是空前絕后的。第二節(jié)是研究意義。其中研究意義是大型交響合唱音詩《神話中國》的誕生,是一個重大的文化事件,它的兩次展演在中國的音樂舞臺上樹立起一個新的標尺,因為我們欣喜的看到了cantata(康塔塔)“中國式”民族化以后所呈現(xiàn)出的形態(tài)和面貌,從它創(chuàng)作特點以及美學的角度來分析這樣一個作品能更好的讓專業(yè)及業(yè)余合唱團隊認識其藝術價值,讓這一經(jīng)典的作品在中國普及與流傳。第三節(jié)是文獻回顧。其實關于《神話中國》的音樂層面研究論文以及書籍還未出現(xiàn)過,這一節(jié)主要是從合唱作品以及合唱的理論研究來進行文獻資料的整理。 第二章是《神話中國》的概述,分為兩節(jié)。第一節(jié)是《神話中國》的創(chuàng)作背景,本節(jié)將中國合唱創(chuàng)作脈絡進行了梳理,將每個年代具有代表性的合唱作品列出來,在21世紀,中國合唱發(fā)展呈現(xiàn)多元化趨勢,但是卻始終缺少一部大型的具有中國特色,又有一定文化高度的合唱作品,而《神話中國》的出現(xiàn)將填補這一空缺。第二節(jié)是《神話中國》的創(chuàng)作過程,詞作家鄭集思以及曲作家甘霖如何將《神話中國》共同創(chuàng)作進行了細致的描寫。 第三章是《神話中國》中合唱表現(xiàn)的音樂特點。這一章主要是從音樂分析的角度進行研究。第一節(jié)是《神話中國》中的交響性與民族性。交響樂的形式是最容易被世界所接受的音樂形式�！渡裨捴袊穼⒔豁懶赃\用到合唱作品之間,將交響樂團與合唱團進行了很好的結合運用,交響樂團在這里有獨奏的樂段,也有伴奏與烘托合唱團的作用,其中,作曲家運用了很多現(xiàn)代的寫作技巧,將這一作品很好的現(xiàn)代化�！渡裨捴袊窓C具交響性的同時,又是“親切的”。這里的親切指的是在這一作品中,又運用了大量的中華民族的特色,將中國傳統(tǒng)文化與音樂進行了很好的結合。具有濃厚的民族性。第二節(jié)是《神話中國》中合唱表現(xiàn)形式的多元化。多元化是當今中國合唱發(fā)展的一個重要的特征,也是世界音樂發(fā)展的一個總體的趨勢。從合唱的聲音觀念、合唱團的規(guī)模、交響樂團與民樂團的融合等等各方面都體現(xiàn)出《神話中國》合唱表現(xiàn)形式的多元化特征。第三節(jié)是《神話中國》與中國大型合唱作品的異同。這一節(jié)里面,主要是講《神話中國》與中國經(jīng)典的大型合唱《黃河大合唱》進行對比分析,從四個方面：作品內(nèi)容、創(chuàng)作背景、人物形象、音樂結構進行音樂本體的研究分析,將兩個作品的異同進行了詳細的總結。第四節(jié)是以《神話中國》來看中國合唱藝術的特點。在這一節(jié)里,主要是以《神話中國》為例對中國合唱藝術發(fā)展的特點進行了總結。 第四章是《神話中國》的審美特點。從美學的角度對《神話中國》進行分析研究。第一節(jié)是《神話中國》的差異性和同一性。差異性是一個好的音樂作品必須具備的特征。而同一性又是音樂作品中不可缺失的。差異性和同一性有效地融合才使得《神話中國》更加的完美。第二節(jié)是《神話中國》的音樂品格。中國以往的合唱作品大都具有“激昂”的音樂品格�！渡裨捴袊吩诰哂羞@種音樂品格的同時還具有“崇高”。所以這是一個具有一定文化高度的好的音樂作品。第三節(jié)是《神話中國》文學脈絡的審美特征。這一節(jié)主要是介紹了《神話中國》中7個神話故事的文學審美邏輯脈絡。重點分析了其中七個故事的傳說原型、人物性格和故事的文學出處,將這些文學脈絡用邏輯思維的方式聯(lián)系與分析。 最后是結語部分對《神話中國》進行了總結。
[Abstract]:This paper mainly introduces the performance characteristics of the chorus of the myth of China>. The full text is divided into five parts. The first chapter is the introduction, which is divided into three sections A. The first section is the study edge. From this section, this section mainly introduces the birth of the and the reason why the chorus of the is to be written machine. is a large-scale chorus of the birth of China in 2012, from the height of culture, the characteristics of the nation and the great scale and influence II. The second section is the study The significance of the study is the birth of the large-scale chorus sound poem, which is a major cultural event, and its two performances set up a new bid on the music stage in China The ruler, because we are pleased to see the shape and appearance of the Kanata (Kangata) "Chinese style", and analyze such a work from the point of its creation and the angle of aesthetics, so that the professional and amateur choirs will be better recognized by the professional and amateur choirs. Value, let this classic work spread and flow in China Pass. Section III is a document. In fact, the research paper on the music level of the "Myth China>" and the book have not yet appeared, this section is mainly from the chorus works and the theoretical study of the chorus to carry on the documentation. The second chapter is the summary of the "Myth of Myth China>," For the two sections, the first section is the background of the creation of the "Myth China>". This section is to sort out the Chinese chorus writing. This section will show the representative chorus works in each time. In the 21st century, the Chinese chorus develops a diversified trend, but there is always a lack of a large one. The characteristics of the State and the chorus works of a certain cultural height, and the appearance of the will be filled. A vacancy. The second section is the process of the creation of the "Myth China>", and the word writer, Zheng Ji, and the yeast writer, Gan Lin, how to make the "Myth China> Co-creation" in detail. The third chapter is the expression of the chorus in the myth of China> The main part of this chapter is the angle of music analysis. The first section is the "myth of China>" The form of a symphony is most easily accepted by the world In the form of music. The use of the symphony to the chorus is a good combination of the symphony and the chorus, and the symphony orchestra has a solo piece of music. It also has the role of accompaniment and toasting. The composer has used a lot of modern music. The writing technique, which makes this work very important Good modern. / Chunk>. The kindness here means that in this work, the Chinese traditional culture and music have been carried out with a great deal of Chinese characteristics. It's a good combination. It's rich. the nationality of the thickness. The second section is the expression of the chorus in the myth of China> The diversification of the style is one of the important features of the Chinese chorus development, and it is also one of the world's music development The overall trend. From the chorus's voice concept, the chorus's scale, the orchestra's integration with the people's band, and so on, it's all reflected in the myth China> Chorus form. Multi-feature. Section III is China's Large Chorus The similarities and differences of the works are mainly the comparison and analysis of the "Mythical China> and the Chinese classical large-scale chorus The characteristics of art, in this section, are mainly the characteristics of the development of Chinese chorus art in the "Myth of Myth China" as an example. A summary is made. Chapter IV is from the Angle of the Aesthetics to the Make an analysis study. Section 1 is Difference and identity. The difference is a good musical composition The identity must have. And the identity is music. It is not missing in a product. The difference and the identity are effectively fused to make it less than the myth State> More perfect. Section II is " Cang ". ". So this is a cultural height A good musical composition. Section III is the Literature The main part of this section is to introduce the text of the seven fairy tales in the "Myth of Myth China>" The article mainly analyzes the legends, characters and the literary origin of the seven stories, and the logical thinking of the literature. The way to contact and analyze. In the end, the epilogue is for the <-God.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J616.2

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