【摘要】：一直以來，尚德義先生的花腔藝術(shù)歌曲在聲樂教學(xué)領(lǐng)域、各類聲樂比賽、各類音樂會中頻頻演唱；許多碩士研究生把尚德義藝術(shù)歌曲作為碩士論文，從各個層面進(jìn)行過研究。在不同的環(huán)節(jié)對尚先生有不同的稱謂，如“我國著名的作曲家”、“音樂教育家”、“中國花腔藝術(shù)歌曲的開拓者”等等，在這些稱謂下的應(yīng)該是尚先生大量的作品內(nèi)容。尚先生的花腔藝術(shù)歌曲首先體現(xiàn)的是濃郁的民族風(fēng)格，其次樸實的創(chuàng)作手法和獨到的創(chuàng)新理念，“充滿著強烈的藝術(shù)魅力和極高的審美價值”。①這種藝術(shù)歌曲的探索和實踐表現(xiàn)在歌詞內(nèi)涵、旋律的歌唱性、技法的傳統(tǒng)性與創(chuàng)新性的結(jié)合、鋼琴伴奏的精心設(shè)計等方面，不僅推動了創(chuàng)作與演唱上的專業(yè)水準(zhǔn),而且提高了聲樂演唱與教學(xué)的藝術(shù)價值。 本文將對尚德義先生在“文革”時期創(chuàng)作的《千年的鐵樹開了花》（下稱《千》）、20世紀(jì)七十年代創(chuàng)作的《科學(xué)的春天來到了》（下稱《科》）以及改革開放后創(chuàng)作的《七月的草原》（下稱《七》）三首花腔女高音歌曲，從演唱技巧、行腔特征、音樂意境、人聲與鋼琴的完美結(jié)合等方面進(jìn)行探討。
[Abstract]:In the field of vocal music teaching, all kinds of vocal music competitions and various kinds of concerts, many graduate students have studied the art songs of Shang Tak Yi as master's thesis in the field of vocal music teaching, all kinds of vocal music competitions and various kinds of concerts, and many graduate students have carried on the research from various levels. There are different titles for Mr. Shang in different links, such as "famous composers of our country", "music educationists", "pioneers of Chinese flowery art songs", and so on. Under these appellations, there should be a lot of works by Mr. Shang. Mr. Shang's floral art songs first embody a rich national style, followed by simple creative techniques and original innovative ideas. "full of strong artistic charm and extremely high aesthetic value," 1 the exploration and practice of this kind of artistic songs are manifested in the connotation of lyrics, the singing of melodies, the combination of traditional and innovative techniques, the careful design of piano accompaniment, and so on. It not only promotes the professional level of creation and singing, but also improves the artistic value of vocal music singing and teaching. In this paper, Mr. Shang Tak-Yi's "Millennium Iron Tree blossoms" (hereinafter referred to as "Thousand"), which was created by Mr. Shang Tak-Yi during the Cultural Revolution, In the 1970s, three floral soprano songs, "the Spring of Science came" (hereinafter referred to as "Section") and "the grassland of July" (hereinafter "Seven") created after the reform and opening up, were composed in terms of singing skills, the characteristics of the line cavity, and the artistic conception of the music. The perfect combination of human voice and piano is discussed.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J616.2

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